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  • Home
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    • Passive Speakers
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Showing 913–924 of 934 results

  • Yamaha PA2120 Power Amplifier
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    Yamaha PA2120 Power Amplifier

    Amplifiers

    Lo-Z/Hi-Z switchable Class-D amplifier (Lo-Z: 120W x2 @4Ω, 100W x2ch @3Ω/8Ω, Hi-Z: 120W x2ch or 200W x1ch, 70V/100V) equipped with 1 stereo/2 mono line inputs; can be combined with the MA2120 mixer amplifier.

    • Easy setup, and a user-friendly interface for effortless operation
    • Supporting Lo-Z (120W x2ch @4Ω or 100W x2ch @3Ω/8Ω) and Hi-Z (120W x2ch or 200W x1ch, 70V/100V) speaker systems
    • 1 stereo/2 mono line inputs
    • Output EQ for optimizing the sound of each Output channel
    • Built-in speaker EQ optimum for Yamaha VXC/VXS series speakers, as well as HPF and selectable LPF settings
    • Capable of controlling sources and volumes seperately in two areas (Source/volume zoning)
    • Service areas or zoning areas can be expanded by adding a PA2120
    • Remote volume control and microphone on/off switching via optional DCP control panels (DCP4V4S, DCP1V4S, DCP4S, max 2 units)
    • Intelligent protection function ensures safe, reliable operation
    • Certified by ENERGY STAR
    • Certified as Yamaha Eco Products
    • Space-saving 1U rack size (*sufficient space must be provided above and below the unit for airflow and cooling.)
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  • Yamaha VXS8 Surface Mount Speakers
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    Yamaha VXS8 Surface Mount Speakers

    Installed Sound & Others

    Yamaha designed the VXS speakers to accommodate a growing list of applications in the installation market. While these speakers deliver quintessential Yamaha sound quality, they have also been carefully designed for safe and easy installation. Featuring both ceiling and surface mount options, these speaker series include a comprehensive range of models that are available in either black or white, or can be painted to match the interior of any application.

    VXS8 Surface Mount Speaker

    8″ cone woofer with a 1″ soft dome tweeter

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  • Yamaha VXS5 Surface Mount Speakers
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    Yamaha VXS5 Surface Mount Speakers

    Installed Sound & Others

    Yamaha designed the VXS speakers to accommodate a growing list of applications in the installation market. While these speakers deliver quintessential Yamaha sound quality, they have also been carefully designed for safe and easy installation. Featuring both ceiling and surface mount options, these speaker series include a comprehensive range of models that are available in either black or white, or can be painted to match the interior of any application.

    VXS5 Surface Mount Speaker

    5.25″ cone woofer with a 0.75″ soft dome tweeter

     

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  • Shure SCM810E Eight Channel Automatic Microphone Mixer
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    Shure SCM810E Eight Channel Automatic Microphone Mixer

    Installed Sound & Others
    ₹164,999.00

    8-channel Automatic Mixer

    The Shure SCM810 8-channel automatic mixer features Shure’s patented IntelliMix, which activates only microphones being addressed, minimizing poor audio caused by multiple open microphones. The SCM810 is designed specifically for installed sound applications.

    The Shure SCM810 features adjustable EQ per channel, 48-volt phantom power, active balanced microphone- or line-level inputs, line-level outputs, highly RF resistant chassis and circuitry, complete logic control of microphone activation, linking capacity for up to 400 microphones, and an internal power supply.

    Shure SCM810 Automatic Mixer Features:

    • Eight balanced mic-line input channels (Phoenix block connectors)
    • One unbalanced 1/4″ aux input level control
    • Eight unbalanced 1/4″ direct line level outputs
    • One balanced master line/mic level output (Phoenix block connector)
    • Selectable 48-volt phanton power per channel
    • Level selectable peak output limiter
    • Full rack width (single rack height)

    Tech Specs

    • Type:Analog
    • Channels:8
    • Inputs – Mic Preamps:8 x Block Connectors (Mic/Line)
    • Phantom Power:8 Channels
    • Inputs – Line:8 x Block Connectors (Mic/Line)
    • Inputs – Other:1 x 1/4″ (Link), 2 x 1/4″ (Aux)
    • Outputs – Main:1 x Block Connector
    • Outputs – Direct:8 x 1/4″
    • Outputs – Other:1 x 1/4″ (Link)
    • Headphones:1 x 1/4″
    • EQ Bands:Low-Cut Filter, High-Frequency Shelving/Channel
    • Rackmountable:Yes
    • Height:1.75″
    • Width:19″
    • Depth:12.5″
    • Weight:9.56 lbs.
    • Manufacturer Part Number:SCM810
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  • AKG P820 Tube Recording Microphone
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    AKG P820 Tube Recording Microphone

    Recording Microphones
    ₹44,999.00

    A Must-have Mic for Any Studio

    Flagship of AKG’s Project Studio line, the P820 Tube condenser makes quality tube mic performance affordable, delivering rich sonics as only a tube mic can. The P820 Tube gives you excellent versatility, offering a choice of cardioid, onmi, and figure-8 polar patterns (plus six intermediate patterns), along with a low-cut filter and 20dB pad, all accessable from the supplied remote power supply. With its 1″ dual-capsule design and advanced ECC83 dual-triode circuitry, the P820 Tube gives you you a smooth, dimensional sound. And although it excels on vocals, its ability to withstand high sound pressure levels make the P820 Tube an all-around studio workhorse. Includes metal carrying case and spider shock mount.

