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Miking up a drum set can be a daunting task, but Shure makes it easy with the PGA Drum Kit 5. The Shure PGA52 handles the low-frequency sound of your kick drum like a champ. Tackle your toms and other high-impact sources with the Shure PGA56. The Shure PGA57 easily captures the loud, harmonically sound of your snare drum. Complete with a mic clip and drum mounts, cables, and a carrying case, the Shure PGA Drum Kit 5 is a great set of drum mics!
Shure PGA Drum Kit 5 at a Glance:
Shure PGA52 excels on kick drum and bass
Record kick drums and bass amps that kick like a mule with the Shure PGA52 dynamic microphone. It’s tuned for extremely solid low frequency response, and it’ll capture the power of your source with exceptional focus and accuracy. Use the handy swivel joint to find the perfect angle in relation to your sound source. The handy quick release latch makes setup and teardown a snap.
Shure PGA56s make toms sound spectacular
PGA56 dynamic microphones are a great way to capture drums (especially toms), and other high-impact sound sources. Recordists and drummers have long turned to Shure microphones for their durability and sound quality. When you need to mic up an acoustic drum kit, you can expect clean, consistent results from the Shure PGA56.
Shure PGA57 captures guitar amps, snares, and more
Capture the intensity of amplifiers, snare drums and more with the Shure PGA57 dynamic microphone. Like the legendary Shure mic it’s descended from, the PGA57 serves up consistent results with powerful, harmonically-rich sound sources like guitar amps and snare drums. The cardioid pickup pattern helps you capture more of the sound you want, and less of the sound of the room that you’re in.
Shure PGA Drum Kit 5 Features:
The Shure PGA Drum Kit 5 captures great drum sounds for less!
The Shure PGA Studio Kit 4 is a great way for beginners to start building their mic locker. The Shure PGA52 handles low-frequency sources like bass amps and kick drums like a champ. The Shure PGA57 easily captures loud, harmonically complex sources like snare drums and guitar cabinets. A pair of Shure PGA181 condenser microphones make great workhorses. Whether you’re recording vocals, acoustic instruments, percussion, or amplifiers, your PGA181 will rise to the occasion. Complete with mic clips, cables, and a carrying case, the Shure PGA Studio Kit 4 is a great starting point for your home studio!
Shure PGA Studio Kit 4 at a Glance:
Shure PGA52 excels on kick drum and bass
Record kick drums and bass amps that kick like a mule with the Shure PGA52 dynamic microphone. It’s tuned for extremely solid low frequency response, and it’ll capture the power of your source with exceptional focus and accuracy. Use the handy swivel joint to find the perfect angle in relation to your sound source. The handy quick release latch makes setup and teardown a snap.
Shure PGA57 captures guitar amps, snares, and more
Capture the intensity of amplifiers, snare drums and more with the Shure PGA57 dynamic microphone. Like the legendary Shure mic it’s descended from, the PGA57 serves up consistent results with powerful, harmonically-rich sound sources like guitar amps and snare drums. The cardioid pickup pattern helps you capture more of the sound you want, and less of the sound of the room that you’re in.
Shure PGA181s are solid mics for countless applications
With a pair of Shure PGA181 condenser microphones, you’ll be primed to capture the true sound of acoustic instruments, vocals, percussion, amplifiers, and more. Recording engineers know that you need versatile solutions when you don’t have a lot of microphones in your collection, and the PGA181 promises great-sounding performance that you can count on for any session.
Shure PGA Studio Kit 4 Features:
Build your mic locker with the Shure PGA Studio Kit 4!
Have the rigors of the road gotten to your wireless SM58? No problem — we have got your back. The Shure RPW112 replaces your mic’s cartridge, housing assembly, and matte grille, essentially restoring it to “like-new” condition. Don’t buy a new microphone just because your old one has seen one too many gigs — get the Shure RPW112 wireless SM58 cartridge instead!
Have the rigors of the road gotten to your wireless Beta 58? No problem — We have got your back. The Shure RPW118 replaces your mic’s cartridge, housing assembly, and matte grille, essentially restoring it to “like-new” condition. Don’t buy a new microphone just because your old one has seen one too many gigs — get the Shure RPW118 wireless Beta 58 cartridge instead!
