Neumann

Showing all 7 results

  • 0 out of 5

    Neumann KMS 104 Cardioid Condenser Handheld Vocal Microphone-Matte Black

    36,999.00

    Handheld Vocal Condenser Mic, Fixed Cardioid Polar Pattern

    Neumann is world renowned for their legacy of fantastic studio microphones, but with the elegant KMS-104 they are making their uncompromising standards available in an affordable high quality hand held microphone. The KMS 104 features all the same capabilities that have made the KMS 105 so successful for Neumann, however, offers the choice of a cardioid polar pattern.

    The exquisite design includes an elastic shock mounted cardioid capsule with a foam-lined grille, providing a robust method of getting rid of those frustrating plosives. Not only is it a luxurious looking mic, but it’s also very lightweight making it a pleasure to use in a live performance.

    When compared to other handheld vocal microphones, the KMS 104 offers a superior resolution of the voice, with extended frequency response and accurate transient detail. Sibilance problems common to other handheld condenser mics are eliminated.

    The frequency response characteristic is developed in the acoustic realm, allowing for accurate representation of transient details found in music and speech, and thus transmitting a very “open” and detailed capture of the human voice. The frequency response and in-built highpass filters have been optimized for very close miking. They compensate the proximity effect, resulting in an even sound reproduction.

    The KMS 104 is provided with a capsule with cardioid characteristics, yielding the best rear sound rejection. The KMS 105 uses a capsule with supercardioid characteristics, yielding the best front-to back
    rejection ratio.

    Neumann KMS 104 Features:

    • Matte black finish
    • Condenser microphone for crystal clear highs deep lows
    • Neumann sound on stage
    • Excellent transparency for vocals/speech
    • Without off-axis coloration
    • Transformerless output
    • Fixed cardioid polar pattern with excellent feedback rejection
    • Effective pop shielding without any side effects
    • Very high attenuation of handling and structure-borne noise,
    • High-loadability transformerless circuit
    • Extraordinarily true sound transduction free of coloration.
    • Balanced, transformerless output.
    • Set includes stand clamp
    • Requires +48V phantom power

    Tech Specs

    • Microphone Type:Condenser
    • Polar Pattern:Cardioid
    • Frequency Response:20Hz-20kHz
    • Max SPL:150dB
    • Output Impedance:50 ohms
    • Signal to Noise Ratio:76dB (A weighted)
    • Self Noise:18dB (A weighted)
    • Color:Matte Black
    • Connector:XLR
    • Dimensions:7″ x 1.8″
    • Weight:0.66 lbs.
    • Included Accessories:Stand Clamp, Microphone Pouch
    • Manufacturer Part Number:008549
    Quick View
  • 0 out of 5

    Neumann KM 185 Condenser Instrument Microphone

    The KM 185 is a state-of-the-art small diaphragm condenser microphone with a tight, frequency-independent hypercardioid polar pattern. Its very natural, transparent sound with low self-noise and high SPL capability have made the KM 185 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.

    Despite its attractive pricing, the KM 185 offers state-of-the-art Neumann engineering. Its hypercardioid pattern is frequency-independent; rejection of rearward sound (120°) is excellent, even at low frequencies. In practical usage, there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone setups and for precise stereo/surround imaging. The KM 185’s frequency response is very smooth and linear with a slight treble lift around 10 kHz for added brilliance. Its innovative transformerless head amplifier offers a wide dynamic range of 127 dB and is carefully designed to maintain the capsule’s sonic integrity. The KM 185 has a very low self-noise of only 15 dB-A and can handle high sound pressure levels of up to 142 dB free from distortion. Due to its low impedance output stage, the KM 185 can drive long cable runs of up to 300 meters (1000 feet) without transmission losses.

    APPLICATIONS

    The KM 185 is a universal microphone for studio and stage applications. Its transparent sound makes the KM 185 a superb microphone for acoustic instruments, such as piano, acoustic guitar, upright bass, violin, cello, wind instruments, drums and percussion. Its high rejection at 120° without off-axis coloration makes the KM 185 a perfect problem solver in demanding applications, such as recording the snare drum while suppressing spill from the hi-hat. Although the KM 185 is not specially optimized for the human voice, it is often used for classical vocals and whenever sonic authenticity is paramount. Due to its small size, the KM 185 is visually unobtrusive and well suited to TV and radio applications.

    • Uniform hypercardioid pattern without off-axis coloration
    • High suppression of unwanted sound
    • Linear frequency response with a slight treble lift
    • Low self-noise (15 dB-A)
    • Low impedance output for long cable runs without transmission losses
    • Compact size, visually unobtrusive
    Quick View
  • 0 out of 5

    Neumann KH 120A Powered Studio Monitors

    Mastering-grade Monitor from an Audio Legend

    Georg Neumann unveiled his first microphone — the CMV 3 — in 1928. So when Neumann, a company synonymous with the finest condenser microphones, turned its attention to studio monitors, the implications were serious. After all, mics and speakers are both transducers. Neumann’s KH 120 nearfield studio monitor demonstrates the no-compromise sound quality and impeccable build standards you can expect from Neumann. The “KH” in the product name stands for Klein + Hummel, a company long associated with world-class professional monitoring, now folded into the Sennheiser group and being marketed under the Neumann brand. The KH 120 is ideal for tracking, mixing, and mastering in music, broadcast, and post-production studios.

