Installed Sound & Others

Showing 33–48 of 66 results

  • 0 out of 5

    Zoom F8n Multi-Track Field Recorder

    Revolutionary Multitrack Field Recorder

    If you work in independent film production or mobile media recording, then the Zoom F8n is the affordable multitrack field recorder you’ve been waiting for. This 8-in/4-out 10-track field recorder offers low-noise preamps, time-code compatibility, extensive onboard metering, and dual redundant SD/SDHC/SDXC card recording at up to 24-bit/192kHz. The F8n’s advanced look-ahead limiter ensures you’ll never lose a great take due to distorted audio. Multiple power sources include internal and external batteries plus AC, and the F8n even goes beyond most high-end field recorders with its included camera-mounting bracket and Bluetooth remote control via a free iOS app.

    Essential Connections for Full-scale Field Recording

    Main inputs via eight locking Neutrik combo jacks

    Despite its small form factor, the F8n manages to offer an impressive amount of I/O. Eight locking Neutrik combo jacks accept both XLR and 1/4″ TRS inputs (with switchable mic/line-level operation) and give you the channel count you need to record stereo and surround sound simultaneously.

    Eight mic pres with phantom power and 75dB of gain

    Each of the F8n’s inputs feeds a separate microphone preamplifier spec’d to an impressive -127dBu EIN and capable of providing up to 75dB of gain. There’s also individually switchable +24-volt/+48-volt phantom power on each mic pre, allowing you to power individual condenser microphones without wasting battery power.

    Powerful headphone amp for monitoring in the field

    To quickly check levels as you’re recording, just plug into the headphone jack. Monitor single or multiple tracks, including the Main and Sub outputs. The powerful 100mW headphone amplifier ensures you’ll be able to monitor in loud environments.

    Professional Multitrack Recording

    Record eight inputs plus a stereo mix

    With the Zoom F8n, you can simultaneously record all eight inputs plus a separate 2-track stereo mix, which is essential for efficient editing workflows.

    Built-in processing for optimal audio

    An impressive track count is only the beginning of the F8n’s recording capabilities. An adjustable limiter provides 10dB of extra headroom for each track, highpass filters cut down wind noise, and an optional 6-second pre-record buffer ensures you won’t miss a cue.

    Redundancy = reliability

    The Zoom F8n offers redundant recording to two separate SD/SDHC/SDXC cards (up to 512GB each). And automatic saving ensures your data is safe, even if disaster strikes.

    Zoom mic capsule input

    For an easy on-camera audio setup, you can connect any optional Zoom mic capsule directly to the Zoom F8n.

    Essential Time Code Compatibility

    Full time-code support

    Time code is the backbone of media production, and the Zoom F8n offers BNC connectors for integration with standard media rigs and a full range of time-code formats, including drop frame and non-drop settings. You can also jam-sync the Zoom F8n if a cabled connection isn’t possible.

    Highly accurate sync

    Thanks to its precision oscillator, the Zoom F8n generates time code at 0.2 ppm accuracy. You’re sure to achieve rock-solid video and audio synchronization.

    Critical Metering at a Glance

    Full-color display

    Metering is absolutely critical when you’re recording in the field, and in poor-visibility environments, the Zoom F8n’s high-visibility meters and displays are real lifesavers. The 2.4″ LCD display, which is switchable between full-color and monochromatic modes, provides you with enough resolution to keep track of all your input settings, time code, battery power, master levels, and more.

    LED channel meters

    Each input on the Zoom F8n has a 6-segment LED meter to help you optimize signal levels while avoiding clipping. The meters are adjustable, so you can make them dim enough to stay subtle in dark locations or bright enough to remain easy to read in full sunlight.

    Remote metering via iOS

    The Zoom F8n has built-in Bluetooth for connecting to iOS devices. That means you can turn to your phone or tablet for metering audio levels from anywhere within Bluetooth range.

    Flexible Power Options

    Ready for DC battery packs

    The Zoom F8n delivers the portability you’d expect from a professional multitrack field recorder. A 4-pin Hirose connector provides easy compatibility with standard 9-volt to 16-volt DC battery packs, providing a near-universal solution for extended shoots and mobile recording applications.

    Uses AA batteries efficiently

    You can always load the F8n with eight standard AA batteries when run-and-gun recording makes bulky battery packs inconvenient. In fact, you can keep a set of AAs in the F8n and have it switch to internal backup power at a user-definable voltage, and optional headphone power alerts can keep you on top of low-power situations.

    AC adapter included

    When you don’t need battery power, you can always switch to the included 12-volt AC adapter. With three ways to power it, the Zoom F8n has the flexibility you need in the field.

    Zoom F8n Multitrack Field Recorder Features:

    • Record all 8 input sources plus a stereo mix
    • 8 mic pres with phantom power and 75dB of gain
    • Limiting, delay, highpass processing, and more onboard
    • Dual SD card recording provides instant backup security
    • Full time-code support for use with professional setups
    • Includes all standard drop frame and non-drop formats
    • Time code I/O via universally compatible BNC connectors
    • Camera-mount adapter simplifies tripod rigging
    • Choose from 3 power options for maximum portability
    • Add Zoom mic capsules for on-camera recording
    • Comprehensive metering options include LCD display and LED meters
    • Access advanced functions and metering via iOS app

    Tech Specs

    • Audio Interface:10 x 4 Field Recorder
    • A/D Resolution:Up to 24-bit/192kHz
    • Simultaneous Rec Tracks:8 sources, plus stereo mix
    • Simultaneous Play Tracks:10 (8 plus stereo mix)
    • Built-in Mic(s):Slate Mic
    • Analog Inputs:8 x XLR-1/4″ combo, 10-pin Mic Connector (Zoom mic capsules)
    • Analog Outputs:2 x TA3 (main out), 1 x 1/8″ TRS (sub out)
    • Headphones:1 x 1/4″
    • Memory (removable):2 x SD/SDHC/SDXC Card Slots (up to 512GB each)
    • File Format:WAV
    • USB:1 x Type Mini-B
    • Clock I/O:In, Out
    • Software:Zoom AutoMix, Cubase LE (download code), WaveLab LE (download code)
    • Power Supply:12V DC power supply (included) / 8 x AA batteries / 4-pin Hirose 9-18V DC power supply (sold separately)
    • Battery Life:Up to 8 hours @ 48kHz (Lithium), Up to 6 hours @ 48kHz (NiMH), Up to 3 hours @ 192kHz (Lithium)
    • Stand Mountable:Tripod Mount,
    • Height:2.1″
    • Width:7.0″
    • Depth:5.5″
    • Weight:2.2 lbs.
    • Manufacturer Part Number:ZF8N
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  • 0 out of 5

    Zoom H1n Handy Recorder

    8,899.00

    Zoom H1n: Mobile 24/96 Recorder with Onboard XY Mics

    The Zoom H1n’s dead-simple stereo pickup with unlimited overdubs makes archiving music performances, dialogue, and sound for film easier than ever. The Zoom H1n is the successor to the acclaimed H1. Upgraded features include dedicated one-touch buttons for recording, playback, and audio settings; a new 1.25-inch backlit LCD that reads easily in any lighting condition; slate and test tone generators for simpler A/V sync; auto-record and self-timer functions; a front-facing speaker; and adjustable playback speed for transcription and notation. Whether you use the phase-coherent onboard stereo XY mics or plug in your own sound source via the 1/8-inch stereo mic/line jack, the Zoom H1n captures your world in glorious 24/96 hi-fi. Note: requires an SD card for recording (sold separately).

