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Behringer

Showing 25–36 of 79 results

  • Behringer Pro FBQ2496 Feedback Destroyer
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    Behringer Pro FBQ2496 Feedback Destroyer

    Installed Sound & Others
    ₹30,599.00

    Destroyer of Feedback

    The Behringer Feedback Destroyer Pro FBQ2496 is the fastest feedback suppressor on the market. With its lightning-quick feedback detection, the FBQ2496 will safeguard you and your audiences from feedback. The “search-and-destroy” algorithm automatically pinpoints up to 20 feedback frequencies per channel, then sets ultra-narrow notch filters to knock out feedback frequencies – leaving the rest of your signal untouched. Auto Mode continuously monitors the mix, resetting programmed filters automatically, while the Manual Mode lets you tweak up to 40 parametric filters for frequency, bandwidth and gain. Exterminate feedback effortlessly with the Behringer Feedback Destroyer Pro FBQ2496.

     

     

    Behringer Feedback Destroyer Pro FBQ2496 at a Glance:

    • Intelligent feedback suppression
    • Easy to operate
    • Always be prepared

    Intelligent feedback suppressionWith its ultra-speedy feedback-detection algorithm, the Behringer Feedback Destroyer Pro FBQ2496 automatically and intelligently identifies up to 20 feedback frequencies per channel. The algorithm will then set very narrow notch filters – up to 1/60th of an octave – to “take out” feedback frequencies – leaving the remainder of your signal virtually untouched. Using the default Auto setting, plus the Panic button, you can have the FBQ2496 up and running in seconds.

    Easy to operateThe Behringer Feedback Destroyer Pro FBQ2496’s Auto Mode continuously monitors your mix, resetting filters automatically, while Manual Mode allows individual frequency, bandwidth and gain tweakage of up to 40 fully-parametric filters. Open MIDI architecture makes future firmware updates and flexible communication with other gear dead simple.

    Always be preparedWith the Behringer Feedback Destroyer Pro FBQ2496’s various modes, you can ace just about any live sound challenge – or use the FBQ2496 as a creative sound-shapinger. A single FBQ2496 can protect you from feedback in both your mono PA mains as well as your monitor mix. In the fight against feedback, the FBQ2496 Behringer Feedback Destroyer PRO is your knight in shining armor.

    Behringer Feedback Destroyer Pro FBQ2496 Features:

    • Automatic and Ultra-Fast Feedback Destroyer/Parametric EQ with 40 FBQ Filters and 96kHz Audio Performance
    • Ultra-high performance 2-channel 24-bit/96kHz Feedback Destroyer and Parametric EQ
    • Automatically and “intelligently” locates and destroys up to 40 feedback frequencies
    • Ultra-narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality
    • Panic button immediately takes action in feedback emergency situations
    • Set-and-forget default setting enables immediate and super-easy Feedback Destroyer performance
    • Auto mode continuously monitors the mix and automatically sets filters
    • Single-shot mode automatically detects and destroys feedback and locks filters until they are reset manually
    • Ultra-high resolution 24-bit/96kHz A/D and D/A converter plus 32-bit DSP for ultimate audio performance
    • Extensive MIDI implementation and user preset memories for instant program recalls
    • Balanced inputs and servo-balanced outputs with 1/4″ TRS and gold-plated XLR connectors
    • Internal switch-mode power supply for 100-240V flexibility, low noise, and superior transient response
    • High-quality components and exceptionally rugged construction ensure long life

    Exterminate feedback with the Behringer Feedback Destroyer Pro FBQ2496!

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  • Behringer S32 Digital Snake (32 Channel)
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    Behringer S32 Digital Snake (32 Channel)

    Digital Mixing Consoles
    ₹150,999.00

    Bridges the Gap Between Band, FOH, and Audience

    Packed with ultra-fast, rock-solid performance, the Behringer S32 32-channel digital snake system bridges the gap between your band, your FOH engineer, and your audience. With the S32, you get 32 remote-controllable Midas-designed preamps and 16 analog, servo-balanced XLR returns at the stage end, and it’s all piped through a single, convenient Cat 5e cable, thanks to integrated SuperMac technology from Klark Teknik. In other words: no more bulky analog snake! So step up to the digital age — order your Behringer S32 32-channel digital snake system from us today!

    AES50 networking capability provides compatibility with many digital mixers

    When Behringer first developed their S32 digital snake system, they intended it to go hand-in-hand with their powerful X32 digital mixing system. But limiting such a convenient and affordable digital snake to the X32 alone would have been a shame, which is why Behringer designed it around the strict guidelines established by Klark Teknik. The result is an affordable digital snake that’s completely compatible with any digital console that sports an AES50 digital Ethernet connection. So if you’re running a Midas or Behringer digital mixing board, if it’s got an AES50 Ethernet port on it, if you’ve got an S32 digital snake, you’re never more than a single connection away from your stage box.

    Remote-controllable preamps make setup fast, easy, and painless

    Even if you try to get a jog in every day, no one likes having to run up to the stage every time you have to make an adjustment to your stage box. Thanks to the Behringer S32 digital snake system’s remote-controllable preamp design, those back-and-forth cross-venue dashes are a thing of the past. Using the Klark Teknik SuperMAC protocol, your S32 will show up in your digital mixer’s OS, giving you the control you need over your pres, right from the front of house position. And by the way, these preamps are the exact same high-quality Midas-designed preamps found in the X32 console, so you know you’re getting quality sound with low noise and tons of headroom.

    Total integration with Behringer’s P-16 personal monitoring system

    Streamlined, affordable, and super-easy-to-use, everyone’s raving about Behringer’s Powerplay P16 personal monitoring systems. When you add a Behringer S32 digital snake system to your PA rig, you’re not just getting a great set of remote-controllable preamps and ditching tons of bulky cable, you’re ready to add an advanced personal monitoring system directly inline with the rig you already have. That’s because your S32 digital snake comes equipped with Ultranet connectivity, which provides your Powerplay P16-M monitor controllers with a digital split straight from the stage box.