     

     

    AKG P820 Tube Condenser Mic at a Glance:

    • Nine polar patterns, for amazing versatility
    • What you can do with this workhorse mic

    Nine polar patterns, for amazing versatilityThe AKG P820 Tube includes a remote power supply with a rotary switch that lets you select the microphone’s polar pattern from omnidirectional (fully counter-clockwise) to cardioid (center) to figure-8 (fully clockwise). Between those settings are six intermediate patterns. All the switch positions are detented, so your settings are easily reproducible in the heat of session. engineers can verify the value of having multiple pickup patterns for immediate deployment. This feature – along with its gorgeous sonics and high-SPL capabilities – will make the P820 Tube your go-to studio workhorse mic for any number of recording applications, day-in and day-out.

    What you can do with this workhorse micTwo singers, one mic: grab the AKG P820 Tube, set it to figure-8, and you’re good to go. Record a sax solo overdub with natural “slap”: position the P820 Tube (again, on figure-8) between the sax player and the control room window; adjust mic position to taste. Ginormous Val Garay-style toms (two racks and a floor): three P820s on cardioid, fairly close-in – just don’t let the drummer hit the mics! Full symphony orchestra, Bob Fine’s Mercury Living Presence technique: again, three P820s, this time set to omni, across the proscenium arch; record to three tracks panned left, center, right. Set your levels for peaks, then leave those faders alone and let the conductor balance the orchestra. We could go on, but even without exploring the intermediate polar pattern settings, you can already see how the P820 Tube can be used in any number of ways to produce incredible sounding tracks.

    AKG P820 Tube Condenser Mic Features:

    • Cardioid, omni, and figure-8 polar patterns, plus six intermediate patterns
    • Included remote control allows choice of nine different polar patterns
    • Switchable 80Hz bass-cut filter eliminates rumble
    • Switchable 20dB preattenuation pad
    • Perfect for high-SPL applications up to 155dB SPL
    • Frequency response: 20Hz-20kHz

    Stock your mic locker with a versatile workhorse: AKG’s P820 Tube!

    Tech Specs

    • Microphone Type:Tube Condenser
    • Mono/Stereo:Mono
    • Polar Pattern:9 Selectable Polar Patterns
    • Diaphragm Size:1″ (25.4mm)
    • Frequency Response:20Hz-20kHz
    • Max SPL:135 dB, 155 dB w/Pad
    • Output Impedance:200 ohms
    • Signal to Noise Ratio:78dB (A weighted)
    • Self Noise:16dB (A weighted)
    • Low Cut Filter:80Hz (-12 dB/octave)
    • Pads:-20 dB
    • Color:Black
    • Connector:XLR
    • Weight:1.69 lbs.
    • Included Accessories:1 x Shockmount, 1 x Mic, 1 x Power Cable, 1 x Metal Carrying Case
    • Manufacturer Part Number:3101H00440
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  • Allen & Heath ZED12FX Analog Mixing Console
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    Allen & Heath ZED12FX Analog Mixing Console

    Analog Mixing Consoles

    A Record-ready Mixer with Built-in Effects!

    A solid mixer with great effects! The Allen & Heath ZED-12FX is the perfect center to your live rig — and it’s also ready to rock in the studio. First of all, the ZED-12FX gives you all the connections you need to hook up a small band, a duo, or a solo performer. Thanks to the 6 mic/line channels (these preamps are awesome, by the way) you can connect all the mics and DI boxes you need. Plus you’ve got three dual-stereo channels available, each with a gain control and a 2-band EQ. The FX in the name, though, is what takes the cake. Here, you can get tweaky with the ZED-12FX’s 16 separate effects, for nailing the perfect, polished live sound.

    Check out these effects! Allen & Heath crafted 16 separate effects into the ZED-12FX mixer, ready for any kind of live sound material you face. These effects include a number of useful delays and reverbs, including a ping-pong delay and a selection of reverbs with different room/hall/arena properties. You’ll also dig the flanger and the chorus. Each effect has a parameter you can tweak to dial in your sound. Five of the effects support tap tempo, for really getting into the groove.