    Zoom H1n features a brighter, crisper backlit LCD display

    The new 1.25-inch monochromatic display on the Zoom H1n looks great in virtually all lighting conditions. The layout is clean and organized, and the backlight pops in the dark or direct light.

    Distortion-free audio recording

    Auto-Level and onboard limiting provide up to 120 dB of distortion-free audio — more than enough headroom to reproduce the most dynamic spoken and musical performances.

    Unlimited overdubs — great for multitrack audio

    Zoom even lets you overdub audio onto your existing recordings. This makes the Zoom H1n an essential tool for the touring artist or songwriter on the move.

    Tone generators and timer tools

    The Zoom H1n is even easier to use than previous iterations. Slate and test tone generators enable picture-perfect audio and video sync, while auto-record and self-timer features make sure you never miss the moment.

    Onboard stereo XY mics plus mic/line jack

    A pair of built-in stereo condenser microphones oriented in a fixed 90° XY pattern captures audio in perfect phase-coherent stereo. But when the occasion demands, a 1/8-inch mic/line input lets you use your studio and shotgun mics. Broadcast-ready, BWF-compliant 24/96 WAV and space-saving MP3 audio formats are available to suit your needs.

    10 hours from Two AAA batteries

    The Zoom H1n promises up to 10 hours of operation using just 2 AAA alkaline batteries. Rechargeable Li-ion and NiMH AAA batteries may promise even better performance. Or, for home use, simply run the Zoom off of USB power (cable and adapter not included).

    USB connectivity

    Connect the Zoom H1n to your device via USB to use it as an audio interface, or to drag files to your workstation. Whether you record at home or on location, the Zoom H1n from us captures clean audio without fuss.

    Zoom H1n Handy Recorder Features:

    • Mobile 24/96 audio recorder with onboard stereo XY mics
    • Crisper, cleaner backlit 1.25-inch display
    • Captures phase-coherent stereo audio
    • Updated mic shield is sonically transparent
    • Dedicated buttons for audio format and settings
    • One-touch recording and playback
    • Auto-record, self-timer, and pre-record ensure you never miss a moment
    • Slate and test tone generators simplify A/V sync
    • Variable playback speeds for transcription and notation
    • Auto-Level and Limit functions offer 120dB of distortion-free audio
    • USB connectivity for file transfer and interfacing
    • Stereo 1/8-inch mic/line input supports other mics and sound sources
    • Stereo 1/8-inch headphone/line output with volume control
    • Records audio as BWF-compliant 24/96 WAVs or space-saving MP3s
    • Supports microSD/HC cards up to 32GB (sold separately)
    • Up to 10 hours of operation from 2 AAA alkaline batteries (not included)
    • USB-powered for more permanent installs (cables/adapter not included)

    Tech Specs

    • Audio Interface:2 x 2 SD Recorder
    • A/D Resolution:24-bit/96kHz
    • Simultaneous Rec Tracks:2
    • Simultaneous Play Tracks:2
    • Built-in Mic(s):90° XY Stereo Condenser Mics (up to 120dB SPL)
    • Analog Inputs:1 x 1/8″ TRS (mic/line)
    • Analog Outputs:1 x 1/8″ TRS (headphones/line out)
    • Headphones:Yes (shared out)
    • Built-in Speaker:Yes
    • Memory (removable):microSD/SDHC (up to 32GB)
    • File Format:WAV, MP3
    • Effects:Speed Control (playback), Tone/Filter presets
    • USB:1 x Type Micro-B
    • Power Supply:2 x AAA batteries / USB 5V DC adapter (sold separately)
    • Battery Life:10 hours
    • Stand Mountable:Optional MA-2 mic stand adapter (sold separately)
    • Height:1.25″
    • Width:1.96″
    • Depth:5.41″
    • Weight:0.13 lbs.
    • Manufacturer Part Number:ZH1N

     

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  • 0 out of 5

    Zoom H4n Pro Handy Recorder

    23,999.00

    Capture Location Sound Like a Pro

    Zoom’s Handy Recorders set the standard for portable field recording devices. Now Zoom raises the bar again with the H4n Pro. The H4n Pro’s state-of-the-art XY mics, natural-sounding preamps, and ultra-low noise floor let you record everything with stunning realism, from the roar of a rocket to the drop of a pin. With its locking XLR/TRS connectors, the H4n Pro is ideal for recording film location sound, podcasts, and concerts. Flip from stereo to 4-channel mode, and you can sweeten a board feed with live room ambience in real time. And its punch-in and overdubbing capabilities and studio-grade effects turn the Zoom H4n Pro into a veritable handheld multitrack studio.

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    Zoom H5 Handy Recorder

    22,999.00

    Revolutionary Run-and-gun Zoom H5 Recorder!

    The Zoom H5 Handy Recorder provides you with four tracks of portable recording power, letting you create professional 24-bit/96kHz recordings anywhere your creativity takes you. It comes standard with an XYH-5 XY microphone capsule, which you can swap out for other microphones and input modules to fit any recording situation. Two combo inputs, complete with onboard microphone preamps and switchable -20dB pads, let you connect the Zoom H5 with anything from phantom-powered condenser microphones to extremely hot line-level sources. Top it off with onboard processing, stellar recording options, and the fact that it doubles as a USB audio interface, and you can imagine how useful the Zoom H5 Handy Recorder can be.

    Totally Flexible I/O

    Swap out capsules to get the mics and I/O you need

    For such a small, lightweight, and inexpensive portable device, the Zoom H5 Handy Recorder delivers a full set of professional-level I/O. First up, there’s the H5’s modular expansion port, which lets you connect the same amazing modular capsules Zoom introduced with the H6. You can read all about them in our Zoom Capsule Buying Guide. What’s more, the Zoom H5 comes with an XYH-5 capsule, which is an awesome shockmounted XY microphone that’s great for stereo recording. This capsule also includes an 1/8″ stereo input, but the H5 itself comes equipped with a pair of impressive combo jack inputs, each with its own volume dial and switchable -20dB pad. These inputs let you connect anything from phantom-powered condenser microphones to extremely hot line-level sources. And when it comes to monitoring, the Zoom H5 offers you both a line and a headphone output plus a built-in speaker.

    Zoom H5 I/O at a Glance:

    • Two onboard combo jacks provide mic- and line-level input via XLR or 1/4″ TRS/TS
    • Independent volume controls and switchable -20dB pads provide easy level control
    • Extra inputs available via swappable capsules (See Zoom Capsule Buying Guide)
    • Headphone and line-level outputs provide stereo sound for monitoring and playback
    • Review your recordings without external gear via the onboard monophonic speaker

    Always Ready to Record

    With Pre-record, Backup-record, and Auto-record functions

    There’s something inherently unpredictable about field recording, which makes it unnervingly easy to miss critical takes. Zoom equipped their H5 Handy Recorder with three powerful recording modes to spare you the stress of a lost or ruined recording opportunity: Pre-record, Backup-record, and Auto-record. With Pre-record, the Zoom H5 is continuously buffering the last two seconds of audio, which it includes with every recording. So, even if you hit record late, you’re still likely to capture the sound you thought you missed. Along a similar line of thinking is Zoom H5’s Backup-record function, which records a separate stereo mix at 12dB down from your current settings (44.1/48kHz only). That way, if a sudden audio spike causes your input to clip, you still have a clean backup to work with. Finally, there’s Auto-record, which starts recording when the volume passes a certain threshold.