    Behringer S32 32-channel Digital Snake System Features:

    • Simple, flexible, and affordable digital snake system that works with any AES50 network-ready digital console
    • 32 x fully programmable and remote-controllable Midas-designed mic preamps give you exceptional sound, right from the stage
    • 16 x analog, servo-balanced XLR outputs let you send complete monitor mixes to the stage
    • AES50 network ports featuring Klark Teknik SuperMac technology, providing you with ultra-low latency digital audio that’s in-ear compatible
    • Up to 328′ of networking capability via a single lightweight CAT-5e cable (not included)
    • Dual AES50 ports let you cascade multiple S32 units, without a merger or a router
    • Precise LED metering plus 7-segment displays let you keep a close eye on your levels
    • Ultranet connectivity for Behringer’s Powerplay P16 Personal Monitoring System is perfect for In-ear applications
    • Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications
    • MIDI In/Out for bi-directional communication between FOH console and on-stage MIDI devices
    • USB connector for system updates via PC
    • Planet Earth switching power supply for maximum flexibility, noise-free audio, superior transient response plus low power consumption for energy saving
    • Durable yet compact, all-steel 3U rack-mount chassis provides flexible mounting

    Tech Specs

    • Type:Digital Stage Box
    • Channels:32
    • Inputs – Mic Preamps:32 x XLR
    • Phantom Power:Yes
    • Outputs – Main:16 x XLR
    • Outputs – Digital:2 x Optical Toslink (ADAT), 2 x XLR (AES)
    • Data I/O:1 x Ultranet, 2 x AES50
    • USB:1 x Type B
    • Computer Connectivity:USB
    • MIDI I/O:In/Out
    • Rackmountable:3U
    • Power Source:Standard IEC AC cable
    • Height:5.4″
    • Depth:9.5″
    • Width:19″
    • Weight:12.4 lbs.
    Read more
  • Behringer Studio 50USB Powered Studio Monitors
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    Behringer Studio 50USB Powered Studio Monitors

    Studio Monitors
    ₹19,799.00

    Value-packed Bi-amped Studio Monitors

    We know your studio monitors are the windows into your music. The clearer the “glass,” the more you hear. For maximum clarity, Behringer’s Studio 50USB Monitor Speakers are bi-amped with 150 watts, with the long-throw, Kevlar-cone 5″ woofer and a 1″ silk dome tweeter each driven by its own amplifier. A pair of 50USB monitors gives you a broad sweet spot and room-filling sound, thanks to Behringer’s advanced waveguide technology. These monitors feature XLR and TRS inputs, plus a USB input that lets you directly connect with digital audio sources. And they’re magnetically shielded for placement near CRT monitors. Equip your studio with value-packed Behringer Studio 50USB Monitor Speakers, and hear what you’ve been missing.

    Behringer Studio 50USB Monitor Speakers Features at a Glance:

    • Ultra-linear 2-way digital monitor speakers ideally suited for studios and multimedia workstations
    • True bi-amping mode with 4 amplifiers for ultimate sound resolution
    • 150 Watt of digital power amplification
    • Ultra-high resolution 1″ silk dome tweeter for ultimate sound reproduction
    • Long-throw 5″ woofers with deformation-resistant Kevlar cone for ultimate bass response
    • Ultimate dispersion characteristics and extremely large “sweet spot” owing to advanced waveguide technology
    • Adjustable volume control and tweeter sensitivity to adapt to a wide range of acoustic conditions
    • USB input for direct connection of your digital audio sources
    • Two analog inputs featuring XLR and TRS connectors can be used simultaneously with a digital stereo source
    • Magnetically shielded for placement near computer monitors
    • High-quality components and exceptionally rugged construction ensure long life

    Hear what you’ve been missing, with Behringer’s Studio 50USB Monitor Speakers!

    Tech Specs

    • Powered:Yes
    • Power Configuration:Bi-amped
    • LF Driver Size:5″
    • HF Driver Size:1″
    • Total Power:150W
    • Input Types:2 x XLR, 2 x 1/4″
    • USB:1 x Type B
    • Enclosure Type:Ported
    • Height:10 in.
    • Width:8 in.
    • Depth:7 in.
    • Weight:14.3 lbs.
    Add to cart
  • Behringer Super-X Pro CX2310 V2 Crossover
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    Behringer Super-X Pro CX2310 V2 Crossover

    Installed Sound & Others
    ₹12,800.00

    Low-noise, Flat-performance Crossover with Worldwide Switching

    Now you can enjoy the flat response and faithful performance of your Behringer crossover anywhere in the world with the updated Super-X Pro CX2310 v2. The latest version of the classic crossover features an internal switch-mode power supply for 100–240V operation, all with the low noise and low power consumption you’ve come to expect from Behringer.

