Search results: “ALLEN & HEATH”

Showing 1–16 of 27 results

  • 0 out of 5

    Allen & Heath ZED22FX Analog Mixing Console

    78,999.00

    Built-in Effects and It’s Record Ready Too!

    A solid mixer with great effects! The ZED-22 FX is the perfect center to your live rig — and it’s also ready to rock in the studio. First of all, the Allen & Heath ZED-22 FX gives you all the connections you need to hook up a small band, duo, or solo performer. Thanks to the 16 mic/line channels you can connect all the mics and DI boxes you need. Plus you’ve got three dual stereo channels available, each with a gain and 2-band EQ control. The FX in the name, though, is what takes the cake. Here, you can get tweaky with 16 separate effects for nailing the perfect, polished live sound with the ZED-22FX. The record-ready Allen & Heath ZED-22 FX will be the centerpiece to your live sound rig!

    Tons of power under the hood

    Those guys and gals at Allen & Heath definitely know mixers. And their ZED series is super popular for a number of reasons, not the least of which because it puts first-Class A&H quality at a new affordable price point. This is a mixer your band is going to be proud to use. More than that, it sounds great. We’ve already mentioned a bit about the I/O capabilities, but you’ll also want to know that it has four aux sends available — 1 and 2 are pre-fade and 3 and 4 are post-fade for monitoring with effects. Here’s the magic. You can send a stereo signal from the auxes via USB right to your computer, so you can create two separate record feeds that are totally independent of the main L/R mix. The ZED-22 FX is Mac and PC compatible and you’ve got three send/return configurations for recording, playback, and external FX. That’s a lot of power.

    Onboard Effects

    Now for the effects. Onboard, 16 separate effects have been crafted into the ZED-22 FX mixer, ready for any kind of live sound material you face. These include a number of useful delays and reverbs, including a ping-pong delay and a selection of reverbs with different room/hall/arena properties. You’ll also dig the flanger and chorus. Every effect has a parameter you can tweak to dial in your sound and five of the effects support tap tempo for really getting into the groove. All in all, with the combination of mic/line inputs (and these preamps are awesome, by the way), professional effects, recording capabilities, and bullet-proof construction, you can’t go wrong with the Allen & Heath ZED-22 FX. Get one!

    Allen & Heath ZED-22 FX 22-channel Mixer Features:

    • 22-channel mixer with 16 mic/line inputs and three dual stereo channels
    • USB audio connection for immediate recording
    • Feature four aux sends, 1 and 2 are pre-fade, 3 and 4 are post-fade
    • High-quality DuoPre microphone preamplifiers with huge 69dB gain range
    • Musical 3-band EQ on 16 main channels, 2-band EQ on the stereo channels
    • Three switches for varying your send/return configurations for recording
    • 16 built-in effects, including delays, reverbs, flange, and chorus

    Tech Specs

    • Type:Analog
    • Channels:22
    • Computer Connectivity:USB (2 x 2)
    • Faders:22 x 100mm
    • Inputs – Mic Preamps:16 x XLR
    • Phantom Power:16
    • Inputs – Line:6 x TRS (CH 1-6), 6 x TRS (CH 17-22 Stereo)
    • Outputs – Main:2 x XLR (Main), 1 x TRS (Mono)
    • Outputs – Other:2 x RCA (Alt), 2 x RCA (Rec)
    • Aux Sends:2 x Pre, 1 x Post, 1 x Post/FX
    • Send/Return I/O:3 x TRS, 2 x RCA (ST RTN), 2 x RCA (2TRK RTN)
    • Channel Inserts:Yes (CH 1-16)
    • Headphones:1 x 1/4″, 1 x 1/8″
    • USB:1 x Type B
    • EQ Bands:3-band, Sweepable Mid (CH 1-16), 2-band (CH 17-22 Stereo)
    • Effects:Yes
    • Height:3.9″
    • Width:25.4″
    • Depth:18.3″
    • Weight:23.1 lbs.

     

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    Allen & Heath Avantis Solo 64-channel Digital Mixer

    Compact Digital Mixer with dLive Power

    The Allen & Heath Avantis Solo digital mixer was built to revolutionize the way you mix live sound. Equipped with the same dLive technology as Allen & Heath’s flagship mixers, the Avantis Solo is a 64-channel / 42-bus compact console that strikes the perfect balance between old-school analog mixing and cutting-edge digital processing. Those who love analog mixers will appreciate the 12 channel strips complete with manual faders and PAFL switches. The unit has a 15.6-inch DSP touchscreen that offers gesture control, fully customizable routing options, and 72 fader strips (12 faders, six layers). Whether it’s handling a few mic connections or synchronizing gear with the word clock and connecting to a Dante network, the Avantis Solo can handle all your live sound needs.

    Customizable layout gives you total control

    If you’re like audio engineers and want to control as much of the performance as possible, you’ll love the Avantis Solo. Why? This compact unit gives you total control over mix bus architecture and lets you customize the layout in whatever way that makes the most sense to you. Avantis Solo is loaded with Continuity UI that uses drag ‘n’ drop parameters and physical controls to create an intuitive workflow with at-a-glance navigation. As if that’s not enough control, the Avantis Solo by Allen & Heath has 18 assignable SoftKeys and user-configurable rotary controls.