    Zoom H5 Recording Options at a Glance:

    • Pre-record function keeps you from missing once-in-a-lifetime recordings
    • Continuous 2-second buffer lets you capture precious moments before you hit record
    • Backup-record prevents unexpected audio spikes from ruining your takes
    • Simultaneously records a second -12dB stereo track to provide a backup
    • Auto-record function starts recording when the input crosses a volume threshold

    Built-in Processing and More

    Take advantage of a complete toolbox of onboard options

    Here, we’ve come to expect a lot from Zoom products, and the H5 Handy Recorder more than delivers. For starters, the Zoom H5 includes both onboard compression and limiting, which lets you smooth out your sound and prevent volume spikes from clipping your input levels. Likewise, there’s a switchable highpass (low-cut) filter, which lets you cut out low-end rumble, reduce wind and handling noise, and decrease the impact of pops and plosives. There are also valuable tools onboard that really come in handy if you’re a musician. For instance, the Zoom H5 includes both a metronome and a multimode tuner, along with advanced playback functions that let you change pitch, vary speed, and loop sections to make mastering difficult passages much easier.

    Zoom H5 Advanced Functions at a Glance:

    • Onboard compression lets you smooth out levels for more polished recordings
    • Built-in limiter helps to prevent sudden level spikes from overloading your input
    • Highpass (low-cut) filter lets you tame wind and handling noise at the source
    • Includes a metronome and a chromatic tuner with handy guitar and bass settings
    • Independent pitch and playback speed plus looping are invaluable practice tools

    Marathon Recording Machine

    Impressive battery life plus plenty of onboard storage

    When you’re recording in the field, the last thing you want to deal with is running out of storage or battery power. You’ve got to hand it to Zoom — they certainly took that into account when they designed the H5 Handy Recorder. On the storage side, compatibility with up to 32GB SDHC card media means that even if you’re recording at maximum resolution (four tracks of 24-bit/48kHz or two tracks of 24-bit/96kHz), you can pack over 16 hours of audio onto a single card. And if you’re concerned about conserving disk space, then you can always record in stereo MP3 at up to 320kbps. And speaking of marathon recording sessions, you’ll be happy to know that just a pair of AA batteries will power your Zoom H5 for about 15 hours. We’re talking about everyday AAs here too, so keeping spare juice on hand is no big deal, if you think you’ll need it.

    Zoom H5 Recording Capacity at a Glance:

    • Records for up to 15 hours on just two alkaline or rechargeable NiMH AA batteries
    • USB bus power provides alternative power options with or without a computer
    • Captures audio directly to SD/SDHC card media up to 32GB for extended sessions
    • Track professional Broadcast Wave Format (BWF) audio at up to 24-bit/96kHz
    • Record high-quality MP3s at up to 320kbps for extremely long recording applications

    Versatile USB Audio Interface

    From field recorder to USB audio interface in a single cable

    Not only is the Zoom H5 Handy Recorder an amazing field recorder, but it’s also a super-portable 4-in/2-out USB audio interface too. How cool is that?! We’ll tell you. For starters, because it’s class compliant, you can plug your H5 into just about any Mac or Windows PC, or even your iPad (via the Apple Camera Connection Kit), and get up to four inputs and two outputs right to your favorite DAW software or recording app. Need a good recording application? No problem — Zoom includes a copy of Steinberg’s Wavelab LE to get you going. What’s more, all of the H5’s onboard processing is available even when you use it as an interface, so you can track with compression, limiting, and filtering. There’s zero-latency input monitoring to make recording easier, plus a cool Loop Back mode that lets you mix and record a stereo feed over USB along with the H5’s inputs.

    Zoom H5 USB Interface at a Glance:

    • Offers full 4-in/2-out USB recording to your Mac, Windows PC, or iPad
    • Onboard compression, limiting, and filtering available when connected
    • Direct monitoring provides zero-latency recording capabilities
    • Loop Back mode lets you record USB and external inputs together
    • Includes a copy of Steinberg’s Wavelab LE recording software

    Zoom H5 Handy Recorder Features:

    • A versatile 4-in/2-out mobile recording system
    • 2 XLR/TRS combination inputs with microphone preamps and phantom power (+12/+24/+48V) accommodate most analog connections
    • Modular input connection lets you attach onboard microphones and additional input jacks
    • Gain knobs for each input make setting levels fast and easy
    • Shockmounted XYH-5 XY stereo microphone module included
    • Captures audio at up to 24-bit/96kHz professional-grade resolution
    • Doubles as a handy USB recording interface with your Mac, Windows PC, or iPad (via Apple Camera Connection Kit)
    • Large LCD display makes navigation and setup extremely easy
    • Built-in processing includes highpass filtering, compression, limiting, and M-S stereo width decoding
    • Loop playback, variable playback speed (from 50% to 150%), and variable pitch per track make this an excellent practice tool
    • Chromatic tuner and metronome built in for added convenience
    • Records onto SD and SDHC storage media with up to 32GB capacity
    • Record for up to 15 hours on just 2 AA batteries
    • Includes operation manual, 2 AA batteries, USB cable, foam windscreen, Wavelab LE software, and carrying case
    • Optional shotgun mic, input expansion module, and hot shoe mount accessory also available

    Tech Specs

    • Audio Interface:Yes (via USB)
    • A/D Resolution:16-bit/44.1 kHz, 24-bit/96kHz
    • Simultaneous Rec Tracks:4
    • Simultaneous Play Tracks:4
    • Built-in Mic(s):XYH-5 X/Y mic
    • Analog Inputs:2 x XLR-1/4″ combo, 1 x 1/8″
    • Analog Outputs:1 x 1/8″
    • Headphones:1 x 1/8″
    • Built-in Speaker:Yes
    • Memory (removable):SD/SDHC Card Slot (up to 32GB)
    • Effects:Compression, Limiting, Low-cut filter, Metronome, Tuner, Playback Looping, Pitch Change, Variable Playback Speed
    • USB:Yes
    • Power Supply:AA battery, AC, USB bus power
    • Battery Life:Over 15 hours
    • Stand Mountable:Yes (Mountable to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter)
    • Height:1.66″
    • Width:5.21″
    • Depth:7.77″
    • Weight:0.59 lbs.
    • Manufacturer Part Number:ZH5
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    Zoom H6 Handy Recorder

    33,999.00

    Magnificently Modular!

    Zoom’s H6 All Black Handy Recorder portable recording system gives you everything you need to capture quality audio anywhere. Four XLR/TRS combo inputs complete with onboard microphone preamps provide a solid basis for hooking up studio mics or taking feeds from line-level equipment. On top of that, the H6 features an XY mic module, which you can swap out with additional aftermarket input modules. Add to that its impressive battery life and professional 24-bit/96kHz recording quality, and it’s no wonder the Zoom H6 All Black Handy Recorder is making waves!

    Super-flexible I/O

    All of the input and output options you need

    One of the things that make the Zoom H6 All Black Handy Recorder such a field-recording workhorse is its extensive I/O, which puts its functionality comfortably on par with the high-end dedicated recorders used by film and television professionals. On the body of the H6 alone, you’ll find four combo jacks, each with its own volume dial and switchable -20dB pad. These inputs let you connect anything from phantom-powered condenser microphones to extremely hot line-level sources. Cooler still is the All Black’s modular expansion port, which lets you connect microphones such as the included XY capsule. Read all about them in our Zoom Capsule Buying Guide. As for monitoring, you get both a line and a headphone out, plus a built-in speaker for mono playback.