    The Missing Link in Your Live Rig

    The Behringer Super-X Pro CX2310 v2 is a versatile crossover that’s equipped for any professional live sound rig. The CX2310 v2 is capable of either 2-way stereo or 3-way mono operation. Equipped with 24dB/octave Linkwitz-Riley filters, the CX2310 v2 gives you the steep crossover bands you demand. Each output features an independent level control and phase inversion switch. For use with a subwoofer, the CX2310 v2 also includes a low-frequency output summing option. For the flexibility you need in configuring your PA system, check out the Behringer Super-X Pro CX2310 v2

    Behringer Super-X Pro CX2310 v2 Features:

    • Professional stereo 2-way/mono 3-way crossover
    • Internal switch-mode power supply for worldwide, 100–240V operation
    • State-of-the-art Linkwitz-Riley filters with 24 dB/octave
    • Additional subwoofer output with independent Frequency control
    • Absolutely flat summed amplitude response, zero phase difference
    • Individual output Gain controls for all bands
    • Individual output Mute switches for easy band adjustment
    • Individual Phase reverse switches for instant phase correction
    • Switchable 25 Hz Low cut filter on each input for low-frequency driver protection
    • Servo-balanced and gold-plated XLR connectors for all inputs and outputs
    • Ultra-high precision potentiometers for ultimate accuracy and repeatability
    • Illuminated switches for secure operation in dark stage environments
    • High-quality components and exceptionally rugged construction ensure long life

    Tech Specs

    • Modes:2-way Stereo, 3-way Mono
    • Filter Types:Linkwitz-Riley
    • Filters:24 dB/Octave
    • Crossover Frequencies – Stereo:Low, High
    • Crossover Frequencies – Mono:Low, Mid, High
    • Inputs:2 x XLR
    • Outputs:2 x XLR (low/mid), 2 x XLR (high), 1 x XLR (sub out)
    • Rack Spaces:1U
    • Height:1.7″
    • Depth:5.8″
    • Width:19″
    • Weight:3.5 lbs.
    Add to cart
  • Behringer Super-X Pro CX3400 V2 Crossover
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    Behringer Super-X Pro CX3400 V2 Crossover

    Installed Sound & Others
    ₹17,799.00

    Low-noise, Flat-performance Crossover with Worldwide Switching

    Achieve top-notch frequency separation with the Behringer Super-X Pro CX3400 V2. This crossover boasts stereo 2-way, stereo 3-way, and mono 4-way modes, along with state-of-the-art 24dB/octave Linkwitz-Riley filters. Benefit from superior loudspeaker protection, thanks to individual limiters on each output, as well as Delay controls for driver phase alignment. CD horn correction supplies constant-directivity compensation, while a low-frequency output summing function provides mono output for your subwoofer. Beyond that, the CX3400 gives you individual output Gain controls for all bands, individual output Mute switches for band adjustment, individual phase reverse switches for solving polarity issues, a 25Hz low cut filter, and an internal switch-mode power supply.

    Three modes offer versatile operation

    The CX3400 supplies you with three modes of operation. Two-way stereo is for left and right low frequencies (woofers) and high frequencies (tweeters). Three-way is for left and right low, middle, and high frequencies. Four-way mono is for low, low-mid, high-mid, and high frequencies. An easy-to-read front-panel LED matrix makes it easy to see which mode is active.

    CD horn compensation for optimal efficiency

    Live sound engineers here understand that horns increase a speaker’s efficiency — that’s why most PA speakers incorporate them into their design. Constant-directivity horns are especially popular, because they produce consistent dispersion over their entire frequency range. Unfortunately, as frequencies get higher, efficiency decreases. The Super-X Pro CX3400 V2 compensates for this with a switchable pre-EQ. This pre-EQ ensures a flat frequency response, even before equalization is applied, and raises your gain by 3dB at 3.5kHz, which increases by 6dB/octave up to 22.5kHz.

    The missing link in your live rig

    The CX3400 is a versatile crossover that’s equipped for any professional live sound rig. Outfitted with 24dB/octave Linkwitz-Riley filters, the CX3400 gives you the steep crossover bands you demand. Each output features an independent Gain control, Mute switch, and phase reverse switch. Individual limiters on each output deliver reliable loudspeaker protection. You also get Delay controls for phase-aligning your drivers. For use with a subwoofer, the CX3400 also includes a low-frequency output summing option.

    Behringer Super-X Pro CX3400 V2 Crossover Features:

    • Stereo 2- and 3-way, mono 4-way crossover
    • CD horn correction supplies constant-directivity compensation
    • Internal switch-mode power supply for worldwide, 100-volt to 240-volt operation
    • State-of-the-art Linkwitz-Riley filters with 24dB/octave
    • Low-frequency output summing function provides mono output for your subwoofer
    • Absolutely flat summed amplitude response, zero phase difference
    • Individual output Gain controls for all bands
    • Individual output Mute switches for easy band adjustment
    • Individual phase reverse switches for solving polarity issues
    • Individual limiters on each output offer superior loudspeaker protection
    • Time delay for phase-aligning your drivers
    • Switchable 25Hz low cut filter on each input for low-frequency driver protection
    • Servo-balanced and gold-plated XLR connectors for all inputs and outputs
    • Ultra-high-precision potentiometers for ultimate accuracy and repeatability
    • Illuminated switches for secure operation in dark stage environments
    • High-quality components and exceptionally rugged construction ensure long life

    Tech Specs

    • Number of Channels:Stereo
    • Modes:2-way, 3-way, 4-way (mono)
    • Filter Types:Linkwitz-Riley
    • Filters:24 dB/Octave
    • Crossover Frequencies – Stereo:Variable ; 44Hz-930Hz, 440Hz-9.3kHz
    • Crossover Frequencies – Mono:Variable
    • Inputs:2 x XLR
    • Outputs:3 x XLR (ch 1), 3 x XLR (ch 2)
    • Rack Spaces:1U
    • Height:1.7″
    • Depth:5.8″
    • Width:19″
    • Weight:3.7 lbs.
    Add to cart
  • Behringer Ultra-DI DI400P Passive Direct Box
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    Behringer Ultra-DI DI400P Passive Direct Box

    Audio Interfaces & DI Boxes

    A Compact DI for Your Rig

    Make sure you’re ready for any situation with the Behringer Ultra-DI DI400P direct box. Ruggedly made and road ready, the compact DI400P is a high-performance DI for getting your sound to the mixer. Dual 1/4″ TS jacks are wired in parallel let you plug your instrument into one and use the other as an output to your amp. The balanced XLR mic-level output feeds your mixer a clean and super-flat signal that is true to the source. We know that grounding issues and hum can be a problem at live gigs. The DI400P sports a ground lift switch to kill unwanted ground loops and hum. The Behringer Ultra-DI DI400P direct box is a must-have tool for any stage rig!

