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Looking for a budget-friendly way to equip your stage for great vocal performances? The Sennheiser XS 1 packs stellar sound quality into a rugged handheld microphone with big value. The sound is rich and full, with a slight emphasis on the top end to help vocals cut through a loud mix. For public speaking applications, a handy silent mute switch allows speakers to mute the mic without distracting pops or clicks — it can also be locked to the “On” position to prevent unwanted muting. Whether you’re singing or speaking, we are sure you’ll be pleased with the Sennheiser XS 1 handheld dynamic microphone.
If you’re looking for an entryway into the world of in-ear monitoring, Sennheiser’s XSW IEM system is purpose built to offer pro-level IEM features with beginner-friendly operation — all at an affordable price! This system includes an EK receiver and an SR transmitter that are easily synced with the infrared sensor, along with the ability to add more EK receivers if you need to upgrade your system. The XSW IEM includes simplified features for the beginner, including easy-to-use preset frequencies, but it also offers deeper functions to grow into: the manual frequency control, EQ, and limiter offer a wide range of customization possibilities to perfectly dial in your setup. What’s more, Sennheiser includes all the accessories needed for a stage-ready rig right out of the box, including a pair of noise-isolating IE 4 earbuds and a rackmount kit to integrate the XSW IEM into a larger setup.
When you’re on the concert stage, a pair of noise-isolating earbuds like Sennheiser’s IE 4 is key to making sure your sound feed remains clear and free from outside sources. These earbuds deliver your sound with exceptional clarity and dynamics, with an outstanding bass response for accurate monitoring. Plus, each pair of IE 4 earbuds comes with a variety of ear sleeves to ensure a snug and comfortable fit!
Hot signals? We have a handy problem solver for you: the Shure A15LA in-line attenuator. The A15LA trims the level of any line-level signal by 50dB. The A15LA is perfect for attenuating high-output line levels that could overload the mic input of your mixer or recorder. It’s also great for reducing hot mixer output levels, preventing them from overloading the aux input of your recorder. The Shure A15LA in-line attenuator: keep a few on hand, because hot signals happen.
The Shure A412B microphone base is designed for Shure for use with Microflex Series gooseneck mics. Its base allows gooseneck microphones to be quickly mounted in situations where permanent installation is impractical. The angled XLR input connector maintains a low profile, while inside the A412B base there is ample room for custom circuitry. The A412B comes equipped with a 10-foot attached XLR cable.
Small diaphragm condenser microphones offer incredible accuracy and imaging, which makes them indispensable for capturing acoustic instruments, cymbals, and many other sound sources in the studio. However, positioning traditional pencil-style condensers has it challenges. That’s what’s so great about Shure’s Beta 181 ultra-compact small-diaphragm side-address condenser microphones. This super-flexible microphone fits in places that traditional pencil condensers simply don’t, giving you the same tight and focused sound, plus the flexibility to position your mics exactly where you need them.
The Beta 181/C has a cardioid pickup pattern, adding a combination of a broad frontal pickup spread and excellent off-axis sound rejection to its easy of positioning. What’s even better is that, like all Beta 181 models, the Beta 181/C has a switchable capsule, so you can pick up additional polar patterns to suite your needs.
Shure Beta 181/C Small-diaphragm Side-address Condenser Microphone Features at a Glance:
The Shure Beta 181 small-diaphragm side-address condenser microphone adds flexibility to any studio!
How low can you go? With the Beta 52A, it’s pretty darn low. This microphone is specially designed for all kinds of bass, from kick drums to bass guitars. The Beta 52A will make your bass BOOM instead of getting lost in a low end swamp. The frequency response is 20Hz to 10kHz, and the mic is built to withstand the daily abuse of road work. Its supercardioid pattern aids isolation and it can handle up to 174dB SPL. For big bass sounds on stage or in the studio, the Beta 52A is the perfect choice.
The supercardioid pickup pattern limits interference from other on-stage sound sources and reduces feedback. The frequency response is perfectly tailored for bass instruments with a 20Hz to 10kHz frequency response and a presence boost at 4kHz to let electric basses and kick drums cut through the mix.