    Zoom H6 All Black I/O at a Glance:

    • Four onboard combo jacks provide microphone- and line-level input on XLR or 1/4″ connections
    • Independent volume controls and switchable -20dB pads provide hands-on control over your levels
    • Up to two additional inputs available via swappable capsules
    • Headphone and line-level outputs provide stereo sound for monitoring and playback
    • Review your recordings without external gear via the onboard monophonic speaker

    Always Ready to Record

    With Pre-record, Backup-record, and Auto-record functions

    There’s something inherently unpredictable about field recording, which makes it unnervingly easy to miss critical takes. Zoom equipped their H6 All Black Handy Recorder with three powerful recording modes to spare you the stress of a lost or ruined recording opportunity: Pre-record, Backup-record, and Auto-record. With Pre-record, the All Black is continuously buffering the last two seconds of audio, which it includes with every recording. So, even if you hit record late, you’re still likely to capture the sound you thought you missed. Along a similar line of thinking is the H6’s Backup-record function, which records a separate stereo mix at 12dB down from your current settings. That way, if a sudden audio spike causes your input to clip, you still have a clean backup to work with. Finally, there’s Auto-record, which starts recording when the volume passes a certain threshold.

    Zoom H6 All Black Recording Options at a Glance:

    • Pre-record function provides a buffer that keeps you from missing once-in-a-lifetime recordings
    • Continuous 2-second buffer lets you capture precious moments before you hit record
    • Backup-record prevents unexpected audio spikes from clipping your inputs and trashing your takes
    • Simultaneously records a second -12dB stereo track to provide a backup in case your original track distorts
    • Auto-record function starts recording as soon as the input crosses a certain volume threshold

    Professional Processing

    Polish your tracks before you ever hit the studio

    The dynamics processing onboard the Zoom H6 All Black Handy Recorder serves two important purposes: first, it smooths out your audio for a more polished sound, and second, it keeps your input levels from clipping. In addition to the general compression and limiting settings that work well in most situations, the H6 All Black offers you advanced settings for specific applications. Additional compression settings let you smooth out vocals or punch up drums, and task-oriented limiting modes deal with the consistently high sound-pressure level of live concerts and the sudden spikes of small-room audio production perfectly. What’s more, the H6 includes a switchable highpass filter that lets you cut out wind and handling noise and tame plosives. Additionally, you’ll find handy tools such as a metronome and multimode tuner onboard the H6 All Black, plus pitch shifting and looping capabilities.

    Zoom H6 All Black Onboard Processing at a Glance:

    • Standard compression and limiting provide studio polish and prevent overloading
    • Advanced compression modes smooth out vocals and punch up drums
    • Additional limiter settings are ideal for live concert or small-room recording
    • Highpass (low-cut) filter lets you tame wind and handling noise at the source
    • Handy metronome and chromatic tuner with guitar and bass settings onboard

    Marathon Recording Machine

    Awesome battery life meets massive onboard storage

    Running out of space or juice in the middle of a recording is a real drag, which is why many of us have come to appreciate the extra steps Zoom made to protect the H6 All Black Handy Recorder from these everyday disasters. For starters, you can record for the better part of a day with your H6 running on just four AA batteries. And these are just your run-of-the-mill AAs, so keeping a spare pack on hand is no big deal. What is a big deal is that you can record directly onto SD, SDHC, and SDXC cards for up to 128GB of recording space. Even if you’re recording six tracks at 24-bit/96kHz, you can still track over 20 hours of audio on a 128GB card. Onboard overdubbing capabilities also help you make the most of your recording capacity. And if you’re concerned about conserving disk space, then you can always record in stereo MP3 at up to 320kbps.

    Zoom H6 All Black Recording Capacity at a Glance:

    • Records for up to 20 hours on just four alkaline or rechargeable NiMH AA batteries
    • USB bus power provides excellent alternative power options with or without a computer
    • Captures audio directly to SD card media up to 128GB for extended tracking sessions
    • Track professional Broadcast Wave Format (BWF) multitrack audio at up to 24-bit/96kHz
    • Record high-quality MP3s at up to 320kbps for extremely long recording applications

    Versatile USB Audio Interface

    From field recorder to 6 x 2 audio interface in a single cable

    Not only is the Zoom H6 All Black Handy Recorder an amazing field recorder, but it’s also a super-portable USB audio interface too. How cool is that?! We’ll tell you. For starters, because it’s class compliant, you can plug your H6 into just about any Mac or Windows PC, or even your iPad (via the Apple Camera Connection Kit), and get up to six inputs and two outputs right to your favorite DAW software or recording app. And if you don’t already have a DAW of choice, Zoom includes a copy of Steinberg’s Cubase LE to get you going. What’s more, all of the All Black’s onboard processing is available even when you use it as an interface, so you can track with compression, limiting, and filtering. There’s zero-latency input monitoring to make recording easier, plus a cool Loop Back mode that lets you mix and record a stereo feed over USB along with the H6’s inputs.

    Zoom H6 All Black USB Interface at a Glance:

    • Offers full 6-in/2-out USB recording to your Mac, Windows PC, or iPad
    • Onboard compression, limiting, and filtering available when connected
    • Direct monitoring provides zero-latency recording capabilities
    • Loop Back mode lets you record USB and external inputs together
    • Includes a copy of Steinberg’s Cubase LE DAW software

    Zoom H6 All Black Handy Recorder Features:

    • A versatile 6-in/2-out mobile recording system
    • 4 XLR/TRS combination inputs with microphone preamps and phantom power (+12/+24/+48V) accommodate most analog connections
    • Modular input connection lets you attach onboard microphones and additional input jacks
    • Gain knobs for each input make setting levels fast and easy
    • Shockmounted XYH-6 XY stereo microphone module included
    • Captures audio at up to 24-bit/96kHz professional-grade resolution
    • Doubles as a handy USB recording interface with your Mac, Windows PC, or iPad (via Apple Camera Connection Kit)
    • Large LCD display makes navigation and setup extremely easy
    • Built-in processing includes highpass filtering, compression, limiting, and M-S stereo width decoding
    • Loop playback, variable playback speed (from 50% to 150%), and variable pitch per track make this an excellent practice tool
    • Chromatic tuner and metronome built in for added convenience
    • Records onto SD and SDHC storage media with up to 128GB capacity
    • Record for up to 20 hours on just 4 AA batteries
    • Includes operation manual, 4 AA batteries, and Cubase LE software
    • Optional shotgun mic, input expansion module, and hot shoe mount accessory also available

    Tech Specs

    • Audio Interface:Yes (via USB)
    • A/D Resolution:24-bit/96kHz
    • Simultaneous Rec Tracks:6
    • Simultaneous Play Tracks:6
    • Built-in Mic(s):Modular (includes X/Y mic capsule)
    • Analog Inputs:4 x XLR-1/4″ combo (mic/line)
    • Analog Outputs:1 x 1/8″ TRS (stereo line out)
    • Headphones:1 x 1/8″
    • Built-in Speaker:Yes
    • Memory (removable):SD/SDHC/SDXC (up to 128GB)
    • File Format:WAV, MP3
    • Effects:Highpass filter, Compressor, Limiter
    • USB:1 x Type Mini-B
    • Software:WaveLab LE, Cubase LE (download license)
    • Power Supply:4 x AA (alkaline or NiMH) / USB bus powered
    • Battery Life:20 hours
    • Stand Mountable:Yes (via optional adapter)
    • Height:6.01″
    • Width:3.06″
    • Depth:1.88″
    • Weight:0.62 lbs.
    • Manufacturer Part Number:ZH6AB
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    Shure CVG18DS-B/C Goosneck Microphone

    23,062.00

    Clear Sound for a Variety of Applications

    Gooseneck microphones are essential for conferences, lectures, and setups where a speaker prefers to have their hands free. Here, we recommend the Shure CVG18D-B/C mic as an extremely versatile and easy-to-use solution for any form of public address. The CVG18D-B/C’s dual-section long 18-inch gooseneck allows nearly unlimited positioning, making it an excellent choice for those who need a mic that excels in a variety of spaces. A cardioid polar pattern functions to reject sounds from the back and sides, fostering a clear, accurate delivery of your voice, and your voice only. Shure’s inline preamp provides greater sensitivity to your every word, especially if you need to place the mic at a distance. Commshield RF filtering technology prevents unwanted interference from the ever-growing presence of noise caused by intense radio signals and portable wireless devices. It all adds up to the CVG18D-B/C offering a remarkably noise-free experience, all in a straightforward and reliable package.