     

     

    Behringer Ultra-DI DI400P Direct Box Features:

    • Compact, high-performance passive direct box
    • 1/4″ TS in and parallel out
    • Gold-plated XLR output
    • Super-flat frequency output for uncolored sound
    • Offers impedance and signal matching of instruments to mixers
    • Perfect for stage and studio use
    • Ground lift switch kills annoying grounding issues
    • Rugged metal case can take the rigors of the road

    Get your signal to the board with Behringer’s Ultra-DI DI400P direct box!

    Tech Specs

    • Type:Passive DI
    • Channels:1
    • Ground Lift:Yes
    • Inputs:1 x 1/4″
    • Outputs:1 x XLR, 1 x 1/4″ (parallel with in)
    • Height:2.6″
    • Width:4.7″
    • Depth:1.4″
    • Weight:0.44 lbs.
    • Manufacturer Part Number:000-49000-00010
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  • Behringer Ultra-DI Pro DI800 V2 DI Box
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    Behringer Ultra-DI Pro DI800 V2 DI Box

    Audio Interfaces & DI Boxes
    ₹20,999.00

    Supremely Flexible 8-channel DI

    The Behringer Ultra-DI Pro DI800 v2 Active Phantom Powered 8-channel DI Box is a rackmount DI with sufficient inputs to accommodate everyone onstage or in the studio. Direct Injection (DI) boxes, of course, let you plug guitars, basses, keyboards, etc. directly into your board. For impedance matching and signal integrity, they’re indispensable. The DI800 v2 is a DI on steroids. With its active circuitry, it sports buffered inputs that won’t pollute your signal (as passive DIs can). Boasting a bevy of boost/attenuation, groundlift, and connectivity options, Behringer’s Ultra-DI Pro DI800 v2 is your audio Swiss Army Knife.

    Behringer Ultra-DI Pro DI800 V2 Active Phantom Powered 8-channel DI Box Features:

    • Multi-purpose 8-channel direct injection box for stage and studio applications
    • Provides impedance and signal matching for direct connection of instruments to mixers
    • Servo-balanced operation gives you ruler-flat frequency response
    • Optional mains or phantom-powered operation
    • Low-noise op-amps for pristine sonic quality
    • Allows direct connection to speaker outputs with up to 3,000W
    • +20dB gain switch for pre-amplification of low-level signals
    • Switchable input attenuation allows input levels of up to +40dB
    • Ground Lift switch eliminates typical ground loop problems
    • Link output for easy connection to further equipment
    • TRS and gold-plated XLR connectors
    • Illuminated switches enable operation in dark stage environments
    • High-quality components and exceptionally rugged construction ensure long life

    Tech Specs

    • Type:Active
    • Channels:8
    • Pads:-30dB
    • Ground Lift:Yes
    • Inputs:8 x 1/4″
    • Outputs:8 x XLR (balanced out), 8 x 1/4″ TS (unbalanced out), 8 x 1/4″ (link)
    • Power Source:Standard IEC AC cable
    • Manufacturer Part Number:DI800v2
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  • Behringer Ultragraph Pro FBQ3102HD 31-band Stereo Graphic Equalizer
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    Behringer Ultragraph Pro FBQ3102HD 31-band Stereo Graphic Equalizer

    Installed Sound & Others
    ₹22,999.00

    31-band Graphic EQ with Feedback Detection

    The Behringer Ultragraph Pro FBQ3102HD 31-band graphic equalizer is packed with the professional features you need. An FBQ Feedback Detection system quickly locates problem frequencies. A Planet Earth switching power supply yields noise-free audio, superior transient response, and efficient power consumption. Its 4580 dual op-amps exhibit low noise and excellent sound quality. Remove floor rumble, hiss, and other unwanted frequencies with sweepable highpass (low-cut) and lowpass (high-cut) filters on each channel. The Ultragraph Pro’s 12-segment LED meter is extremely precise, and its input gain controls make setting levels a piece of cake. The Behringer Ultragraph Pro FBQ3102HD 31-band graphic equalizer is a great value for your studio or live sound rig.

     

    Behringer FBQ3102HD 31-band Stereo Equalizer at a Glance:

    • FBQ provides you with a feedback-free system
    • Top-quality components deliver excellent sound quality
    • High and lowpass filters ensure clean sound

    FBQ provides you with a feedback-free systemThe Behringer Ultragraph Pro’s FBQ Feedback Detection System delivers ultra-fast detection of problem frequencies, so you can stop feedback dead in its tracks. The system is child’s play to use. Whenever feedback is detected in a specific frequency range, an LED lights up on the associated EQ fader. You then lower the fader to zap the feedback. Here, we like that we can locate out-of-control frequencies at a glance, allowing us to quickly turn our focus back on the performance.

    Top-quality components deliver excellent sound qualityThanks to excellent engineering, the Behringer Ultragraph Pro is a real performer. The 4580 dual op-amps employed throughout supply great signal integrity, while a Planet Earth switching power supply ensures low noise and superior transient response. The Ultragraph Pro is ideal for adding the finishing touch to your live show or recording, with 31 bands of smooth, precise equalization per channel.

    High and lowpass filters ensure clean soundThe sweepable highpass (low-cut) and lowpass (high-cut) filters on each of the Behringer Ultragraph Pro’s channels attenuate unwanted sounds such as hiss, wind noise, floor rumble, electrical hum, and more. Ask any of the live sound techs here at Sweetwater, and they’ll tell you that unnecessary low-frequency content really eats up your power amp’s headroom. And having the ability to fine-tune your overall sound results in crystal-clear, dynamic output with the perfect level of low-end punch.