    15.6-inch touchscreen turbocharges your workflow

    Allen & Health wanted to make the Avantis Solo their most flexible compact mixer yet. To do that, they loaded the unit with Continuity UI and a 15.6-inch high-definition touchscreen. This screen is ultra-responsive and utilizes gesture controls to pinch, swipe, and drag ‘n’ drop your way through the intuitive interface. You can open configurable widget areas to load up your scenes, meters, and use RackExtra FX to add effects like Reverb, Chorus, and Delays. With the abundance of options and user control, your workflow will look and feel exactly how you want it to.

    Superior expandability can handle it all

    Straight out of the box, Avantis Solo can handle six XLR inputs and outputs, network I/O, and SLink connections to handle 64 channels at a time with 72 fader strips. The Avantis Solo has two I/O ports on the back that are each capable of 128 x 128 operation at 96kHz for cards including Dante, MADI, Waves, and gigaACE. This mixer has an SLink port that controls your I/O expanders, stage boxes, and networked equipment. The Avantis Solo is equipped with word clock I/O that keeps all your digital gear perfectly synced to ensure your show runs without a hitch.

    Allen & Heath Avantis Solo Digital Mixer Features:

    • Continuity UI combines digital and analog controls for lightning-fast workflow
    • 15.6-inch touchscreen uses intuitive gesture control to make things easy
    • Fully assignable layout allows for at-a-glance navigation
    • 12 manual channel strips have 6 switchable banks for easy changes
    • I/O ports can handle 128 x 128 operation at 96kHz for Dante, MADI, Waves, and gigaACE
    • 6 locking XLR inputs with one AES digital input
    • Network I/O and SLink connections easily handle 64 channels at a time
    • 18 assignable SoftKeys let you add extra functionality
    • 12 RackExtra FX slots utilize dedicated returns
    • Onboard word clock function quickly syncs with other digital gear
    • Full metal chassis resists wear and tear

    Tech Specs

    • Type:Digital Mixer
    • Channels:64
    • Inputs – Mic Preamps:6 x XLR
    • Phantom Power:6 channels
    • Inputs – Line:6 x XLR
    • Outputs – Direct:6 x XLR
    • Inputs – Digital:1 x XLR (AES)
    • Outputs – Digital:1 x XLR (AES)
    • Busses/Groups:42-bus
    • MIDI I/O:Control via TCP/IP
    • Data I/O:1 x EtherCon (SLink), 2 x RJ45 (network)
    • Headphones:1 x 1/4″ TRS, 1 x 1/8″ TRS
    • USB:1 x Type A
    • I/O Expansion Slots:2 x Slots Available
    • Word Clock:1 x BNC (I/O)
    • Faders:12 x Faders, 6 x Layers
    • A/D Resolution:24-bit/96kHz
    • Signal Processing:LPF/HPF, Gate, PEQ, Comp, Delay
    • Screen:15.6″ Touchscreen
    • Power Source:Standard IEC AC Cable
    • Height:10.6″
    • Depth:24.7″
    • Width:21.5″
    • Weight:38.6 lbs
    • Manufacturer Part Number:AH-AVANTIS-SOLO

     

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    Allen & Heath QU32 Chrome Digital Mixing Console

    299,999.00

    Qu-32: A Powerhouse Digital Mixer That Fits Your Workflow

    Whether you’re recording in the studio or mixing front of house, your mixer is the core of your operation. If it fights you, your work suffers. Many digital consoles are inscrutable on the surface, forcing you to descend into menu purgatory just to perform a simple function. The Allen & Heath Qu-32 Chrome Edition mixer is designed with a clean, logical layout, so you can get to what you need, fast. The Qu-32 features audiophile sound quality, touchscreen control, 32 AnalogiQ preamps integrated with DSP, instant recall, 33 motorized faders, high-efficiency ARM core processing, studio-grade effects, an integrated multitrack USB recorder, and truckloads more, the Allen & Heath Qu-32 Chrome Edition mixer will drastically improve both your workflow and your end product.

    Qu-32 Chrome Edition adds more monitor mixes, a spectrogram, and an Automatic Mic Mixer

    The Allen & Heath Qu-32 Chrome Edition expands on the already impressive Qu-32 mixer, while also adding high-contrast metallic-finished controls. A spectrogram display has been added to help you find feedback and problem frequencies fast. More monitor mixes are now available. And the Qu-32 Chrome Edition’s Automatic Mic Mixer mode automatically balances up to 16 microphone inputs, perfect for conferences, panel talks, and TV shows. The Qu-32 is ideal for novices and volunteers that may not be comfortable mixing a large number of mics, and it’s also great for pros who have more important things to do than ride faders.