    Shure CVG18D-B/C Condenser Gooseneck Microphone Features:

    • Cardioid polar pattern to accurately capture your voice while rejecting noise from the back and sides
    • Dual-section 18-inch gooseneck for endless flexibility in positioning
    • Shure’s Commshield RF filtering technology protects against unwanted noise caused by wireless devices, smartphones, and radio signals
    • Inline preamp to allow speaking from a distance and to capture your voice accurately
    • Snap-fit windscreen and built-in desktop base for easy setup in less-than-ideal conditions
    • Plug-and-play XLR connector

    Tech Specs

    • Microphone Type:Condenser
    • Polar Pattern:Cardioid
    • Frequency Response:70Hz-16kHz
    • Max SPL:120dB SPL
    • Output Impedance:180 ohms
    • Signal to Noise Ratio:67dB
    • Self Noise:27dB
    • Connector:XLR
    • Gooseneck Length:18″
    • Power Source:11-52V phantom power
    • Included Accessories:Desktop Base
    • Manufacturer Part Number:CVG18DS-B/C
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    Behringer ULTRADRIVE PRO DCX2496 Loudspeaker Management System

    46,499.00

    Powerful Loudspeaker Management

    The Behringer Ultra-Drive Pro DCX2496 is your workhorse tool for the exacting set-up of multiple loudspeaker systems or arrays. The DCX2496 gives you superb AKM 24-bit/96kHz digital converters for exceptional signal integrity and a robust dynamic range of 113dB. You also get four different mono and stereo output operating modes, your choice of Butterworth, Bessel and Linkwitz-Riley filters, adjustable delays for all inputs and outputs, limiters across all output channels, and a potpourri of EQ options. If you’ve got a passel of loudspeakers to manage, you need Behringer’s Ultra-Drive Pro DCX2496.

    Behringer Ultra-Drive Pro DCX2496 at a Glance:

    • Max flexibility
    • Have it your way
    • Control freak

    Max flexibility

    The Behringer Ultra-Drive Pro DCX2496 is all about giving you massive flexibility. With its 3 analog inputs (one works as a digital stereo AES/EBU input) and 6 analog outputs, you get maximum flexibility in just one rack space. High-end AKM 24-bit/96kHz D/A and A/D converters give you major signal integrity and a breathtaking dynamic range of 113dB. Effortless connection of external digital signals (with sampling rates from 32 to 96kHz) is a cinch with the DCX2496’s built-in sample rate converter. You get exacting dynamic EQs for level-dependent equalization and highly musical parametrics, selectable for all inputs and outputs. “Zero-attack” limiters across all output channels guarantee optimized signal and loudspeaker safety.

    Have it your way

    The Behringer Ultra-Drive Pro DCX2496 gives you four different mono/stereo output operating modes, all having individual crossover filter types (Butterworth, Bessel and Linkwitz-Riley) with selectable roll-off characteristics from 6 to 48dB/octave. You also get adjustable delays for all inputs and outputs, letting you manually or automatically correct for variables such as room temperature, phase, and arrival time discrepancies. A sum signal can easily be extracted from the three inputs.

    Control freak

    You’ll appreciate the Behringer Ultra-Drive Pro DCX2496’s future-proof design. Ultradrive Pro software allows single- or multi-remote control via PC through RS-232 and RS-485 protocols. Further, the link option via RS-485 network interface enables cascading of several Ultra-Drive Pros. (Windows-based editing software is available for free download.) The DCX2496’s open architecture ensures effortless software updates, and its PCMCIA slot lets you store your settings and recall them anytime you change locations. Now, that’s powerful! That’s the Behringer Ultra-Drive Pro DCX2496.

    Behringer Ultra-Drive Pro DCX2496 Features:

    • 3 analog inputs (one suitable as digital stereo AES/EBU input) and 6 analog outputs for maximum flexibility
    • 24-bit/96kHz A/D and D/A converters for ultimate signal integrity and wide dynamic range (113dB)
    • Integrated sample rate converter for easy connection of external digital signals
    • Dynamic EQs for level-dependent equalization and highly musical Parametric EQs, selectable for all ins and outs
    • Multiple EQ types (LP/BP/HP) for each input and output
    • “Zero-attack” limiters on all output channels for optimal speaker protection
    • Four different mono and stereo output operating modes
    • Individual crossover filter types (Butterworth, Bessel and Linkwitz-Riley) with selectable roll-off characteristics
    • Adjustable Delays for all inputs and outputs
    • Additional Sum signal derived from the A/B/C inputs offers a fourth internal input signal
    • Free Ultradrive Pro software enables total control via PC through RS-232 and RS-485 interfaces
    • Link option via RS-485 network interface enables cascading of several Ultradrive Pros
    • 60 user-defined internal presets storable via PC software or on PCMCIA card
    • Servo-balanced, gold-plated XLR connectors for all inputs and outputs
    • Internal switch-mode power supply for 100-240V flexibility, superior audio performance, and energy efficiency
    • High-quality components and exceptionally rugged construction ensure long life

    Manage your loudspeakers with the Behringer Ultra-Drive Pro DCX2496!

    Tech Specs

    • Number of Channels:6
    • Presets – User:60
    • EQ:Dynamic, Parametric
    • Analog Inputs:3 x XLR
    • Analog Outputs:6 x XLR
    • Rack Spaces:1U
    • Height:1.75″
    • Depth:8.5″
    • Width:19″
    • Weight:6.61 lbs.

     

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    Behringer Ultragraph Pro FBQ1502HD Graphic Equaliser

    14,699.00

    Affordable 15-band Equalizer

    The Behringer Ultragraph Pro FBQ1502HD 15-band graphic equalizer is loaded with the professional features you need for dialing in great live sound. An FBQ Feedback Detection system quickly locates problem frequencies, while a Planet Earth switching power supply yields noise-free audio, superior transient response, and efficient power consumption. Its 4580 dual op-amps exhibit low noise and excellent sound quality. Remove floor rumble and other unwanted low-end frequencies with a highpass (low-cut) filter on each channel. The Ultragraph Pro’s 12-segment LED meter is extremely precise, and its input gain controls make setting levels a piece of cake. The Behringer Ultragraph Pro 15-band graphic equalizer is a great value for your studio or live sound rig. Live and recorded sound enthusiasts here love the Behringer FBQ1502HD 15-band graphic equalizer and know you will too.

    Top-quality components deliver excellent sound quality

    Thanks to excellent engineering, the Behringer Ultragraph Pro is a real performer. The 4580 dual op-amps employed throughout supply great signal integrity, while a Planet Earth switching power supply ensures low noise and superior transient response. The Ultragraph Pro is ideal for adding the finishing touch to your live show or home recording.