    Behringer FBQ3102HD 31-band Stereo Equalizer Features:

    • 31-band stereo graphic equalizer for live and studio applications
    • FBQ Feedback Detection system quickly locates problem frequencies
    • 4580 dual op-amps exhibit low noise and excellent sound quality
    • Planet Earth switching power supply yields noise-free audio, superior transient response, and efficient power consumption
    • Dedicated mono subwoofer output with adjustable crossover frequency
    • Sweepable highpass (low-cut) and lowpass (high-cut) filters on each channel tame unwanted frequencies
    • 12-segment LED meter and input gain controls make setting levels easy
    • Relay-controlled hard-bypass with auto-bypass function during power failure
    • Servo-balanced inputs and outputs with 1/4″ TRS and gold-plated XLR connectors

    The Behringer Ultragraph Pro 31-band graphic equalizer has the professional features you need!

    Tech Specs

    • Number of Bands:2 x 31-band
    • Boost/Cut Range:±12 dB, ±6 dB
    • Feedback Detection:Yes
    • Low Cut Filter:Variable 10Hz-400Hz
    • High Cut Filter:Variable 2.5kHz-30kHz
    • Analog Inputs:2 x XLR, 2 x 1/4″ TRS
    • Analog Outputs:2 x XLR, 2 x 1/4″ TRS, 1 x XLR (sub out)
    • Rack Spaces:2U
    • Power Source:Standard IEC AC cable
    • Depth:5.9″
    Read more
  • Behringer Ultrazone ZMX8210 V2 Rackmount Zone Mixer
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    Behringer Ultrazone ZMX8210 V2 Rackmount Zone Mixer

    Analog Mixing Consoles
    ₹20,799.00

    Take Command of Your Sound Environment

    The Behringer ULTRAZONE ZMX8210 V2 distributes music and announcements to up to three destinations. This 8-channel, 3-bus rackmountable zone mixer can play music for clients in the lobby while paging employees in a different area. You can also play background music in your church’s foyer, while miking the pastor in the sanctuary and sending the sermon and music to the nursery — its uses are endless. The ZMX8210 V2 is packed with essential features, including -20dB pads, Level/Clip indicators, and +48V phantom power to ensure top quality. You also get a global 4-band EQ and global highpass filter for fine-tuning your sound, along with a channel muting system with Priority select and remote control and link ports for added flexibility. Tailor-made for fixed installations, the ULTRAZONE ZMX8210 V2 is a flexible piece of gear.

    Inputs ready for whatever signal you need distributed

    When your  Engineer helps you design your audio systems, they need to know how many inputs you need. Consider all that you’ll need to cover with a mixer and use the six ultra-low noise Mic/Line inputs with individual Gain control, -20dB pads, Level/Clip indicators, +48V phantom power, and bus-assign switches to mix music, microphones, or larger mixer outputs however you need to achieve the desired output in a specific area. You also get two selectable stereo inputs with Mono/Stereo switches and RCA connections. And if you need more than eight channels, link two ULTRAZONE ZMX8210 V2s together using the dedicated bus links, for a total of 16 inputs.

    Outputs ready for wherever you need signal distributed

    The Behringer ULTRAZONE ZMX8210 V2’s three assignable outputs — Left, Right and Aux — with individual controls and 5-segment LED meters send your audio wherever you need it. What’s more, you can install remotes to control volume or completely quiet a zone. A 4-band EQ and global highpass filter make sure your announcements are heard clearly and help control feedback issues.

    Features that make this mixer even easier to choose

    Behringer made sure the ULTRAZONE ZMX8210 V2 was as useful to you and your needs as it could be. Its control panel is a breeze to navigate — even the most inexperienced hostess or volunteer can use this mixer. But easy to use doesn’t mean stripped down — the ZMX8210 V2 is full of pro-level features like variable Threshold on channel one for ducking audio for priority announcements. A Select switch routes the microphone bus post remote control, so your message is heard even if an area’s volume is turned down. You also get an integrated channel muting system with Priority select for even more versatility.

    Behringer ULTRAZONE ZMX8210 V2 Features:

    • 8-channel, 3-bus rackmountable zone mixer
    • Distributes music and announcements to up to 3 destinations
    • Mix music, microphones, or larger mixer outputs however you need to achieve the desired output in a specific area
    • 6 Mic/Line inputs with Gain control, -20dB pad, Level/Clip indicators, +48V phantom power, and bus-assign switches
    • 2 selectable stereo inputs with Mono/Stereo switches and RCA connections
    • Link 2 units together using the dedicated bus links, for a total of 16 inputs
    • 3 assignable outputs — Left, Right and Aux — with individual controls and 5-segment LED meters
    • Install remotes to control volume or completely quiet a zone
    • 4-band EQ and global highpass filter make sure your announcements are heard clearly and help control feedback issues
    • Variable Threshold on channel 1 for ducking audio for priority announcements
    • Select switch routes the microphone bus post remote control, so your message is heard even if an area’s volume is turned down
    • Integrated channel muting system with Priority select for added versatility

    Tech Specs

    • Type:Zone Mixer
    • Channels:8 (6 mono, 7/8 stereo)
    • Inputs – Mic Preamps:6 x Euroblock (mic/line), 2 x Dual RCA Stereo
    • Phantom Power:Yes
    • Outputs – Main:2 x Euroblock
    • Outputs – Other:1 x Euroblock (remote master level)
    • Aux Sends:1 x Euroblock (aux)
    • Busses/Groups:1 x Euroblock (L/R, main, aux)
    • EQ Bands:4-band EQ
    • Rackmountable:Yes, 1U
    • Power Source:Standard IEC AC cable
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  • Behringer Virtualizer 3D FX2000 Effects Processor
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    Behringer Virtualizer 3D FX2000 Effects Processor

    Analog Mixing Consoles
    ₹22,000.00

    A Flexible Effects Processor

    We are always looking for ways to make our performances leave a lasting impression, the Behringer Virtualizer 3D FX2000 gives you the tools you need to knock the audiences socks off. This multi-effects processor features Behringer’s Real Sound Modeling stereo and 3D effects. These effects will make your audience sit up and take notice with lush reverbs and delays. With 100 presets and 100 user memories you will be able to create the perfect resets to recall at anytime. Effects include reverbs, amp simulation, delays, modulation effects, and even psychoacoustics processing.