With the Shure RPW120 Replacement Cartridge, Housing, and Grille, you’ll have your Beta 87A looking and performing like new again. This is an OEM replacement for all Shure Beta 87A wired and wireless microphones. The Shure RPW120 boasts the familiar matte-gray finish and signature blue band. Its external housing resists dents — an essential for stage use — and its internal foam filter controls plosives and prevents moisture from entering the capsule. Don’t settle for an unsightly or ill-performing ’87. Get yours back in performance shape with the Shure RPW120.
When you buy a Shure SM57, you’ve got a great dynamic microphone for life. Accounts of its heroic toughness lie at the center of countless music-industry legends, most of which are perfectly true. What’s also true about the SM57 is that it sounds great on a wide variety of sources. A large percentage of the snare drums and many guitar cabinets and vocal tracks recorded in the last several decades owe their sound to the SM57. Try one and you’ll find out why live sound professionals and seasoned studio engineers swear by the Shure SM57 more than any microphone on the planet.
From the biggest live stages to the top recording studios worldwide to the presidential podium, the Shure SM57 is one of the most widely used microphones the world over. One of the things that define the Shure SM57 as the quintessential workhorse microphone is its signature frequency response and presence boost. This natural presence boost brings out clarity in vocals, snap in snare drums, and bite in guitar amps. In general, you’ll be able to use your SM57 on anything. In fact, it’s common practice on many live stages to use the SM57 as a default microphone for everything.
The sound of the SM57 isn’t the only thing that makes it a fantastic workhorse microphone. Its tight cardioid polar pattern gives you exceptional isolation. In fact, one of the reasons the Shure SM57 is such a popular snare drum microphone is that you can position it to reject the sound of the nearby hi-hat. But the SM57’s stellar off-axis sound rejection is not only great in the studio. Onstage, it’s easy to position the SM57 so that it won’t pick up the sound of the PA, allowing you to get maximum gain before feedback.
Of course, you can’t talk about Shure’s SM57 without mentioning its heroic toughness. There are epic videos on YouTube and countless stories of people running SM57s over with trucks, dropping them from buildings, submerging them in salt water, and burying them in the Earth for months – all without so much as affecting their frequency responses. What that means to you is that the typical day-after-day, show-after-show abuse of any studio or stage is simply not a problem for this mighty mic. The reason you’ll buy another and another Shure SM57 is that you’ll keep finding more places where you can use them.
If this is your first Shure SM58 dynamic microphone, then congratulations! You’re about to discover why it’s the most popular vocal microphone on the face of the planet. In fact, virtually every serious studio and live sound rig have several SM58s. Why? Because the Shure SM58 gives you three of the most important things a microphone can deliver: quality, consistency, and durability. In your hand or on a stand, in your studio or onstage, gig after gig, show after show, session after session, the Shure SM58 dynamic microphone will never let you down.
One of the most outstanding things about the Shure SM58 is that you can stick one in front of any kind of vocalist (and most instruments, for that matter) and get excellent results. It’s a fact — even though it’s best known today for its near indestructibility, no one would have cared about the SM58 in the first place if it didn’t sound amazing. The secret to the SM58’s sound is its critically tuned frequency response, which cuts out low-end rumble and adds a noticeable rise in the upper-mid frequencies. This deliberate presence peak adds warmth and clarity to your vocals, but it also lets you get the most out of a wide range of sources, including guitar cabinets, brass, and many other instruments.
Here’s something you probably didn’t know about the Shure SM58. These handheld microphones are built to very tight standards. What that means is that an SM58 is going to sound like an SM58, so you can mix and match and add more SM58s to your collection, and you’re always going to get the sound you expect. What’s more, they all have the same focused cardioid polar pattern. That’s great onstage, where you have to worry about bleed from the mains causing feedback. It’s also a bonus in the studio, because it lets you get solid isolation between your vocals and instruments.
