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The Sennheiser MKH 8050 Compact Supercardioid Condenser Microphone is a professional low-profile condenser microphone for capturing vocals and instruments in recording and sound-reinforcement applications. The modular design consists of the MKHC 8050 supercardioid capsule and the MZX 8000 XLR module output stage.
The supercardioid capsule is most effective in minimizing feedback and off-axis audio. The symmetrical transducer with two back-plates yields extremely low distortion. The wide frequency response provides exceptional detail and transparency. With its pristine audio quality and compact design the MKH 8050 is ideal for soloist capturing.
Part of the interchangeable 8000 series of professional microphones, the Sennheiser MKH8090 is a high-end, RF condenser microphone with a wide cardioid pickup pattern. It consists of a microphone head and XLR module, and is an great main microphone for situations that demand a low level of acoustic space be included in the recording.
It functions equally well as a support microphone when capturing larger groups of instruments. The microphone operates on the RF principle, delivering extremely low inherent self-noise, the ability to handle high sound pressure levels without distortion, and a high resistance to difficult climatic conditions, especially moisture.
As part of the 8000 series, the capsule is sonically identical to other microphones in the series for sound consistency across the range. A number of optional modules are available, and when used with the MZD 8000 digital module (sold separately), the microphone functions as a digital microphone with all the benefits that such a configuration brings.
The Sennheiser MZH 3062 is a metal gooseneck with two flexible sections for use with the ME 36 Microphone Head. The rugged gooseneck is fitted with a balanced, floating XLR-3 output, enabling the microphone to be powered from 12 – 48 V phantom power and has a length of 600 mm.
Features
The Sennheiser ME 36 is a permanently polarized condenser microphone capsule for use with Sennheiser MZH goosenecks. This mini shotgun microphone features a hyper cardioid / lobar directivity for an outstanding background noise rejection. In combination with the 15 cm short gooseneck MZH 3015 it facilitates inconspicuous placement. The ME 36 is suitable for a very wide range of applications including: presentation, conference, public address, studio, broadcast, video and others.
Featuring a rugged housing, the functionally and unobtrusively designed MAT 133 provides a solid ground for XLR3 gooseneck microphones.
The Sennheiser MZH 3042 is a gooseneck microphone module designed for use with Sennheiser’s modular microphone systems. It is commonly used in conference rooms, lecture halls, and other applications where a flexible, high-quality microphone is needed.
Sennheiser ME 34, ME35 or ME36 Capsules need to be purchased separately.Sennheiser MAT133B or MAT133-S B Base need to be purchased separately if required
Some key features of the Sennheiser MZH 3042 may include:
The MZH 3072 is a metal gooseneck with two flexible sections for use with the ME 34, ME 35 and ME 36 microphone heads. The rugged gooseneck is fitted with a balanced, floating XLR-3 output, enabling the microphone to be powered from 12 – 48 V phantom power and has a length of 700 mm.
If you’re looking for an entryway into the world of in-ear monitoring, Sennheiser’s XSW IEM system is purpose built to offer pro-level IEM features with beginner-friendly operation — all at an affordable price! This system includes an EK receiver and an SR transmitter that are easily synced with the infrared sensor, along with the ability to add more EK receivers if you need to upgrade your system. The XSW IEM includes simplified features for the beginner, including easy-to-use preset frequencies, but it also offers deeper functions to grow into: the manual frequency control, EQ, and limiter offer a wide range of customization possibilities to perfectly dial in your setup. What’s more, Sennheiser includes all the accessories needed for a stage-ready rig right out of the box, including a pair of noise-isolating IE 4 earbuds and a rackmount kit to integrate the XSW IEM into a larger setup.
When you’re on the concert stage, a pair of noise-isolating earbuds like Sennheiser’s IE 4 is key to making sure your sound feed remains clear and free from outside sources. These earbuds deliver your sound with exceptional clarity and dynamics, with an outstanding bass response for accurate monitoring. Plus, each pair of IE 4 earbuds comes with a variety of ear sleeves to ensure a snug and comfortable fit!
Hot signals? We have a handy problem solver for you: the Shure A15LA in-line attenuator. The A15LA trims the level of any line-level signal by 50dB. The A15LA is perfect for attenuating high-output line levels that could overload the mic input of your mixer or recorder. It’s also great for reducing hot mixer output levels, preventing them from overloading the aux input of your recorder. The Shure A15LA in-line attenuator: keep a few on hand, because hot signals happen.