    Behringer Virtualizer 3D FX2000 Effects Processor at a Glance:

    • Robust input and output options
    • High-performance multi-effects processor

    Robust input and output options

    You can easily hook up to the Virtualizer 3D FX2000 via balanced XLR and 1/4″ inputs. If you need it, there is a -10dB pad to tame wild signals. The MIDI in/out/thru ports let you connect the FX2000 to your choice of controllers to take advantage of the extensive MIDI implementation.

    High-performance multi-effects processor

    Your effects processing is in good hands with the Behringer Virtualizer 3D FX2000. The effects engine boasts 24-bit AD/DA conversion and 64/128-time oversample rates, these effects are clean and pure. You can choose from 12 different reverbs, three delays, amp simulators, filters, chorus, flange, EQs, a vocoder, distortions, exciters, and many more. You can tweak up to seven parameters plus a 2-band EQ on each effect. You can also combine effects in serial/parallel configurations to really dial in the sound you want.

    Behringer Virtualizer 3D FX2000 Effects Processor Features:

    • Balances XLR and TRS inputs and outputs
    • Extensive MIDI Implementation
    • High-performance Multi-effects Processor
    • 24-bit AD/DA with 64/128 times oversampling
    • 100 presets and 100 user presets

    The Behringer Virtualizer 3D FX2000 Effects Processor offers great sounding effects for stage or studio.

    Tech Specs

    • Processor Type:Multi-FX
    • Number of Channels:2
    • Presets – Factory:100
    • Presets – User:100
    • Analog Inputs:2 x XLR, 2 x 1/4″
    • Analog Outputs:2 x XLR, 2 x 1/4″
    • MIDI I/O:In/Out/Thru
    • Rack Spaces:1U
    • Height:1.75″
    • Width:19″
    • Depth:8″
    • Weight:4.5 lbs.
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  • Behringer Wing Compact Digital Mixing Console
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    Behringer Wing Compact Digital Mixing Console

    Digital Mixing Consoles
    ₹324,999.00

    Small, Powerful, and Built Around You

    The Behringer WING Compact packs the processing power, channel count, effects, expansion slots, and digital I/O of the full-size WING into a lightweight, 13-fader control surface. That said, the WING Compact supplements its near-limitless digital connectivity with 24 award-winning Midas Pro preamps, making it an ideal all-in-one solution, even without a separate stage box. A 10.1-inch capacitive touchscreen and intuitive Sources paradigm provide streamlined navigation, enabling you to focus on your source audio rather than the nuts and bolts of your mix. You’ll also appreciate the enhanced customization afforded by the WING Compact’s eight user-assignable buttons, plus you get a dedicated Bus/Main/DCA section for fader usage and effect and DCA spill. You can record up to 64 channels directly to dual SD cards, use optional expansion cards to attain Dante support, or deploy the WING Compact’s built-in 48-in/48-out USB audio interface to record straight to your DAW. Complete with 16 true-stereo processors with Standard and Classic modeled effects, the WING Compact is a top-shelf digital console that will elevate the capabilities of any small-scale live sound setup.

    WING Compact — made for the way you want to work

    Digital mixers are extremely powerful; thus, they can seem intimidating. That’s not the case with the WING Compact. Like its larger sibling, it’s a breeze to navigate. Its interface centers around a 10.1-inch capacitive touchscreen augmented by touch-sensitive rotary controls. Best of all, its three fader sections and eight user-assignable buttons can be tailored to your requirements. It doesn’t get much more intuitive than that! Whether you require a specific bus send fader next to the corresponding channel fader or a meticulously configured custom channel that’s always at the ready, the WING Compact is made for the way you want to work.

    Sources make navigation simple

    The WING Compact takes after its full-size predecessor in that it’s jam-packed with I/O — 374 inputs and outputs, to be exact. And if you include its internal signals, the WING Compact includes 400 inputs and outputs. Faced with this much I/O, Behringer’s engineering team reimagined the flow of a traditional mixer, putting the emphasis on your source audio, using what Behringer calls — quite fittingly — Sources. Within the WING ecosystem, inputs are much more than historical inputs because they contain metadata on what the Source is — tags, input icon, input color, gain, phantom power, and if the Source is mono, stereo, or mid-side. All that information follows the source to any channel. With one button, that information can be copied to the channel, and the tags, icon, color, and other metadata show up on the channel immediately. If you move a Source to another channel, the information goes with it — no need for old-fashioned copying and pasting.

    Channels redefined

    With so much focus on Sources, the WING Compact, along with the entire WING series of digital mixers, has to go beyond the historical definition of what a channel is, as well. With 374 Sources, a single 1-channel input seems a little underpowered. That’s why the WING workflow has redefined what a single channel can do. Each of its 48 channels — 40 inputs plus eight returns — can operate as mono, stereo, or mid-side. And when you assign a stereo Source to a channel, it automatically renders the channel in stereo. On top of that, each channel features an alternate (ALT) input that can also be stereo, which makes toggling between two Sources a breeze.