We can’t mention the trusty SM58 without talking about its legendary toughness. Drop it from a skyscraper, run over it with a box truck, freeze it, drown it, bury it in soft peat for three months — it’s all been done to the SM58, repeatedly, and there are YouTube videos to prove it. And the best part is that not only will this heroic mic continue to function after serious abuse, it will sound exactly the same as it did before. Now, do you think a little thing like the normal wear and tear of stage life is any match for your SM58? No way! Buy a Shure SM58, and you’ve got a killer mic you can put in your will.
The Shure WH20XLR, is a rugged, lightweight, dynamic headset microphone that provides high-quality voice pickup. It fits securely for active microphone users, such as aerobics instructors and musicians, with low visibility for stage appearances. The Shure WH20XLR is suitable for any voice communications application where comfort and reliability are required.
The Shure WH20XLR has a cardioid (unidirectional) pickup pattern. This provides greater gain-before-feedback and isolation from ambient noise and other unwanted sound sources, such as air conditioning, musical instruments, and loudspeakers. A carefully shaped frequency response includes a voice-frequency presence peak and a low-frequency roll off to compensate for the proximity effect inherent in cardioid microphones during close-talk operation. An integrated elastic CROAKIES headband secures the headset comfortably. The headband, wireframe, and gooseneck are adjustable to accommodate any head size or shape.
Model WL93 Microphones are economical omnidirectional, subminiature, lavalier, condenser microphones designed for general speech applications where discreet microphone placement is desirable.
All WL93 models are supplied with a mounting block with attached tie bar, a sew-on mounting bracket, and an acoustic windscreen to minimize wind noise in outdoor applications.
Shure WL93 Lavalier Microphone for Shure Wireless Features:
Want to record your own songs or podcast in the comfort of your own home but aren’t sure where to start? Electronic Emporium has just the thing for you! The Steinberg UR22C Recording Pack is a full-service production package to get your first home studio up and running. This package ships to your door with three major pieces of Steinberg gear including the UR22C USB audio interface, ST-M01 condenser mic, and ST-H01 Headphones. With just this gear and the included cables, your path to making your own tracks is nearly complete. The Steinberg UR22C Recording Pack includes production software to help get you started. The Steinberg UR22C Recording Pack makes it easier than ever to create your home studio.
You can’t import the sound from your guitar or microphone into your computer without an interface. The Steinberg UR22C USB interface offers professional quality 32-bit/192kHz resolution at a very affordable price. It has two combination mic/line combo inputs with phantom power that give you flexible recording options. The UR22C is also compatible with Mac, PC, and iPad, which makes it more versatile than many other compact interfaces on the market.
No studio is complete without a solid mic and a good pair of headphones. The UR22C comes with a Steinberg ST-M01 studio condenser microphone that provides a wide frequency response and smooth vocal response. It’s perfectly suited for recording vocals and acoustic instruments. Next, the ST-H01 studio monitor headphones provide accurate sonic reproduction and will make mixing easy. And to help you get your studio up and running, the UR22C comes with a handy startup guide that’ll walk you through the basics.
Once you get your interface and mic set up, you’ll need a DAW (Digital Audio Workstation). When you buy the UR22C Recording Pack, you’ll receive free access to two DAWs in the forms of Cubase AI for your desktop and Cubasis LE for your iPad. You can capture your first ideas on your iPad using Cubasis LE and then master it in Cubase AI. In addition, you’ll also get access to WaveLab LE, which offers multiple audio editing tools that are perfect for musicians, small studios, and podcast creators.
The 2,500-Watt iQ15 is a powered two-way loudspeaker ideally suited for a wide range of portable and fixed installation, music and speech sound reinforcement applications. The driver complement includes an 15″ low frequency driver with a low mass voice coil for improved transient response, and a high temperature 1″ compression driver with copper-clad aluminium voice coil for extended high frequency reproduction.
Equipped with a very efficient and lightweight two channel KLARK TEKNIK Class-D power amplifier, the iQ15 provides an impressive 2,500 Watts of output power. A high degree of control over the loudspeaker system’s performance is managed by a sophisticated, but easy to use KLARK TEKNIK Digital Signal Processor (DSP), which provides dynamic EQ for remarkable full range response at low volume levels, and transparent limiting for the utmost clarity at high output levels – and long-term reliability. iQ15’s advanced DSP speaker modelling presets include detailed and accurate models of some of the audio industry’s most-respected loudspeakers.