    The Mathematically Modeled Dispersion waveguide

    The magnetically-shielded aluminum cabinet is loaded with a long-throw, composite-sandwich 5.25″ woofer and a titanium-fabric 1″ dome tweeter, each driven by an onboard 50-watt high-headroom Class AB amplifier. The front baffle incorporates Neumann’s Mathematically Modeled Dispersion (MMD) waveguide, which helps produce a broad sweet spot and smooth off-axis response. In a stereo configuration, the KH 120 delivers a stable image with a satisfying sense of depth.

    A monitor worthy of the Neumann badge

    The KH 120’s frequency response is smooth and natural, delivering bass remarkably well for this size monitor. Its midrange presentation is detailed and revealing, neither overly forward nor recessive. The KH 120 is fitted with a full complement of control settings for integrating it into a variety of acoustical environments.  You can confidently make critical EQ and mix placement decisions with this speaker. The KH 120 is a true reference monitor, and worthy of the Neumann badge.

    Neumann KH 120 Features:

    • Compact bi-amplified nearfield studio monitor
    • 5.25″ low-frequency driver (50W), 1″ high-frequency driver (50W)
    • Elliptical Mathematically Modelled Dispersion (MMD) waveguide provides smooth off-axis response and accurate monitoring in non-ideal acoustical environments
    • Powerful titanium fabric dome tweeter delivers low-distortion and high-frequency reproduction
    • Composite sandwich cone woofer designs dampen breakup modes and reduce harmonic distortion
    • Free-field frequency response: 52Hz to 21kHz (+/-3dB)
    • Self-generated noise (with input gain set to 100dB for 0dBu): <20dB(A) at 10cm
    • Maximum SPL: (half space at 3% THD at 1m): 111.1dB SPL, averaged 100Hz to 6kHz
    • Crossover frequency: 2kHz
    • Crossover slope: 24dB/octave, 4th order
    • Bass equalization: 0dB, -2.5dB, -5dB, -7.5dB
    • Mid equalization: 0dB, -1.5dB, -3dB, -4.5dB
    • High equalization: +1dB, 0dB, -1dB, -2dB
    • Protection circuitry: low and high limiter
    • Input: XLR, >10 kOhms
    • Input gain control (sensitivity): -15dBu to 0dBu
    • Output level control: 94dB, 100dB, 108dB, 114dB SPL

    Tech Specs

    • Powered:Yes
    • Power Configuration:Bi-amped
    • LF Driver Size:5.25″
    • LF Driver Type:Magnetically shielded
    • HF Driver Size:1″
    • LF Driver Power Amp:50W (Continuous), 80W (Peak)
    • HF Driver Power Amp:50W (Continuous), 80W (Peak)
    • Total Power:100W (Continuous), 160W (Peak)
    • Frequency Range:52Hz-21kHz
    • Crossover Frequency:2kHz, 24 dB/octave
    • Maximum Peak SPL:111.1 dB
    • Input Types:1 x XLR
    • Enclosure Type:Ported
    • Height:10.87″
    • Width:7.12″
    • Depth:8.62″
    • Weight:14.3 lbs.
    Quick View
  • 0 out of 5

    Neumann KM183 Condenser Instrument Microphone

    The KM 183 is a state-of-the-art small diaphragm condenser microphone with a frequency-independent omnidirectional polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 183 a worldwide studio standard for many applications ranging from classical piano to heavy metal drums.

    Despite its attractive pricing, the KM 183 offers state-of-the-art Neumann engineering. Its omnidirectional pattern is uniform and largely frequency-independent. In practical usage, there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone setups and for precise stereo/surround imaging. The KM 183’s pressure transducer capsule is equalized for a flat frequency response in the diffuse field. In the free field (i.e. close to the sound source), it has a treble boost of approximately 7 dB at 10 kHz. Its innovative transformerless head amplifier offers a wide dynamic range of 127 dB and is carefully designed to maintain the capsule’s sonic integrity. The KM 183 has a very low self-noise of only 13 dB-A and can handle high sound pressure levels of up to 140 dB free from distortion. Due to its low impedance output stage, the KM 183 can drive long cable runs of up to 300 meters (1000 feet) without transmission losses.

    The KM 183 is a universal microphone for studio applications. Its transparent sound makes the KM 183 a superb microphone for acoustic instruments, such as piano, percussion, drums, acoustic guitar, strings, woodwinds, brass, choir, and wherever sonic authenticity is paramount. As a pressure transducer, the KM 183’s low frequency response is limitless, which makes it an excellent choice for orchestra and church organ recordings. Thanks to its superior off-axis behavior, the KM 183 works extremely well in stereo and surround setups. Due to its small size, the KM 183 is visually unobtrusive and well suited to TV and radio applications.