    Intuitive — and very comfortable to work on

    Having a mixer with massive processing power and sophisticated functionality is nice, but if you can’t get to the controls you need instantly, it’s all for naught. With the Qu-32 Chrome Edition, the digital console has evolved to the point where you forget that it’s digital and just get on with your session, fluidly and efficiently. Without menu diving. Allen & Heath put years of research into ergonomics and the hands-on mixing experience, resulting in digital consoles that deliver a natural, logical layout and workflow. Your most-used processing tools are presented clearly on the SuperStrip, with one function per physical control. Whether you’re a digital novice or coming from years of analog mixing, you’ll find the Qu-32 Chrome Edition intuitive — and very comfortable to work on.

    Touchscreen control speeds up your Qu-32 workflow

    The Allen & Heath Qu-32 Chrome Edition rocks a 16-million-color, 800 x 480 touchscreen with an integrated data encoder – the core of a user interface that gives you quick and easy access to all your settings. Designed for clarity, the user-friendly interface of the Qu-32 has dedicated keys and screen tabs that let you quickly get to your meter and RTA views, effects racks, channel processing, USB audio control, setup menus, scenes, and much more.

    AnalogiQ preamps and 24-bit conversion for warm, musical sound

    Allen & Heath fortified the Qu-32 Chrome Edition with 32 of their superb AnalogiQ total-recall preamps. Featuring phantom power, zero crossing detection, and a unique pad-less, 1dB-step gain stage, the preamps are married to the DSP for optimum transparency and gain accuracy. The analog signal is captured by high-quality, low-latency 24-bit A/D converters matched to high-grade 24-bit D/A converters. A&H has spent considerable time refining the AnalogiQ design so it gives you stellar transparency, with minimum distortion and a vanishingly low noise floor. But how do these preamps sound? Take it from us, the Qu-32 Chrome Edition is delightfully analog-sounding — warm and musical.

    Total-recall moving-fader automation supercharges your Qu-32 mixing

    We first saw moving faders on some of the high-end, large-format consoles of the late 1970s. With the advent of digital technology, flying faders later became fairly standard, albeit not on entry-level digital mixers. Fader automation is a must-have for efficient mixing, particularly when you’re dealing with multiple monitor mixes. Simply push a mix key, and the faders immediately fly to the send levels for that mix. The Allen & Heath Qu-32 Chrome Edition sports 33 motorized ALPS faders. The 32 channel faders are arranged over two layers, giving you instant access to all your channels and masters in a compact space. There’s also a dedicated master fader on the Qu-32 that dynamically follows your mix selection. A third (custom) layer is available for the configurable user strip layout, where you can assign any combination of Inputs, FX Sends, FX Returns, and Mix masters.

    Powerful functionality added in v1.9 software

    The Qu series ecosystem is constantly being refined, and v1.9 of the Qu software adds even more functionality. More mic presets for Shure, Sennheiser and Audio-Technica mics are now available, making it easier than ever to dial in great sound fast with any mic in any application. You’ll find a ton of advanced iPad control options too, like the ability to patch channels between dSnake, USB, Qu Drive and ME personal monitoring systems. You can set up various User profiles with different levels of permissions, manage your Scene memory, Copy/Paste channel settings, and manage USB devices. And v1.9 adds Windows DAW control support, for all popular Windows platforms.

    Allen & Heath Qu-32 Chrome Edition Digital Console Features:

    • 32 AnalogiQ total-recall preamps integrated with DSP for optimum transparency and gain accuracy
    • Ergonomic layout and workflow is comfortable, fluid, and intuitive
    • Color touchscreen and dedicated data encoder give you quick and easy access to all settings
    • Key processing tools are presented clearly on the SuperStrip, with 1 function per physical control
    • 33 automated, motorized ALPS faders (32 arranged over two layers) speed up and enhance your mixing
    • 4 groups give you subgrouping flexibility to LR for level masters and/or processing
    • Instant recall lets you save and recall scenes (snapshots) at the press of a button
    • Onboard studio-grade dynamics and FX algorithms derived A&H’s iLive pro touring series
    • Built-in interface streams multitrack audio to/from your computer
    • Plug-and-play with any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools
    • Qu-Drive delivers 18 channels of 24-bit/48kHz recording/playback to/from your USB hard drive
    • 5 dedicated cores of high efficiency ARM processing provide state-of-the-art processing
    • Optional Qu-Pad app frees you to tweak monitors and PA from your iPad, onstage or around the venue
    • Fully compatible with A&H’s ME Personal Mixing System
    • dSNAKE port lets you connect to a remote AR2412 or AR84 Stagebox via Cat 5e digital snake
    • Matrix adds 2 further stereo outputs equipped with full processing to the console’s extensive I/O
    • 18-gauge, cold-rolled Zintec steel frame delivers strength, rigidity, and distinctive looks