KLARK TEKNIK also developed a highly versatile Spatial Contour Control (SCC) DSP function, which allows the user to easily optimise the iQ15’s frequency response for the physical speaker placement. This advanced functionality provides frequency compensation for stand, floor, wall or ceiling placement, much like the adjustments commonly found on studio reference monitors.
On the rear panel amplifier module, you will find a fully featured user interface consisting of an LCD display, the Channel A and B gain controls, and a single rotary encoder for intuitive access to level, EQ, Speaker modelling, SCC, Subwoofer Integration and Feedback Control (FBI). In addition to the two combination balanced XLR/jack inputs, balanced XLR outputs for each of the two independent channels, and a Mix Out XLR connector, the iQ15 features a mic/line switch and level control with signal present LED on each channel.
The iQ15 also features our proprietary ULTRANET technology, which allows the use of CAT5 cables for transmitting pristine multi-channel audio signals and other information between ULTRANET-enabled products, such as digital mixers and personal monitor systems. This digital distribution networking not only eliminates the potential for RFI and crosstalk so common to analogue methods, but also significantly reduces the setup or installation time required. An onboard USB port provides access for remote control of the iQ15 via PC computer, as well as DSP and speaker modelling firmware updates.
The lightweight fibre glass reinforced composite enclosure is fitted with a rugged powder coated perforated steel mesh grille and multiple internal rigging points for permanent installations. The iQ15 is also fitted with a dual angle pole mount socket, allowing the enclosure to be pole mounted straight on, or raised and angled downwards for optimal audience coverage. Mains power input and link output is provided via Neutrik powerCON* connectors.
The 2,500-Watt iQ8 is a powered two-way loudspeaker ideally suited for a wide range of portable and fixed installation, music and speech sound reinforcement applications. The driver complement includes an 8″ low frequency driver with a low mass voice coil for improved transient response, and a high temperature 1″ compression driver with copper clad aluminium voice coil for extended high frequency reproduction.
Equipped with a very efficient and lightweight two channel KLARK TEKNIK Class-D power amplifier, the iQ8 provides an impressive 2,500 Watts of output power. A high degree of control over the loudspeaker system’s performance is managed by a sophisticated, but easy to use KLARK TEKNIK Digital Signal Processor (DSP), which provides dynamic EQ for remarkable full range response at low volume levels, and transparent limiting for the utmost clarity at high output levels – and long-term reliability. iQ8’s advanced DSP speaker modelling presets include detailed and accurate models of some of the audio industry’s most-respected loudspeakers.
KLARK TEKNIK also developed a highly versatile Spatial Contour Control (SCC) DSP function, which allows the user to easily optimise the iQ8’s frequency response for the physical speaker placement. This advanced functionality provides frequency compensation for stand, floor, wall or ceiling placement, much like the adjustments commonly found on studio reference monitors.
On the rear panel amplifier module, you will find a fully featured user interface consisting of an LCD display, the Channel A and B gain controls, and a single rotary encoder for intuitive access to level, EQ, Speaker modelling, SCC, Subwoofer Integration and Feedback Control (FBI). In addition to the two combination balanced XLR/jack inputs, balanced XLR outputs for each of the two independent channels, and a Mix Out XLR connector, the iQ8 features a mic/line switch and level control with signal present LED on each channel.
The iQ8 also features our proprietary ULTRANET technology, which allows the use of CAT5 cables for transmitting pristine multi-channel audio signals and other information between ULTRANET-enabled products, such as digital mixers and personal monitor systems. This digital distribution networking not only eliminates the potential for RFI and crosstalk so common to analogue methods, but also significantly reduces the setup or installation time required. An onboard USB port provides access for remote control of the iQ8 via PC computer, as well as DSP and speaker modelling firmware updates.
The lightweight fibre glass reinforced composite enclosure is fitted with a rugged powder coated perforated steel mesh grille and multiple internal rigging points for permanent installations. The iQ8 is also fitted with a dual angle pole mount socket, allowing the enclosure to be pole mounted straight on, or raised and angled downwards for optimal audience coverage. Mains power input and link output is provided via Neutrik powerCON* connectors.
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