    The WING Compact’s ALT inputs are a lifesaver. For example, say you have stereo tracks playing from a computer, but you also have a redundant hardware track player synced to the computer. If the computer fails, the hardware tracks can take over either with a command or automatically. On a traditional console, that would take four channels; on the WING Compact, it’s just one. Simply route the computer’s stereo Source to a single channel. Then, specify the ALT input as the hardware player stereo signal. Other applications could be a redundant vocal mic. If the battery in a wireless transmitter unexpectedly goes out, the vocalist grabs a backup microphone, and the signal immediately switches to the second mic. Again, this uses just one channel. Virtual soundchecks have never been more straightforward. Just assign your 48 USB playback tracks or 64 XLive playback tracks to ALT inputs, hit play, and everything can automatically switch and be ready for your virtual soundcheck.

    Mono or stereo? It’s all the same to the WING Compact

    The WING Compact’s 48 input channels and 28 bus mixes can be used for mono, stereo, or mid-side sources — no channel linking required. And, as noted above, when you assign a stereo Source to a channel, it automatically renders the channel in stereo. Best of all, there’s no need to reboot the console when you apply a mode change (the live sound engineers here did backflips when they realized this). This means you can make on-the-fly changes from mono to stereo and back again.

    Benefit from first-class hands-on control

    Despite its relatively small size, the Behringer WING Compact supplies you with all the hands-on control you need. It all starts with 13 motorized 100mm faders. These ultra-smooth faders make this digital console an absolute joy to mix on. Its central section includes eight user-assignable buttons. Apply whatever functions you’d like to have within reach, and they’ll always be at your fingertips. Make fine adjustments of up to eight user parameters with the WING Compact’s adjustable swivel, or use it for DAW remote control via USB MIDI. The WING Compact’s configuration also includes predefined functionality for USB and SD card recorder transport, show control, and mute groups.

    Loaded with top-shelf processing

    Putting a pro-quality sheen on your mixes is easy with the Behringer WING Compact. A Standard FX rack with eight true-stereo processors supplies you with a useful array of modulation, EQ, and dynamics effects. Beyond that, you also get a Premium FX rack with eight true-stereo processors with sought-after algorithms from TC Electronic’s M3000 multi-effects processor and world-class effects from Lexicon, Quantec, and EMT. Forty stereo input channels boast built-in EQ and dynamics — some of which are modeled after famous hardware from legendary manufacturers like Pultec, SSL, SPL, Neve, Focusrite, dbx, Universal Audio, elysia, and Empirical Labs. Finally, this digital mixer’s four main, eight matrix, and 16 stereo aux buses all feature dual inserts, 8-band parametric EQs, a stereo imager, and full dynamics processing.

    Packed with ample I/O and limitless expansion

    The WING Compact comes loaded with ample I/O and is highly expandable, granting you tremendous flexibility. It starts with 40 stereo input processing channels and eight stereo aux channels. Output processing channels include 16 stereo aux buses, eight stereo matrices, and four stereo mains. You’ll benefit from plug-and-play remote I/O connectivity for up to 144 input and output signals via three AES50 ports. The WING Compact boasts AES/EBU stereo digital I/O, a headphone connector, MIDI I/O, and a GPIO port. It includes a WING-LIVE card, enabling up to 64 channels of 32-bit/48kHz audio to be captured directly to a pair of SD or SDHC cards. You can also install optional cards to attain Dante support. On top of that, the WING Compact makes a great studio tool, thanks to its built-in 48-in/48-out USB audio interface, which includes DAW remote functionality that emulates HUI and Mackie Control.

    Uncompromising design ensures top-shelf sound

    When it comes to sound quality, the Behringer WING Compact doesn’t compromise. Its 40-bit floating-point processing at 48kHz or 44.1kHz with 1-millisecond round-trip latency yields the top-shelf sound you demand. Its 24 legendary Midas Pro mic preamps and eight Midas Pro XLR outputs ensure you capture high-quality sound. Need more? A built-in StageConnect interface adds 32 channels of low-latency I/O over a single XLR microphone cable. Using the WING Compact’s three AES50 networks, you can connect to 144 Sources. What’s more, the AES50 networks are compatible with Midas M32 and Behringer X32 mixers; join your current M32/X32 network, and you’re good to go. You can also add Dante for endless possibilities.

    Behringer WING Compact Features:

    • Boasts identical processing power, channel count, FX, expansion slots, and digital I/O to the full-size WING
    • 48-stereo-channel digital mixer with 40 stereo input processing channels and 8 stereo aux channels
    • 28 stereo buses — 16 stereo aux buses, 8 stereo matrices, and 4 stereo mains
    • 13 smooth-feeling motorized 100mm faders in 3 separate, configurable sections
    • 10.1-in. capacitive touchscreen, adjustable swivel, and rotary controls provide touch-sensitive channel editing
    • Enhanced customization using 8 front buttons to do whatever your workflow needs
    • Bus/Main/DCA section for fader usage and FX and DCA spill
    • 24 Midas Pro mic preamps and 8 Midas outputs ensure you capture high-quality sound
    • 3 AES50 ports provide plug-and-play remote I/O connectivity for up to 144 input and output signals
    • AES50 networks are compatible with Midas M32 and Behringer X32 mixers
    • 32-channel StageConnect interface for personal monitoring or analog I/O boxes
    • Includes AES/EBU stereo digital I/O, a headphone connector, MIDI I/O, and a GPIO port
    • Compatible with Behringer and Midas digital snakes, including the S16, S32, SD8, SD16, DL16, and DL32
    • WING-LIVE card captures up to 64 channels of 32-bit/48kHz audio to a pair of SD or SDHC cards
    • Optional expansion cards supply Dante support
    • Built-in 48-in/48-out USB audio interface with HUI and Mackie Control DAW remote functionality
    • Sources put the emphasis on your source audio rather than on your inputs and channels
    • Apply names, icons, and colors to each Source for at-a-glance identification
    • Each channel can be either mono, stereo, or mid-side — no channel linking required
    • 16 true-stereo processors with FX from Pultec, SSL, SPL, Neve, Focusrite, dbx, Universal Audio, elysia, and Empirical Labs
    • 19-in. rackmountable in 3 positions