The Shure A412B microphone base is designed for Shure for use with Microflex Series gooseneck mics. Its base allows gooseneck microphones to be quickly mounted in situations where permanent installation is impractical. The angled XLR input connector maintains a low profile, while inside the A412B base there is ample room for custom circuitry. The A412B comes equipped with a 10-foot attached XLR cable.
Small diaphragm condenser microphones offer incredible accuracy and imaging, which makes them indispensable for capturing acoustic instruments, cymbals, and many other sound sources in the studio. However, positioning traditional pencil-style condensers has it challenges. That’s what’s so great about Shure’s Beta 181 ultra-compact small-diaphragm side-address condenser microphones. This super-flexible microphone fits in places that traditional pencil condensers simply don’t, giving you the same tight and focused sound, plus the flexibility to position your mics exactly where you need them.
The Beta 181/C has a cardioid pickup pattern, adding a combination of a broad frontal pickup spread and excellent off-axis sound rejection to its easy of positioning. What’s even better is that, like all Beta 181 models, the Beta 181/C has a switchable capsule, so you can pick up additional polar patterns to suite your needs.
Shure Beta 181/C Small-diaphragm Side-address Condenser Microphone Features at a Glance:
The Shure Beta 181 small-diaphragm side-address condenser microphone adds flexibility to any studio!
How low can you go? With the Beta 52A, it’s pretty darn low. This microphone is specially designed for all kinds of bass, from kick drums to bass guitars. The Beta 52A will make your bass BOOM instead of getting lost in a low end swamp. The frequency response is 20Hz to 10kHz, and the mic is built to withstand the daily abuse of road work. Its supercardioid pattern aids isolation and it can handle up to 174dB SPL. For big bass sounds on stage or in the studio, the Beta 52A is the perfect choice.
The supercardioid pickup pattern limits interference from other on-stage sound sources and reduces feedback. The frequency response is perfectly tailored for bass instruments with a 20Hz to 10kHz frequency response and a presence boost at 4kHz to let electric basses and kick drums cut through the mix.
In the studio, the Beta 52A excels on low-frequency sound sources. Supercardioid mics have a tendency toward increased proximity effect. Since the Beta 52A sports a supercardioid pickup pattern, positioning the mic closer to sound sources results in a bigger bottom-end response. This is great for tailoring the sound for the specific project.
Like all Shure mics, the Beta 52A is built like a tank, meaning that you can travel with it from gig to gig and rest assured that it will last. Shure mics are famous for their bulletproof construction, and the Beta 52 is no exception. Night after night, the Beta 52A will perform!
The Shure Beta 56A is a dynamic supercardioid microphone designed for close-miking applications, particularly suited for drums, amplified instruments, and horns. Its compact design and robust build make it ideal for both live performances and studio settings.
Supercardioid Pickup Pattern: Offers high gain-before-feedback and excellent rejection of off-axis sound, making it ideal for isolating the desired sound source.
Shure Beta 56A Microphone
95A2050 5/8” to 3/8” Thread Adapter
Drums: Snare drums, tom-toms, and kick drums benefit from the Beta 56A’s tailored frequency response and isolation capabilities
Amplified Instruments: Electric guitars and basses can achieve clear and focused sound reproduction.
Vocal Use for Drummers: Its compact design and rejection of surrounding noise make it suitable for drummers who also sing.
Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Shure Beta 57A dynamic microphone provides optimal warmth and presence. For recording engineers who want a bit more shimmer on their vocals than the SM57 counterpart provides, the Shure Beta 57A is a worthy option that was made for a multitude of full-frequency instruments. Whether you’re in the studio or onstage, we know that Shure brings out the best performance from your voice and instruments.
The Shure Beta 57A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. A completely new grille design on the Shure Beta 57A lets you take better advantage of proximity effect. The Beta 57A is an exceptionally versatile microphone. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals. Truly, the Shure Beta 57A is a high-caliber workhorse for any recording task.
Stemming back from the company’s roots, Shure is known for creating microphones that have military grade durability and reliability. With the Beta 57A, the quality you receive is no less than stellar. Its hardened steel mesh grill — harder than Shure’s SM series – functions to facilitate proximity effect, while also providing life-long resistance from typical studio wear and abuse. And for on-the-go protection, a convenient carry pouch is included with the Shure Beta 57A.
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