    Tech Specs

    • Type:Digital
    • Channels:32 Mono, 3 Stereo
    • Inputs – Mic Preamps:32 x XLR
    • Phantom Power:32
    • Inputs – Line:32 x 1/4″
    • Inputs – Other:4 x 1/4″ (2 stereo in), 1 x 1/8″ TRS (stereo in)
    • Outputs – Main:2 x XLR (left, right), 2 x 1/4″ (2 track out), 2 x 1/4″ (alt out)
    • Outputs – Other:4 x XLR (mono mix outs), 3 x XLR pairs (stereo mix outs), 4 x XLR pairs (stereo group outs), 2 x XLR pairs (stereo matrix outs)
    • Outputs – Digital:1 x Ethernet dSnake, 1 x XLR AES, 1 x USB Type A
    • Busses/Groups:16-bus
    • Talkback:1 x XLR
    • Data I/O:1 x Ethernet TCP/IP
    • Headphones:1 x 1/4″ TRS
    • USB:1 x Type B, 1 x Type A
    • Computer Connectivity:USB (32 x 30), Ethernet
    • Faders:32 x 100mm channels, 1 x 100mm master
    • EQ Bands:Parametric EQ, 28-band graphic EQ
    • Effects:Reverb, delay, chorus, phaser, flanger (4 x stereo FX returns)
    • DAW Control:MIDI DAW control driver for Mac (HUI, Mackie Control)
    • Height:7.32″ (desktop position)
    • Depth:19.52″ (desktop position)
    • Width:33.42″
    • Weight:53 lbs.
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    Allen & Heath CQ-20B 16-channel Rackmounted Digital Mixer

    82,999.00

    A Full-fledged Digital Mixer for Your Desktop

    The Allen & Heath CQ-20B is a compact — and feature-packed — 16-channel digital mixer that fits in your stage rack. This rackmounted 96kHz-capable mixer boasts uncompromising audio quality, ensuring top-notch sound in any application. And its smart controls and processing tools make it a breeze to use. The CQ-20B’s Preamp Gain Assistant and Feedback Assistant make setup a snap, and its instrument-based Quick input delivers great mixes in no time flat. Want manual control? No problem. Each track includes a Complete input that allows for in-depth tweaking. You get built-in Smart-FX units, arming you with a full complement of reverbs, delays, modulations, and more. Navigating the CQ-20B is a cinch, with straightforward remote control stagebox operation that combines physical control and at-a-glance visual feedback. The CQ-20B is also great for recording, courtesy of SD recording and playback and a built-in USB audio interface. Baked-in Wi-Fi and Bluetooth connectivity round out the Allen & Heath CQ-20B’s robust feature set.

    Smart controls and processing tools

    Here, we’ve found the CQ-20B to be an easy digital mixer to navigate. Its Preamp Gain Assistant takes all the guesswork out of setting your levels. Its Feedback Assistant makes locating and neutralizing acoustic feedback frequencies a piece of cake. You also get instrument-based Quick inputs that help you get a great sound — fast. The CQ-20B includes four Smart-FX engines, which enable you to select from easy-to-use reverb, delay, and modulation units for instrument-centric, signal-conscious effects.

    Rock-solid recording options

    The CQ-20B makes multitrack recording extremely simple. For starters, you get 24-in/22-out recording and playback via an onboard SD card reader. Beyond that, its built-in 24-in/22-out USB audio interface allows you to create top-shelf digital multitrack recordings using your DAW of choice.

    Allen & Heath CQ-20B 16-channel Digital Rackmounted Mixer Features:

    • A compact 16-channel digital mixer that fits in your stage rack
    • Exhibits outstanding sound quality at 96kHz
    • 16 excellent-sounding microphone preamps and stereo Bluetooth input
    • Built-in 2.4GHz/5GHz Wi-Fi with auto channel
    • Preamp Gain Assistant takes all the guesswork out of setting levels
    • Feedback Assistant makes locating and neutralizing acoustic feedback frequencies a piece of cake
    • Instrument-based Quick inputs help you get a great sound quickly
    • Complete inputs allow for in-depth tweaking
    • Smart-FX engines include reverb, delay, modulation, and more
    • Remote control stagebox operation combines physical control and at-a-glance visual feedback
    • 24-in/22-out recording and playback via an onboard SD card reader
    • Built-in 24-in/22-out USB audio interface enables top-shelf digital multitrack recordings using a computer and DAW

     

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    Allen & Heath CQ-18T 16-channel Digital Mixer

    95,999.00

    A Full-fledged Digital Mixer for Your Desktop

    The Allen & Heath CQ-18T is a compact — and feature-packed — 16-channel digital mixer that fits in your backpack. This portable 96kHz-capable mixer boasts uncompromising audio quality, ensuring top-notch sound in any application. And its smart controls and processing tools make it a breeze to use. The CQ-18T’s Preamp Gain Assistant and Feedback Assistant make setup a snap, and its instrument-based Quick input delivers great mixes in no time flat. Want manual control? No problem. Each track includes a Complete input that allows for in-depth tweaking. You get built-in Smart-FX units, arming you with a full complement of reverbs, delays, modulations, and more. Navigating the CQ-18T is a cinch, thanks to its straightforward tactile encoders, custom keys, and responsive touchscreen. The CQ-18T is also great for recording, courtesy of SD recording and playback and a built-in USB audio interface. Baked-in Wi-Fi and Bluetooth connectivity round out the Allen & Heath CQ-18T’s robust feature set.