In the studio, the Beta 52A excels on low-frequency sound sources. Supercardioid mics have a tendency toward increased proximity effect. Since the Beta 52A sports a supercardioid pickup pattern, positioning the mic closer to sound sources results in a bigger bottom-end response. This is great for tailoring the sound for the specific project.
Like all Shure mics, the Beta 52A is built like a tank, meaning that you can travel with it from gig to gig and rest assured that it will last. Shure mics are famous for their bulletproof construction, and the Beta 52 is no exception. Night after night, the Beta 52A will perform!
The Shure Beta 56A is a dynamic supercardioid microphone designed for close-miking applications, particularly suited for drums, amplified instruments, and horns. Its compact design and robust build make it ideal for both live performances and studio settings.
Supercardioid Pickup Pattern: Offers high gain-before-feedback and excellent rejection of off-axis sound, making it ideal for isolating the desired sound source.
Shure Beta 56A Microphone
95A2050 5/8” to 3/8” Thread Adapter
Drums: Snare drums, tom-toms, and kick drums benefit from the Beta 56A’s tailored frequency response and isolation capabilities
Amplified Instruments: Electric guitars and basses can achieve clear and focused sound reproduction.
Vocal Use for Drummers: Its compact design and rejection of surrounding noise make it suitable for drummers who also sing.
Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Shure Beta 57A dynamic microphone provides optimal warmth and presence. For recording engineers who want a bit more shimmer on their vocals than the SM57 counterpart provides, the Shure Beta 57A is a worthy option that was made for a multitude of full-frequency instruments. Whether you’re in the studio or onstage, we know that Shure brings out the best performance from your voice and instruments.
The Shure Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design on the Shure Beta 57A lets you take better advantage of proximity effect. The Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals. Truly, the Shure Beta 57A is a high-caliber workhorse for any recording task.
Stemming back from the company’s roots, Shure is known for creating microphones that have military grade durability and reliability. With the Beta 57A, the quality you receive is no less than stellar. Its hardened steel mesh grill — harder than Shure’s SM series – functions to facilitate proximity effect, while also providing life-long resistance from typical studio wear and abuse. And for on-the-go protection, a convenient carry pouch is included with the Shure Beta 57A.
You need top performance from your live vocal mic. It has to be ready for the job, day in and day out, and sound great every time. In other words, you need a Shure Beta 58A! Perfect for vocals in live environments, this go-to dynamic mic gives you the ruggedness you need while its supercardioid pickup pattern excels at keeping outside sound sources at bay. The Beta 58 has a very smooth frequency response, so it works well on all kinds of voices. When clean, clear, detailed stage sound is a requirement, choose the Beta 58A.
Singers will love this mic, plain and simple. The high-output Beta 58A has a natural presence boost at 4kHz and 9kHz. This shaped frequency response is ideal for close-up vocals, bringing out the clarity needed for cutting through a live mix. And the bass roll off helps control proximity effect, so you have consistent performance from your mic while you focus on yours. The Beta 58’s internal shockmount minimizes handling noise as well. Tailored for vocals, it’s hard to find a better mic out there.
Shure has famously put their microphone designs through some insane punishments to demonstrate their durability and road-worthiness. The Beta 58 is no different. Shure knew when they were designing this mic that the stage and the road can be extremely difficult on gear. Just sounding great isn’t enough. The Beta 58 would have to do it night after night, town after town, and gig after gig. Borrowing from Shure’s rich history of dependability, the Beta 58 gives you just that.
Ok, so you’re on stage, your mic sounds great, and is holding up well on the road. Then all of a sudden your guitar player decides he needs to be twice as loud tonight! No worries. The Shure Beta 58’s supercardioid pickup pattern all but rejects even the loudest peripheral sounds and minimizes feedback like a champ. Maybe that’s why so many live sound engineers rely on them, and love when a performer does as well. But we can’t help you with your guitar player.