    Tech Specs

    • Type:Digital Mixer
    • Channels:48
    • Inputs – Mic Preamps:24 x XLR-1/4″ combo (mic/line)
    • Phantom Power:24 Channels
    • Outputs – Main:8 x XLR
    • Inputs – Digital:1 x XLR (AES/EBU), 3 x EtherCON (AES50 SuperMAC), 1 x XLR (StageCONNECT)
    • Outputs – Digital:1 x XLR (AES/EBU), 3 x EtherCON (AES50 SuperMAC), 1 x XLR (StageCONNECT)
    • Busses/Groups:8 x Stereo Matrix, 4 x Stereo Mains, 16 x Aux Stereo Bus
    • Inserts:Dual Inserts per Bus, FX Insert Slot
    • MIDI I/O:In/Out
    • Data I/O:2 x Ethernet (control/audio network)
    • USB:1 x Type B, 1 x Type A
    • Computer Connectivity:USB 2.0, 24-bit/48kHz (48 x 48)
    • Remote:1 x 1/4″ (GPIO)
    • I/O Expansion Slots:1 x Expansion Slot
    • Faders:13 x 100mm Motorized
    • EQ Bands:6-band Parametric EQ (channel), 8-band Parametric EQ (bus), Additional EQs and Configurations
    • Effects:8 x Premium FX Stereo Processors, 8 x Standard FX Stereo Processors, 5 x Variable Plug-in Slots
    • Signal Processing:Full Dynamics Processing
    • DAW Control:Yes (HUI, Mackie)
    • Screen:10″ Capacitive Touchscreen, Adjustable Swivel
    • Storage:2 x SD Card Slot (dual 32 track max)
    • Rackmountable:Yes
    • Power Source:Standard IEC AC cable
    • Height:8.58″
    • Depth:22.61″
    • Width:17.84″
    • Weight:35.1 lbs.
    • Manufacturer Part Number:0603-AEV86-US1
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  • Behringer X-Touch Compact Universal Control Surface
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    Behringer X-Touch Compact Universal Control Surface

    Analog Mixing Consoles
    ₹49,999.00

    Take Control of Your Music!

    When you need precise control, the Behringer X-Touch Compact USB/MIDI controller puts you in the driver seat. Whether you’re mixing in your favorite DAW, tweaking virtual instruments, or manipulating effects and lighting systems, the X-Touch Compact has got you covered. Compatible will a plethora of music production software, the X-Touch Compact’s nine touch-sensitive motorized faders, 16 rotary encoders, and 39 illuminated buttons will finally free you from all of that bothersome mouse-clicking. The X-Touch Compact is pre-configured for easy setup and instant operation right out of the box. That being said, we offer free tech support if you experience a bump in the road. Take command with the Behringer X-Touch Compact USB/MIDI controller!

    Behringer X-Touch Compact USB/MIDI Controller at a Glance:

    • Built-in Mackie Control ensures near-universal compatibility
    • Touch-sensitive motorized faders allow for precise, dynamic control
    • Rotary controls with LED-collars and illuminated buttons for on-the-fly adjustments

    Built-in Mackie Control ensures near-universal compatibility

    You need a control surface that allows you to make high-precision changes to your DAW, instruments, and effects with a minimum of hassle. The X-Touch Compact utilizes built-in Mackie Control emulation to work with virtually any professional audio production software imaginable. As soon as you take the X-Touch Compact out of its box, you can plug into a spare USB port and start tweaking – no setup required!

    Touch-sensitive motorized faders allow for precise, dynamic control

    Nobody wants to work on an uninspired control surface. That’s why the X-Touch Compact’s 9 fully-automated and touch-sensitive 100mm motorized faders respond to your every movement with amazing accuracy. With the X-Touch Compact, every automation you write is reflected in the movements of each fader in real time, in perfect sync with your DAW.

    Rotary controls with LED-collars and illuminated buttons for on-the-fly adjustments

    The X-Touch Compact’s 16 rotary controls with LED-collars, in addition to its 39 illuminated buttons, give you immediate visual feedback of your parameters. Just by looking at the X-Touch Compact, you’ll know if a channel is muted or soloed or where your levels are at as you make changes during recording or mixing. With the X-Touch Compact, you’ll be able to arm multiple tracks or adjust panning at the same time. Try doing that with a keyboard and mouse!

    Behringer X-Touch Compact USB/MIDI Controller Features:

    • Touch-sensitive motorized faders allow for precise, dynamic control
    • Mackie Control mode for seamless integration with a plethora of music production software
    • Rotary controls with LED-collars and illuminated buttons for on-the-fly adjustments
    • Dual-Layer mode for quick change between DAW and instrument control
    • Pre-configured control elements for instant operation out of the box
    • USB and 5-pin MIDI integration for interfacing with more devices
    • Footswitch connector and foot controller input provide external remote control
    • Downloadable editor application for in-depth configuration

    Stop clicking and start tweaking with the Behringer X-Touch Compact USB/MIDI controller!

    Tech Specs

    • Type:DAW USB/MIDI controller
    • Faders:9 x 100mm (Motorized)
    • Transport Controls:Yes
    • Encoders/Pots:16 x Rotary Encoders
    • Soft Keys:39 key function buttons
    • Analog Inputs:1 x 1/4″ (expression pedal), 1 x 1/4″ (footswitch control)
    • Computer Connectivity:USB Type B
    • MIDI I/O:In/Out/USB
    • USB:2 x USB Type A
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