    Smart controls and processing tools

    Here, we’ve found the CQ-18T to be an easy digital mixer to navigate. Its Preamp Gain Assistant takes all the guesswork out of setting your levels. Its Feedback Assistant makes locating and neutralizing acoustic feedback frequencies a piece of cake. You also get instrument-based Quick inputs that help you get a great sound — fast. The CQ-18T includes four Smart-FX engines, which enable you to select from easy-to-use reverb, delay, and modulation units for instrument-centric, signal-conscious effects.

    Intuitive hands-on control

    Taking command of the Allen & Heath CQ-18T is easier than a walk in the park. Its tactile encoders enable you to adjust a wide range of parameters with easy-to-use knobs. Its custom keys allow you to tailor the CQ-18T to your preferred workflow. Moreover, its responsive touchscreen gives you the perfect combination of physical control and at-a-glance visual feedback.

    Rock-solid recording options

    The CQ-18T makes multitrack recording extremely simple. For starters, you get 24-in/22-out recording and playback via an onboard SD card reader. Beyond that, its built-in 24-in/22-out USB audio interface allows you to create top-shelf digital multitrack recordings using your DAW of choice.

    Allen & Heath CQ-18T 16-channel Digital Mixer Features:

    • A compact 16-channel digital mixer that fits in your backpack
    • Exhibits outstanding sound quality at 96kHz
    • 16 excellent-sounding microphone preamps and stereo Bluetooth input
    • Built-in 2.4GHz/5GHz Wi-Fi with auto channel
    • Preamp Gain Assistant takes all the guesswork out of setting levels
    • Feedback Assistant makes locating and neutralizing acoustic feedback frequencies a piece of cake
    • Instrument-based Quick inputs help you get a great sound quickly
    • Complete inputs allow for in-depth tweaking
    • Smart-FX engines include reverb, delay, modulation, and more
    • Tactile encoders adjust a wide range of parameters with easy-to-use knobs
    • Custom keys tailor the mixer to your preferred workflow
    • Responsive touchscreen combines physical control and at-a-glance visual feedback
    • 24-in/22-out recording and playback via an onboard SD card reader
    • Built-in 24-in/22-out USB audio interface enables top-shelf digital multitrack recordings using a computer and DAW

     

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    Allen & Heath CQ-12T 10-channel Digital Mixer

    75,999.00

    A Full-fledged Digital Mixer for Your Desktop

    The Allen & Heath CQ-12T is a compact — and feature-packed — 10-channel digital mixer that fits in your backpack. This portable 96kHz-capable mixer boasts uncompromising audio quality, ensuring top-notch sound in any application. And its smart controls and processing tools make it a breeze to use. The CQ-12T’s Preamp Gain Assistant and Feedback Assistant make setup a snap, and its instrument-based Quick input delivers great mixes in no time flat. Want manual control? No problem. Each track includes a Complete input that allows for in-depth tweaking. You get built-in Smart-FX units, arming you with a full complement of reverbs, delays, modulations, and more. Navigating the CQ-12T is a cinch, thanks to its straightforward tactile encoder, custom keys, and responsive touchscreen. The CQ-12T is also great for recording, courtesy of SD recording and playback and a built-in USB audio interface. Baked-in Bluetooth connectivity rounds out the Allen & Heath CQ-12T’s robust feature set.

    Smart controls and processing tools

    Here, we’ve found the CQ-12T to be an easy digital mixer to navigate. Its Preamp Gain Assistant takes all the guesswork out of setting your levels. Its Feedback Assistant makes locating and neutralizing acoustic feedback frequencies a piece of cake. You also get instrument-based Quick inputs that help you get a great sound — fast. The CQ-12T includes two Smart-FX engines, which enable you to select from easy-to-use reverb, delay, and modulation units for instrument-centric, signal-conscious effects.

    Intuitive hands-on control

    Taking command of the Allen & Heath CQ-12T is easier than a walk in the park. Its tactile encoder enables you to adjust a wide range of parameters with a single, easy-to-use knob. Its custom keys allow you to tailor the CQ-12T to your preferred workflow. Moreover, its responsive touchscreen gives you the perfect combination of physical control and at-a-glance visual feedback.

    Rock-solid recording options

    The CQ-12T makes multitrack recording extremely simple. For starters, you get 18 channels of SD card recording and playback via an onboard SD card reader. Beyond that, its built-in 18-in/18-out USB audio interface allows you to create top-shelf digital multitrack recordings using your DAW of choice.

    Allen & Heath CQ-12T 10-channel Digital Mixer Features:

    • A compact 10-channel digital mixer that fits in your backpack
    • Exhibits outstanding sound quality at 96kHz
    • 10 excellent-sounding microphone preamps and stereo Bluetooth input
    • Preamp Gain Assistant takes all the guesswork out of setting levels
    • Feedback Assistant makes locating and neutralizing acoustic feedback frequencies a piece of cake
    • Instrument-based Quick inputs help you get a great sound quickly
    • Complete inputs allow for in-depth tweaking
    • Smart-FX engines include reverb, delay, modulation, and more
    • Tactile encoder adjusts a wide range of parameters with a single, easy-to-use knob
    • Custom keys tailor the mixer to your preferred workflow
    • Responsive touchscreen combines physical control and at-a-glance visual feedback
    • 18 channels of SD card recording and playback via an onboard SD card reader
    • Built-in 18-in/18-out USB audio interface enables top-shelf digital multitrack recordings using a computer and DAW