    High and lowpass filters ensure clean sound

    The sweepable highpass (low-cut) filter on each of the Behringer Ultragraph Pro’s channels attenuate unwanted sounds such as wind noise, floor rumble, electrical hum, and more. Ask any of the live sound techs here, and they’ll tell you that unnecessary low-frequency content really eats up your power amp’s headroom. And having the ability to fine-tune your overall sound results in crystal-clear, dynamic output with the perfect level of low-end punch.

    Behringer Ultragraph Pro FBQ1502HD Stereo Equalizer Features:

    • 15-band stereo graphic equalizer for live and studio applications
    • FBQ Feedback Detection system quickly locates problem frequencies
    • 4580 dual op-amps exhibit low noise and excellent sound quality
    • Planet Earth switching power supply yields noise-free audio, superior transient response, and efficient power consumption
    • Dedicated mono subwoofer output with adjustable crossover frequency
    • Highpass (low-cut) filter on each channel tames unwanted frequencies
    • 12-segment LED meter and input gain controls make setting levels easy
    • Relay-controlled hard-bypass with auto-bypass function during power failure
    • Servo-balanced inputs and outputs with 1/4″ TRS and gold-plated XLR connectors

    Tech Specs

    • Number of Bands:2 x 15-band
    • Q Type:Fixed
    • Boost/Cut Range:±6dB, ±12dB
    • Feedback Detection:Yes
    • Low Cut Filter:Yes
    • Analog Inputs:2 x XLR, 2 x 1/4″ TRS
    • Analog Outputs:2 x XLR, 2 x 1/4″ TRS, 1 x XLR (sub out)
    • Rack Spaces:1U
    • Power Source:Standard IEC AC cable
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    Behringer Ultragraph Pro FBQ3102HD Graphic Equaliser

    24,590.00

    31-band Graphic EQ with Feedback Detection

    The Behringer Ultragraph Pro FBQ3102HD 31-band graphic equalizer is packed with the professional features you need. An FBQ Feedback Detection system quickly locates problem frequencies. A Planet Earth switching power supply yields noise-free audio, superior transient response, and efficient power consumption. Its 4580 dual op-amps exhibit low noise and excellent sound quality. Remove floor rumble, hiss, and other unwanted frequencies with sweepable highpass (low-cut) and lowpass (high-cut) filters on each channel. The Ultragraph Pro’s 12-segment LED meter is extremely precise, and its input gain controls make setting levels a piece of cake. The Behringer Ultragraph Pro FBQ3102HD 31-band graphic equalizer is a great value for your studio or live sound rig.

    Behringer FBQ3102HD 31-band Stereo Equalizer at a Glance:

    • FBQ provides you with a feedback-free system
    • Top-quality components deliver excellent sound quality
    • High and lowpass filters ensure clean sound

    FBQ provides you with a feedback-free systemThe Behringer Ultragraph Pro’s FBQ Feedback Detection System delivers ultra-fast detection of problem frequencies, so you can stop feedback dead in its tracks. The system is child’s play to use. Whenever feedback is detected in a specific frequency range, an LED lights up on the associated EQ fader. You then lower the fader to zap the feedback. Here, we like that we can locate out-of-control frequencies at a glance, allowing us to quickly turn our focus back on the performance.

    Top-quality components deliver excellent sound qualityThanks to excellent engineering, the Behringer Ultragraph Pro is a real performer. The 4580 dual op-amps employed throughout supply great signal integrity, while a Planet Earth switching power supply ensures low noise and superior transient response. The Ultragraph Pro is ideal for adding the finishing touch to your live show or recording, with 31 bands of smooth, precise equalization per channel.

    High and lowpass filters ensure clean soundThe sweepable highpass (low-cut) and lowpass (high-cut) filters on each of the Behringer Ultragraph Pro’s channels attenuate unwanted sounds such as hiss, wind noise, floor rumble, electrical hum, and more. Ask any of the live sound techs, and they’ll tell you that unnecessary low-frequency content really eats up your power amp’s headroom. And having the ability to fine-tune your overall sound results in crystal-clear, dynamic output with the perfect level of low-end punch.

    Behringer FBQ3102HD 31-band Stereo Equalizer Features:

    • 31-band stereo graphic equalizer for live and studio applications
    • FBQ Feedback Detection system quickly locates problem frequencies
    • 4580 dual op-amps exhibit low noise and excellent sound quality
    • Planet Earth switching power supply yields noise-free audio, superior transient response, and efficient power consumption
    • Dedicated mono subwoofer output with adjustable crossover frequency
    • Sweepable highpass (low-cut) and lowpass (high-cut) filters on each channel tame unwanted frequencies
    • 12-segment LED meter and input gain controls make setting levels easy
    • Relay-controlled hard-bypass with auto-bypass function during power failure
    • Servo-balanced inputs and outputs with 1/4″ TRS and gold-plated XLR connectors

    The Behringer Ultragraph Pro 31-band graphic equalizer has the professional features you need!

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    Behringer Ultralink MS8000 Microphone Splitter

    12,999.00

    8 Flexible Channels of Connectivity

    The Behringer Ultralink MS8000 8-channel microphone splitter sends your mic signal to multiple locations, such as mixing consoles, stage monitors, and broadcast trucks. This, for example, would allow you to connect to front of house and your in-ear monitors simultaneously. Eight inputs and 16 outputs provide you with plenty of flexibility, while a Lift/Ground switch and linkable channels make the Ultralink MS8000 an indispensable tool for stage and studio. How many uses could you come up with for the Behringer Ultralink MS8000 8-channel microphone splitter?

     

    Behringer Ultralink MS8000 at a Glance:

    • Direct and Link outputs offer amazing flexibility
    • Input Link function doubles your outputs

    Direct and Link outputs offer amazing flexibilityThe Behringer Ultralink MS8000’s eight front-panel XLR inputs make it easy to connect your microphones and DI boxes, even in a crowded rack. A Lift/Ground switch improves your sound by eliminating hum and other ground loop noises. An XLR Direct Out sends your signal post-transformer, while an XLR Link Out sends it pre-transformer. This allows you to send the Direct Out signal to front of house or a mixing console, while simultaneously sending the Link Out signal to your monitor board or headphone mixer.

    Input Link function doubles your outputsBy employing the Behringer Ultralink MS8000’s Input Link function, you can link two adjacent channels. This allows you to connect a source to one channel and send it from the outputs of two channels. Imagine plugging your mic into Channel 1. You could then send your signal to front of house and a monitor mixer from Channel 1’s outputs, while sending it to a recording interface and broadcast mixer from Channel 2’s outputs. The Ultralink MS8000 also allows you to link two adjacent channels and merge their source into a single output, which is great for managing multiple playback devices or converting stereo signals to mono.

    Behringer Ultralink MS8000 Features:

    • 8-in/16-out microphone splitter
    • Direct and Link outputs let you send pre- and post-transformer signals
    • Lift/Ground switch eliminates hum and other ground loop noises
    • Input Link function doubles your outputs
    • Passes phantom power from your console or mic pre to Direct Outputs

    The Behringer Ultralink MS8000 8-channel mic splitter is a useful tool for stage and studio!

    Tech Specs

    • Inputs:8 x XLR
    • Outputs:8 x XLR (direct out), 8 x XLR (link out)
    • Phantom Power:Passed through direct outs
    • Power Source:Passive
    • Height:1.75″
    • Width:19″
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    DBX 231S Graphic Equaliser

    17,499.00

    The Benchmark of Live EQs

    There’s a reason many of today’s top live sound professionals turn to dbx for live sound EQs. With dbx’s impeccable history of making robust and reliable graphic EQs, they’ve become a standard in touring rigs and installed PA systems everywhere. The dbx 231s dual-channel 31-band graphic equalizer lives up to the legacy – providing 1/3-octave Constant Q control beyond the audible frequency spectrum. Equipped with a switchable +/-6dB or +/-12dB, the 231s gives you fine control and superb sound quality. And with over 108dB of dynamic range, you know your sound is in good hands when you trust it to the dbx 231s graphic EQ.