Super clear live vocal dynamic microphone
Frequency response tailored for vocals
Legendary Shure quality, ruggedness, and reliability
Uniform supercardioid pickup pattern minimizes background noise
Bass roll-off minimizes proximity effect
Effective, built-in spherical wind and pop filter
Supplied with break-resistant stand adapter which rotates 180 degrees
The Shure Beta 87A handheld condenser microphone is a great live mic. If you’re really desiring great nuance, or for vocalists looking for a higher-quality sound than the rusty old mics at your local venue, the Beta 87A is a great fit. While giving you a crystal clear sound, their supercardioid pickup pattern is absolutely stellar at feedback rejection. And of course, you get legendary Shure roadworthiness and quality, which is why Shure is a live standard worldwide. If you need to perform and sound your best every night, the Shure Beta 87A is a great choice.
Engineered to exacting standards, Beta 87A unites the best of studio and stage. With its condenser design and supercardioid polar pattern, the Beta 87A reveals nuance and subtlety in a microphone optimized for the most demanding live environments. The choice for the world’s most accomplished vocal performances, Beta 87A microphones capture vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for live performance.
One shortcoming of a lot of condenser mics is their inherent nature to capture everything around them, resulting in terrible feedback and lack of control in a loud environment. The Beta 87A counters this with it’s supercardioid pickup pattern, accepting only the closest and most direct signal sources. You’ll be amazed how well they do standing right infront of a loud set of monitors. And Beta 87A microphones offer consistency across all frequencies, providing more gain before feedback, and minimizing proximity effect.
Like any other Shure mic, the Beta 87A is built to withstand just about anything. Shure mics are renowned industy-wide for being virtually indestructable. All of their designs go through the same durability testing from drops, to humidity, to heat tests, and more! Shure mics are one of the top choices for live performance worldwide for one very simple reason: They perform night after night, no matter how rough it gets.
Thanks to its ultra-powerful low-end response, the Shure Beta 91A excels in every low-frequency situation. While kick drums are the obvious application, that’s not all this boundary condenser microphone can do. It’s also an effective way to capture pianos or any other bass-intensive source you can think of. Benefit from maximum gain before feedback, by virtue of a custom-tailored half-cardioid polar pattern, while impressive SPL handling effortlessly tackles extra-loud sources. A high-quality mic capsule design and integrated preamp yield superior attack and punch for studio-quality sound reproduction. The Beta 91A includes a 2-position contour switch to maximize clarity, as well as a low-profile design that enables it to fit anywhere.
The Beta 91A’s tailored frequency response makes it a top choice for loud, bass-heavy sources. Its uniform half-cardioid design all but rejects feedback, while supplying superior off-axis rejection. Its wide dynamic range ensures that it performs admirably in high-SPL environments. This boundary condenser mic has excelled in every situation we’ve encountered here — kick drums and pianos in particular.
Ask any live sound tech, and they’ll tell you — stage clutter is a serious thorn in their side. That’s one of the reasons why the Shure Beta 91A is a top choice amongst engineers. Its integrated preamp and XLR connector reduce stage clutter and ensure a quick, secure setup. Beyond that, its low-profile design requires no external mounting hardware and takes up little space. It’s also near bulletproof, thanks to its steel grille and die-cast metal construction.
A 2-position contour switch on the bottom of the Beta 91A enables you to selectively filter its low-mid frequency response without necessitating any external gear. Set it for a flat response for natural-sounding audio reproduction, or flip it to the low-mid scoop setting for heightened attack and added low-frequency punch. This switch is perfect for situations where your signal needs a bit more clarity.
If you’re recording horns, the Shure Beta 98H/C the mic to go to. You get a smooth sound that’s detailed enough to be bright yet easily tamable into the warm glow that most modern music demands. A clip allows you to attach the Beta 98H/C to the bell of just about any horn and some woodwinds, and a gooseneck extension lets you place the capsule of the mic right at the sweet spot of the instrument. The Beta 98H/C is also an excellent choice for percussion and some stringed instruments. Once you have one, you’ll find yourself using your Beta 98H/C on all kinds of instruments.
Shure Beta 98H/C Mini Instrument Condenser Microphone Features at a Glance:
For an excellent instrument mic that’s perfect for brass, pick up a Shure Beta 98H/C!
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