     

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    Allen & Heath ZED6 Analog Mixing Console

    11,999.00

    Small-format Mixer, Built to Last

    The Allen & Heath ZED-6 6-channel mixer offers great sound quality for small-format mixing applications. Two mono channels with acclaimed GSPre preamps are ready to accept mics (dynamic or condenser), instruments, or line-level sources. Two stereo channels are perfect for synths, drum machines, and other line-level sources. All this in a compact yet rugged design, with rotary controls secured to the front panel with a steel nut for maximum durability. For small PA and studio applications from schools and churches to corporate settings, the Allen & Heath ZED-6 is a strong mixing solution.

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    Allen & Heath ZEDi8 Analog Mixing Console

    17,499.00

    Rugged, Great-sounding Mixer with USB Interface

    With excellent sound quality and a built-in 2 x 2 USB audio interface, the Allen & Heath ZEDi-8 is a smart mixer for small-format studio and stage applications. Connect two microphones or mono line-level signals, or even two instruments without the need for DI boxes. Two additional stereo channels are available for synthesizers, drum machines, and other line-level sources. Record and play back two channels of 24-bit/96kHz audio via USB without the need for a separate interface. Factor in its exceptional build quality, and the compact Allen & Heath ZEDi-8 mixer stands out in its class.

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    Allen & Heath ZEDi10 Analog Mixing Console

    23,499.00

    Rugged, Great-sounding Mixer with USB Interface

    With excellent sound quality and a built-in 4 x 4 USB audio interface, the Allen & Heath ZEDi-10 is a smart mixer for small-format studio and stage applications. Connect up to four microphones or line-level sources, or even two instruments without the need for DI boxes. Two additional stereo channels are available for synthesizers, drum machines, and other line-level sources. Record and play back up to four channels of 24-bit/96kHz audio via USB without the need for a separate interface. Factor in its exceptional build quality, and the compact Allen & Heath ZEDi-10 mixer stands out in its class.

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    Allen & Heath XONE PX5 DJ Mixer

    Total 4-channel Workhorse Mixer

    Allen & Heath’s 4-channel Xone:PX5 is a rock-solid and fully loaded mixer that’s perfect for any DJ looking to run a hybrid analog/digital rig. Its four stereo input channels come with all the bread-and-butter processing and effect routing seasoned DJs expect from A&H, including 3-band EQs with -infinity kills, amazing filters, and beautiful LED metering. There are tons of cool onboard effects, while adjustable fader curves are essential if you want to scratch. Speaking or scratching, the Xone:PX5 features a studio-quality 24-bit/96kHz USB 2.0 audio interface, and it’s fully compatible with Traktor Scratch Pro. Whether you’re spinning control vinyl or going with a complete in-the-box DJ rig, the A&H Xone:PX5 will serve you beautifully.

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    Allen & Heath XONE 92 DJ Mixer

    134,999.00

    When DJs Speak, Allen & Heath Listens!

    The XONE:92 represents the culmination of everything Allen & Heath learned from the DJ market. The XONE:92 is the result of something Allen & Heath has done since Day One – listening to DJ’s.

    The Allen & heath XONE:92 is a versatile mixer that promises to fulfill every wish list, with features to suit all styles from breakbeat to techno, trance to house.

    Massive Input Flexibility
    The XONE:92 has 6 dual stereo channels, two offering mic inputs, adding up to a massive 10 stereo and 2 microphone inputs. XONE:92’s full range of connectors means that you can connect up to 4 turntables to the Xone:92, 2 mics, CD players, MD players, drum machines, samplers, and pretty much anything else you might want to bring into the mix.

    XONE:92 AS A MIDI Controller
    MIDI (Musical Instrument Digital Interface) allows the Allen & Heath XONE:92 panel controls to transmit MIDI data to enable remote control of external effects, samplers, sequencers including Ableton LIVE and the Korg KAOS Pad. Tap Tempo related MIDI clocks are also transmitted from the XONE:92 to provide synchronisation of MIDI sound modules to pre-recorded sources playing through the XONE:92.

    More EQ Than Most
    The Allen & Heath XONE:92 features 4 BAND EQ controls rather than the usual 3 for greater creativity. Each band has a safe +6dB boost. The HI and LO bands have infinite attenuation (total kill) with a sharp 12dB/oct roll-off and the XONE:92’s MID bands have a massive -30dB of cut, enough to shape your sound well beyond normal EQ range, and without overloading your system.

    High Quality Faders
    The Allen & Heath XONE:92’s stereo channels use high quality twin rail linear or rotary VCA faders. These control the audio using DC voltages meaning that the XONE:92 can take a huge amount of punishment without the bangs and crackles that inevitably creep in on regular audio faders.

    Seamless Beat, Scratch Or Cut Mixing
    The XONE:92’s high spec Penny & Giles VCA crossfader is easily removable from the top panel for quick replacement. . The curve can be swept between dipped response, ideal for seamless beat mixing, and fast-attack, suitable for scratch or cut mixing with the XONE:92.