     

     

    dbx 231s Dual-channel 31-band Equalizer Features at a Glance:

    • 1/3-octave Constant Q frequency bands
    • Switchable boost/cut ranges of +/-6 or +/-12dB
    • 12dB/octave 50Hz low-cut filter
    • Front panel bypass switch
    • +/-12dB input gain range
    • 4-segment LED ladders for monitoring output level
    • XLR and TRS inputs and outputs
    • Frequency response of <10Hz to >50kHz
    • Dynamic range of greater than 108dB
    • Weight: 6.2 lbs.
    • Dimensions: 3.5″ x 6″ x 19″

    For precision control and quality sound, count on the dbx 231s 31-band graphic equalizer!

    Tech Specs

    • Number of Bands:2 x 31-band
    • Q Type:Fixed
    • Boost/Cut Range:±6 dB, ±12 dB (Switchable)
    • Low Cut Filter:50Hz, 12 dB/octave
    • Faders Throw:Short-throw
    • Rack Spaces:2U
    • Height:3.5″
    • Depth:6″
    • Width:19″
    • Weight:6.2 lbs.
    • Manufacturer Part Number:DBX231SV
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    DBX 234XS Analog Crossover

    17,999.00

    This Crossover Is Ready for Any Rig

    The dbx 234xs is a fully versatile crossover that’s perfect for any professional live sound rig. The 234xs is capable of either 2-way or 3-way stereo or 4-way mono operation. Equipped with 24dB/octave Linkwitz-Riley filters, the 234xs gives you the steep crossover bands you demand. Each output features an independent level control and phase inversion switch, as well as a 40Hz low cut filter. For use with a subwoofer, the 234xs also includes a low-frequency output summing option.

     

     

    dbx 234xs crossover Features at a Glance:

    • 2-/3-way stereo, 4-way mono operation
    • 24dB/octave Linkwitz-Riley filters
    • XLR inputs and outputs
    • Low-frequency summing for subwoofer output
    • x10 range switch on both channels
    • 40Hz highpass (low cut) filter both channels
    • Phase reverse switch on all outputs
    • Individual level controls on all outputs
    • Stereo/Mono status LEDs indicate the selected mode
    • dbx 2-year parts and labor coverage

    Get the dbx 234xs crossover, and prepare your live rig for any configuration!

    Tech Specs

    • Number of Channels:2
    • Modes:2-way (Stereo), 3-way (Stereo), 4-way (Mono)
    • Filter Types:Linkwitz-Riley
    • Filters:24dB/octave
    • Crossover Frequencies – Stereo:45Hz-960Hz/450Hz-9.6 kHz
    • Crossover Frequencies – Mono:45Hz-960Hz/450Hz-9.6 kHz
    • Inputs:2 x XLR
    • Outputs:6 x XLR
    • Rack Spaces:1U
    • Height:1.75″
    • Depth:6.9″
    • Width:19″
    • Weight:4 lbs.
    • Manufacturer Part Number:DBX234XSV
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    DBX Driverack 260 Loudspeaker Management System

    49,999.00

    Everything You Need for Complete Control of Your PA System

    The 260 capitalizes on the road tested and contractor approved DriveRack, providing state-of-the-art signal processing while utilizing a simple and intuitive user interface. It offers two independent channels of processing power with a linkable 28-band Graphic Equalizer, industry-standard dbx stereo compressor module, feedback eliminator and the 120A Subharmonic Synthesizer on the input, with a six channel output system that includes parametric EQs, PeakStopPlus limiters (to provide protection against speaker blowouts) and alignment delay.

    These features combined with the Wizard setup system and complete DriveWare GUI control represent a methodical design that is guaranteed to deliver optimal, all-inclusive processing in a completely scalable system. The 260 provides full bandpass and crossover configurations as well as independent output processing and a full time RTA for live sound applications. Contractors will appreciate its control inputs for wall-panel logic control and the patent-pending Advanced Feedback Suppression.

    dbx DriveRack 260 Features:

    • Feedback elimination
    • 2.7 seconds of Alignment and Zone Delay
    • RS-232 PC GUI control
    • Classic dbx Compression and Limiting
    • Graphic and Parametric EQ
    • Auto-EQ function
    • Full Bandpass, Crossover, and Routing configurations
    • Auto Gain control
    • Pink Noise Generator and fulltime RTA
    • Set-up Wizard with JBL speaker and Crown Power Amp tunings
    • Security lockout
    • Wall Panel Control inputs

    Tech Specs

    • Number of Channels:2
    • Presets – Factory:25
    • EQ:Graphic, Parametric
    • Compressor:Compression, Limiting
    • Feedback Eliminator:Yes
    • Noise Generator:Pink (Full-time RTA)
    • Analog Inputs:2 x XLR, 1 x XLR (RTA Mic)
    • Analog Outputs:6 x XLR
    • Computer Connectivity:DB-9
    • Rack Spaces:1U
    • Height:1.75″
    • Depth:5.75″
    • Width:19″
    • Weight:5.5 lbs
    • Manufacturer Part Number:DBX260V
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    DBX Driverack PA2 Loudspeaker Management System

    25,999.00

    Get the Most From Your PA with DriveRack!

    Quickly and easily setup your PA system for optimized sound with the dbx DriveRack PA2 Loudspeaker Management System. Ideal for touring bands and artists who carry their own PA system, the DriveRack PA2 gives you the best sound possible at each and every gig. A new setup wizard gets you up and playing faster and easier than ever. Updated AutoEQ and Advanced Feedback Suppression take the guesswork out of finding the perfect sound for each venue. And now all the DriveRack PA2 functions can be accessed and controlled via your preferred mobile device or laptop. Get the most out of your PA system with the dbx DriveRack PA2 Loudspeaker Management System!

    dbx DriveRack PA2 Loudspeaker Management System Features:

    • Extremely smart loudspeaker management
    • Take complete control of your system from your mobile device
    • Setup is easier than ever

    Extremely smart loudspeaker management

    Setting up your PA is a strenuous task, but optimizing the system for each room can be an even more challenging. dbx designed the DriveRack PA2 to be a complete, easy-to-use loudspeaker management system for all types of musicians. The updated AutoEQ algorithm automatically dials in the ideal EQ for each room. It “listens” to your room via RTA mic (not included), analyzes it, and sets the appropriate speaker levels and room EQ. Setting up has never been this easy. And DriveRack PA2 anticipates potential feedback and adjusts the system before it has a chance to deafen the audience. Finally, to make this experience even more friendly, dbx lets you do all of this from the front panel of the DriveRack PA2 or from your mobile device of choice.

    Take complete control of your system from your mobile device

    The live audio experts  know that running around the venue and back to the board can be a pain, and the dbx DriveRack PA2 has eliminated that issue. You can now take complete control of the DriveRack PA2 with your mobile device or laptop using Ethernet control via an Android, iOS, Mac, or Windows device. You can roam around the venue accurately tweaking EQs, volumes, and more. Whether you’re at the soundboard, behind stage, or in the balcony, you can control the dbx DriveRack PA2 to dial in the perfect sound.