    • Omnidirectional polar pattern with excellent off-axis behavior
    • Diffuse-field equalized
    • Pressure transducer with unlimited bass response
    • Very low self-noise (13 dB-A)
    • Transformerless circuitry
    • Compact size, visually unobtrusive
    Quick View
  • 0 out of 5

    Neumann KM184 Condenser Instrument Microphone

    The KM 184 is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.

    Despite its attractive pricing, the KM 184 offers state-of-the-art Neumann engineering. Its cardioid pattern is frequency-independent; rejection of rearward sound (180°) is excellent, even at low frequencies. In practical usage, there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone setups and for precise stereo/surround imaging. The KM 184’s frequency response is very smooth and linear with a slight treble lift around 9 kHz for added brilliance. Its innovative transformerless head amplifier offers a wide dynamic range of 125 dB and is carefully designed to maintain the capsule’s sonic integrity. The KM 184 has a very low self-noise of only 13 dB-A and can handle high sound pressure levels of up to 138 dB free from distortion. Due to its low impedance output stage, the KM 184 can drive long cable runs of up to 300 meters (1000 feet) without transmission losses.

    Quick View
  • 0 out of 5

    Neumann NDH 20 Closed-Back Studio Headphone

    Monitoring Accuracy in the Studio, on the Road, and at Home

    Neumann’s NDH 20 closed-back studio headphones deliver excellent isolation with the linear frequency response, solid stereo imaging, and outstanding resolution you expect from a Neumann monitor. Featuring circumaural memory foam ear pads designed for superior isolation and exceptional comfort during long listening sessions, NDH 20 headphones are perfect for any critical monitoring or mixing task, even in noisy environments. Distracting resonances in the midband mar the performance of many closed-back designs, rendering them unsuitable for critical mix decisions. The NDH 20s take after Neumann’s acclaimed studio loudspeakers, delivering unerring accuracy free from mechanically induced colorations.

    Designed to Neumann’s high standards

    The NDH 20s incorporate newly designed 1.5″ drivers with high-gauss neodymium magnets for high sensitivity and minimal distortion, allowing the engineer or musician to hear the pure audio signal without coloration. Neumann made sure the mechanical construction of the NDH 20 headphones meet the company’s high standards. The adjustable headband is made of flexible steel, while the earcup covers are machined from lightweight aluminum. For ease of transportation, the headphones are foldable for a snug fit in the included cloth bag. Two detachable cables (one straight, one coiled) and a 1/4″ adapter are also included.

    Audiophile sound with excellent isolation

    We find Neumann NDH 20 headphones ideal for applications that require a high degree of isolation, such as tracking and front-of-house work. They’re also an excellent choice for any critical listening application, free from the disturbances of the outside world and, vice versa, without disturbing others nearby due to leakage. Thanks to its extended 5Hz–30kHz frequency response, the NDH 20s are particularly helpful for checking the upper and lower extremes of the audio band. Unlike many other closed-back headphones, the NDH 20s are well-suited for mixing purposes too. Their unusually flat frequency response and natural stereo image allow for mixing with confidence and ensuring that your mixes will translate to all playback systems. Last but not least, the NDH 20s are also excellent headphones for audiophile entertainment.

    Neumann NDH 20 Closed-back Studio Headphones Features:

    • Linear sound balance, like Neumann’s acclaimed studio monitors
    • 1.5″ drivers with high-gauss neodymium magnets
    • Extended 5Hz–30kHz frequency response
    • Free from mechanically induced colorations
    • Excellent isolation allows working in noisy environments
    • Transparent sound with high resolution
    • Long-term comfort, easy transportation

    Tech Specs

    • Open/Closed:Closed
    • Fit Style:Circumaural (Around the Ear)
    • Driver Size:38mm
    • Frequency Response:5Hz-30kHz
    • Impedance:150 ohms
    • Noise Attenuation:34dB
    • Cable Type:Coiled, Straight
    • Cable Length:5-10′ (coiled), 10′ (straight)
    • Replaceable Cable:Yes
    • Plug Size:1/8″ plug, 1/4″ adapter
    • Features:Cloth Pouch
    • Foldable:Yes
    • Color:White Aluminum, Gray
    • Weight:2.6 lbs.
    Quick View
  • 0 out of 5

    Neumann TLM102 Recording Microphone

    Sweet Little Microphone — Huge Neumann Sound!

    At first glance, the TLM 102 stands out from other Neumann microphones because of its extraordinarily compact design. Don’t let its size fool you! Inside the TLM 102 sits a large-diaphragm, cardioid capsule that Neumann developed specifically for their next generation of microphones intended for a broad range of applications. Like the rest of the TLM series, the TLM 102 is built around low-noise circuitry and captures sound sources without adding extensive color. It particularly excels with vocals, and the ability to handle extreme SPLs makes the TLM 102 a truly versatile microphone.

    Quick View
X