    New Levels Of Performce
    Unique to XONE:92, two stereo state variable Voltage Controlled Filters provide the DJ with a new level of live performance creativity. The XONE:92 uses these to sweep the sound by accentuating or cutting frequencies from 30Hz to 20kHz. The 3 filter types on the XONE:92 (HPF, BPF and LPF) can be combined to create many more amazing effects. The XONE:92’s Low Frequency Oscillator controls enable cyclic LFO changes to be applied to each filter. A large Resonance control on the Xone:92 changes the ‘Q’ or sharpness of the filter effect from subtle to extreme. Each VCF has its own ‘ON’ switch.

    At Home In The House
    Combined with the XONE:92’s extensive output and monitoring features, color coded indicators, stylish layout and clear graphics visible in all lighting situations, Allen & Heath gives you an unbeatable performance console with the XONE:92, equally at home in dance clubs, home set-ups, live venues, and on the road.

    Allen & Heath XONE:92 Features:

    • 6 Dual stereo inputs, 2 with mic inputs, RIAA preamps for up to 4 turntables.
    • 2 auxiliary sends selectable pre/post fader (and crossfader).
    • MIDI output from VCF 1+2, crossfader, LFO (MIDI clock), dedicated data control and start/stop button.
    • New twin-rail VCA channel faders or high quality VCA rotary faders.
    • 2 independent stereo mix outputs.
    • 2 VCF filters – any performance channel can be assigned to either filter and either side of crossfader.
    • 2 x independent Low Frequency Oscillators (LFO) for filter modulation.
    • Active Penny & Giles VCA crossfader allowing contour to be set from smooth to scratch mix.
    • Custom illumination showing status of all performance switches.
    • 4 band EQ – high definition of frequency bands, with ‘infinite kill’ on HF and LF; wide Q for cut, narrow Q for boost.
    • Dedicated booth output.
    • Metering – extensive channel, output and cue metering.
    • Intelligent cue system allowing pre or post EQ monitoring.
    • Monitor section – includes post EQ switch; split cue and Cue/Mix monitor balance control.
    • 2 x headphone outputs 1/4″ and 3.5mm jack.
    • Talkover facility on mono/mic channel attenuates music by 20dB.
    • Dedicated clean feed record output.
    • Input selectors with 2 colour indicators.
    • Smooth action level controls.
    • MIDI output from VCF 1+2, crossfader, LFO 2 (MIDI clock), dedicated data control and start/stop button.
    • Large ‘light-pipe’ illuminated cue switches.
    • 9 led 3 colour channel ‘bulls eye’ LED meters.
    • Either smooth travel 60mm VCA faders or rotary VCA faders (Linear or Rotary versions).
    • 2 Independent mix outputs.
    • 2 Rotary master level controls.
    • Dual stereo analogue VCF effects.
    • 3 Filter modes combine for more effects.
    • Independent frequency sweep controls.
    • Resonance control for subtle or wild effects.
    • Filter LFO Depth and tempo controls.
    • Illuminated Filter switches punch effect in or out.
    • Powerful headphones monitor with auto cue.
    • Headphones split cue and Aux 1 & 2 monitoring.
    • Stereo music only booth monitor output.
    • Booth mono and mute switching.
    • 9 led 3 colour main ‘bulls eye’ LED meters.
    • Balanced 0dBu XLR stereo Mix 1 output.
    • Impedance balanced Line stereo Mix 2 output.
    • Pre-fade recording output.
    • Universal power supply for worldwide performance.
    • Internal installer options for system optimization.
    • Plinth or 19″ rack mount ears included.
    • Spare knobs included.
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    Allen & Heath XONE DB4 DJ Mixer

    The Ultimate Digital DJ Mixer!

    Redefine your DJ rig with an Allen & Heath Xone:DB4 digital DJ mixer! Quite possibly the most advanced 4-channel DJ mixer money can buy, the Allen & Heath Xone:DB4 puts a world of flexible routing, must-have tools, and freakishly powerful effects at your fingertips. Each of the Xone:DB4’s channels comes loaded a killer DSP effects engine, 3-mode EQ/filter section, tempo syncing looper, and more. And it gets even better. There’s also an 16-channel USB 2.0 audio interface and a full-fledged MIDI controller onboard, making it super easy to travel light when you DJ with an Allen & Heath Xone:DB4 mixer.

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  • 0 out of 5

    Allen & Heath ZED10 Analog Mixing Console

    23,999.00

    A Compact Record-ready Mixer!

    The Allen & Heath ZED-10 is the perfect center to your portable live rig – and it’s also ready to rock in the studio. First of all, the ZED-10 gives you all the connections you need to hook up a small band, a duo, or a solo performer. Thanks to the four mic/line channels (these preamps are awesome, by the way) you can connect all the mics and DI boxes you need. Plus you’ve got three dual-stereo channels available, each with a gain control and a 2-band EQ. You can send a stereo signal via USB right to your computer, or use the USB port for stereo playback. Plus, you get three send/return busses for recording, playback, and external FX. That’s a lot of power! You can’t go wrong with the Allen & Heath ZED-10!