    Setup is easier than ever

    Having the dbx DriveRack PA2 in your rig is like permanently hiring an experienced Live Sound Engineer! This Loudspeaker Management System can intelligently set itself up to get the best sound possible from your PA. Just bring a measurement microphone to your next gig, run the “Wizard” setup, and let the DriveRack PA2 take it from there! It can instantly configure itself to get optimized EQ settings for any room.

    dbx DriveRack PA2 Loudspeaker Management System at a Glance:

    • Take control of your PA system with this state-of-the-art loudspeaker management system
    • Automatically set up your PA with updated Wizard functions
    • Take control of the DriveRack PA2 with your favorite mobile device or laptop
    • Enhanced Advanced Feedback Suppression and AutoEQ functions
    • Includes dbx’s legendary compression
    • Works with Android, iOS, Mac, and Windows devices
    • Built-in crossover, limiting, and driver alignment delays
    • Note: RTA microphone is NOT included

    Set up and optimize your PA system in no time with the dbx DriveRack PA2 Loudspeaker Management System!

    Tech Specs

    • Rack Spaces:1U
    • Analog Outputs:6 x XLR (stereo low, mid, high)
    • Feedback Eliminator:Advanced Feedback Suppression
    • EQ:8-band (Parametric)
    • Number of Channels:2
    • Computer Connectivity:USB Type B
    • Analog Inputs:2 x XLR
    • Compressor:Yes
    • Presets – User:75 user presets
    • Manufacturer Part Number:DBXPA2-V-TW
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    DBX Driverack Venu360 Loudspeaker Management System

    59,999.00

    Smart and Powerful Loudspeaker Management

    The DriveRack VENU360 brings together everything you love about dbx processors and puts it into one powerful loudspeaker management tool. With the latest advances in AFS and AutoEQ, the VENU360 joins the DriveRack line with powerful DSP that makes your setup life easier and your sound even sweeter. dbx is famous for giving engineers all of the system processing power they need from convenient crossover configurations to system EQ to presets for specific speaker cabinets that automatically set you up for sound success, and all in one piece of roadworthy gear. Tuning your PA, no matter what size, is an important step towards getting great sound in any room, use dbx’s DriveRack VENU360 and get it done right.

    System configuration virtually any way you like it

    The VENU360 gives you three analog inputs, AES digital inputs, and six balanced, analog outputs that are designed to take signal directly from your mixer to fully support mono, stereo, LCR, and aux-fed sub systems. The balanced XLR outputs with full EQ and dynamics processing give you expanded system configuration options that include separate processing for monitor systems and making up to 6-way system operations possible. The VENU360 works great for installed systems and is compatible with Ethernet wall controllers. For portable systems – whether you’re flying a line array in an arena or setting up your band at the local pub – the VENU360 makes light work of getting the show ready for downbeat. And since dbx is continually working on making their processing cleaner and better, they included a USB port for easy firmware updates.

    Get the latest in dbx processing technologies

    The VENU360 gives you professional-level processing power by providing essential loudspeaker tuning tools. With the latest in dbx processing including their most accurate AFS (Automatic Feedback Suppression) ever, AutoEQ and Level Assist functions with front panel RTA mic input, graphic and parametric EQs on both the inputs and outputs, compression and other dynamics processing, time delay functions, and bass-bumping subharmonic synthesis, you get all the power you’d usually find in two racks full of gear in one VENU360!

    The power you need but easier than ever to use

    Just because it’s powerful doesn’t mean the VENU360 is complicated. In fact, with its automated wizard setup utilities, getting great sound is easy whether there’s a pro at the desk or a Sunday services volunteer. A large, super-bright LCD screen gives you access to a setup wizard that supports full system configuration and tuning including monitoring systems, access to loudspeaker presets, and hundreds of other audio paramaters. Like what you hear? Then save it! You’ll have up to 75 user-definable presets to make switching from the Saturday night service praise and worship band to the Sunday morning choir configuration a snap. These presets are especially helpful if you rely on volunteers, because even if you run full range and mono, the VENU360 works to protect your system components while optimizing your sound. And if you’re a member of a touring band, nothing makes an impression on a venue manager like a quick setup and great sound, and nothing makes it easier for you to do than the VENU360.

    The convenience of wireless control

    Setting up a PA is hard work. You spend the day unloading gear, getting it into position, cabling it up, getting signal through it, and now, it’s time to tune – here’s where the VENU360 can be your hero. Simply plug a router into the VENU360 and you’ll be able to set up and operate it using dbx’s app on your Mac or PC or iOS or Android device – the VENU360 gives you the flexibility to configure your PA offline and get it all done before you even step foot in the venue. When you’re ready to fine tune your pre-configurations, fire up your tablet or iPad and tune while you walk the room, the VENU360 gives you a chance to tune your PA from the audience perspective and not just from the front of house position.

    dbx DriveRack VENU360 Loudspeaker Management Processor Features:

    • AFS automatically identifies feedback frequencies and eliminates the problem
    • Driver alignment and zone delay functions
    • Wireless control from your Mac, PC, iOS, or Android devices
    • Classic transparent dbx compression and limiting
    • Graphic and parametric EQs for fine-tuning control
    • Auto-EQ function takes the guesswork out of tuning your PA to troublesome rooms
    • Full bandpass, crossover, and routing configurations up to 6-way operation
    • Auto gain control for easy setup
    • Subharmonic synthesis gives your bass a boost
    • Set-up wizard with speaker and amp tunings makes light work of system tuning
    • Security lockout keeps curious fingers from ruining your setup
    • Compatible with Ethernet audio wall controllers for installed sound

    Tech Specs

    • EQ:31-band (Graphic), 12-band (Parametric)
    • Compressor:Yes
    • Feedback Eliminator:Yes
    • Rack Spaces:1U
    • Height:1.75″
    • Width:19″
    • Manufacturer Part Number:DBXVENU360-V-TW
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    JBL Control 1 Pro Surface Mount Speakers

    12,599.00

    The JBL Control 1 Pro is a compact professional studio monitor speaker that is widely used in recording studios, broadcast studios, and other professional audio environments. It is a popular choice for near-field monitoring, meaning it is designed to deliver accurate sound reproduction at close listening distances.

    Here are some key features of the JBL Control 1 Pro:

    1. Design: The Control 1 Pro features a compact and rugged design, making it suitable for desktop or wall-mounting installations. It has a black enclosure with a metal grille to protect the speaker.
    2. Drivers: It has a 5.25-inch low-frequency driver (woofer) and a 0.75-inch high-frequency driver (tweeter). These drivers are designed to provide a balanced and detailed sound reproduction.
    3. Frequency Response: The Control 1 Pro has a frequency response range of 80Hz to 20kHz. This range covers most of the audible spectrum and allows for accurate monitoring of audio content.
    4. Power Handling: It has a power handling capacity of 150 watts peak and 75 watts continuous. This allows for sufficient volume levels and dynamic range in professional audio applications.
    5. Connectivity: The speaker has a standard 5-way binding post input terminal that accepts speaker wire connections. It can be easily connected to audio interfaces, mixers, or amplifiers.
    6. Applications: The Control 1 Pro is suitable for a variety of audio applications, including recording and mixing in small studios, multimedia presentations, broadcast monitoring, and home theater setups.
    7. Accessories: JBL offers optional accessories for the Control 1 Pro, such as wall-mount brackets and adjustable mounting brackets, which enhance flexibility for installation in different environments.

    Overall, the JBL Control 1 Pro is known for its accurate sound reproduction, durability, and versatility, making it a reliable choice for professionals and enthusiasts in the audio industry.

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