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    Allen & Heath AB168 Audiorack

    107,999.00

    Quality Sound and Convenience from Allen and Heath

    The AB168 audiorack from Allen & Heath is the portable stagebox solution for your GLD and Qu systems. You’ll have plenty of ins and outs with 16 incomparable Allen & Heath preamps for your inputs, and 8 outputs you can assign as monitor sends, main outputs – anything you need. Sweetwater knows convenience is second only to sound where portable PA is concerned, and with the AB168’s dSNAKE Cat 5 connectivity, protective rubber bumpers, and carry handle, Allen & Heath has you covered!

    Allen and Heath AB168 Audiorack Features:

    • 16 high-quality mic preamps give you plenty of great sounding inputs
    • Phantom power indicator on each channel lets you keep an eye on your input status
    • 8 XLR sends give you plenty of outputs to get your sound where you need it
    • dSNAKE protocol gets your audio where you need with convenient Cat 5 connectivity
    • Expander port lets you expand your system or connect your ME personal mixing system
    • Rubber bumpers protect from disastrous dings and drops
    • Convenient carry handle makes loadins quick and easy on your back
    • Rackmountable with optional kit

    The AB168 gives you quality sound and convenience for your Allen and Heath sound sytems!

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    Allen & Heath AR2412 Audiorack

    122,999.00

    Remote I/O to Go

    The Allen & Heath AR2412 is a digital snake stage box designed primarily for use with Allen & Heath’s digital mixing consoles, such as those in the SQ and Qu series. It provides 24 XLR inputs and 12 XLR outputs, hence the “AR2412” designation. The unit connects to the mixer via a digital connection, usually using the proprietary dSNAKE protocol, which allows for remote control of preamps and audio signal transmission over a single Cat5 cable.

    The AR2412 is commonly used in live sound reinforcement setups, especially in situations where it’s necessary to have a significant distance between the stage and the mixing console. Its compact size and rugged build make it suitable for touring and installed sound applications alike. Additionally, it offers features like remote preamp control, making it a versatile and powerful tool for audio engineers.

    Allen & Heath AR2412 AudioRack Features at a Glance:

    • This is required for full functionality of your QU and SQ Series Digital Mixing System
    • May be placed onstage and run to FOH with up to 400′ of Cat 5 cable
    • Provides flexibility in the configuration of your live sound system
    • 24 XLR mic/line inputs (with phantom power); 12 XLR line outputs

    Complete your QU and SQ Series digital mixing system with the Allen & Heath AR2412!

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    Allen & Heath DX168 Audiorack

    137,999.00

    Portable I/O for Your dLive or SQ System

    Need more I/O for your Allen & Heath dLive or SQ system? Grab a DX168, and you can expand your rig by 16 inputs and 8 outputs. Need more? No problem — you can connect up to six units for a total of 96 inputs and 48 outputs. Each DX168 comes loaded with 16 great-sounding mic preamps that can be placed conveniently on the stage floor. The DX168 is a breeze to set up, thanks to its Plug and Play design, and is compatible with Cat 5e cables of up to 100m. This portable DX Expander weighs a measly 10-1/2 pounds and features a carry handle for easy transport. The DX168 works with both S Class and C Class dLive, along with SQ systems.

    Offers impressive levels of expandability

    The DX168, when used in conjunction with a Surface and MixRack, combines to form a powerful and expandable system. The Surface provides you with direct hands-on control over your mix. The MixRack is the brain of the system, containing the XCVI core, and is supported by a whole host of surfaces, apps, software, TCP/IP control, and IP remotes, all of which provide different means of controlling the mixer. A 128-channel I/O port supports Dante, Waves SG, ACE, and MADI, along with full compatibility with ME personal mixing systems. Here, we’ve found these systems to be flexible enough to tackle any mixing challenge that we throw at them.

    Allen & Heath DX168 Features:

    • 16-in/8-out portable DX Expander for dLive or SQ systems
    • Connect up to 6 units for a total of 96 inputs and 48 outputs
    • Includes 16 great-sounding mic preamps
    • Plug and Play design for easy setup (no IP addressing required)
    • Compatible with Cat 5e cables of up to 100m
    • Lightweight design and integrated carry handle for easy transport
    • Durable construction with rubber bumpers for extra protection
    • Works with both S Class/C Class dLive and SQ systems
    • Redundant DX connection to dLive S Class hardware
    • Optional 19-inch rack mount kit is available (sold separately)

    Tech Specs

    • Type:DX I/O Expander
    • Compatibility:dLive S/C Class Systems, dLive SQ Series
    • Channels:16 x 8
    • Inputs – Mic Preamps:16 x XLR
    • Phantom Power:16 channels
    • Outputs – Main:8 x XLR (line outs)
    • Data I/O:2 x EtherCon (Cat5e DX ports)
    • Rackmountable:Yes (kit sold separately)
    • Power Source:Standard IEC AC cable
    • Height:7.44″
    • Depth:7.16″
    • Width:16.39″ (with handle)
    • Weight:10.1 lbs.
    • Manufacturer Part Number:AH-DX168
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