    However, unlike many other mixers with onboard effects, the ZED-12FX is first and foremost a mixer. The ZED-12FX has DuoPre preamps that sport a massive 69dB of gain, plus tons of routing options. It has four aux sends available — sends 1 and 2 are prefade and sends 3 and 4 are postfade for monitoring with effects. You can send a stereo signal via USB right to your computer. The ZED-12FX is Mac and PC compatible, and you’ve got three send/return configurations for recording, playback, and external FX. That’s a lot of power. You can’t go wrong with the Allen & Heath ZED-12FX!

    Allen & Heath ZED-12FX 12-channel Mixer Features:

    • 12-channel mixer with 6 mic/line inputs and 3 stereo line channels
    • Inserts on all mono channels
    • Configurable USB stereo audio input/output
    • 100mm smooth-action faders
    • Features 4 auxiliary sends: 2 pre, 1 post, and 1 post/FX
    • 6 channels with DuoPre microphone preamplifiers and highpass filters
    • Musical 3-band EQ on 6 main channels; 2-band EQ on the stereo channels
    • 16 built-in 24-bit effects, including delays, reverbs, flange, and chorus
    • 1/4″ and 1/8″ headphone outputs
    • 19″ rackmounting kit available

     

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  • Allen & Heath ZED60-14FX Analog Mixing Console
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    Allen & Heath ZED60-14FX Analog Mixing Console

    Analog Mixing Consoles
    ₹43,999.00

    Portable Mixer with Impressive Features

    The Allen & Heath ZED60-14FX adds four more channels and solid-feeling 60mm faders to their popular ZED-10FX mixer. It’s great for guitarists — two of its eight mono channels boast high impedance input jacks that re-create the warmth and character of a classic tube preamp. The ZED60-14FX’s responsive 3-band EQ design features A & H’s MusiQ — a variable Q that makes optimizing each instrument’s tone settings a breeze. You also get high-quality built-in digital effects, and stereo USB audio connectivity for capturing quick recordings. Complete with comprehensive monitoring and effective metering, you can’t go wrong with the ZED60-14FX.

    Guitar DIs deliver tube-like warmth and character

    The ZED60-14FX is loaded with eight great-sounding mic preamps, based on Allen & Heath’s MixWizard range of mixers. But the ZED60-14FX takes it a step further with the inclusion of high impedance input jacks on inputs 3 and 4. These inputs allow you to plug your guitar straight into the board without a DI box. And best of all, they impart a tube-like warmth and character that’s guaranteed to add power and definition to your guitar tone. The guitarists here at Sweetwater appreciate the convenience and sound quality afforded by the ZED60-14FX’s built-in DIs.

    MusiQ provides fast, easy sound shaping

    Dialing in each instrument’s tone settings is easy with the ZED60-14FX. Its responsive three-band, swept mid-frequency EQ design employs Allen & Heath’s innovative MusiQ, which is essentially a variable Q that automatically optimizes your EQ settings. Thanks to MusiQ, beginners can achieve musically pleasant EQ settings with the ZED60-14FX with little effort.

    Flexible USB connectivity for Mac and PC

    Getting audio in and out of your computer with the ZED60-14FX is a simple plug-and-play operation. Just plug in, select the USB routing on the mixer and your computer, and you’re ready to pipe CD-quality audio into and out of your Mac or PC. The ZED60-14FX allows different signals to be sent to USB, from LR or from selected aux buses. The USB return signal can be routed straight to the LR mix or to a stereo channel.

    Allen & Heath ZED60-14FX Features:

    • Adds 4 more channels and solid-feeling 60mm faders to the popular ZED-10FX mixer
    • 8 mic/line channels, 2 with guitar DIs that re-create the warmth and character of a classic tube preamp
    • 3 stereo channels for keyboards and other stereo sources
    • 3-band EQ design with MusiQ for quick, easy optimization of your EQ settings
    • High-quality built-in digital effects for polishing your sound
    • Stereo USB audio connectivity for capturing quick recordings
    • Comprehensive monitoring and effective metering
    • Rugged Neutrik XLR and 1/4″ connectors
    Add to cart
  • Neumann TLM102 Recording Microphone
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    Neumann TLM102 Recording Microphone

    Recording Microphones

    Sweet Little Microphone — Huge Neumann Sound!

    At first glance, the TLM 102 stands out from other Neumann microphones because of its extraordinarily compact design. Don’t let its size fool you! Inside the TLM 102 sits a large-diaphragm, cardioid capsule that Neumann developed specifically for their next generation of microphones intended for a broad range of applications. Like the rest of the TLM series, the TLM 102 is built around low-noise circuitry and captures sound sources without adding extensive color. It particularly excels with vocals, and the ability to handle extreme SPLs makes the TLM 102 a truly versatile microphone.

    Neumann TLM 102 Transformerless Cardioid Condenser Microphone at a Glance:

    • A great way to naturally sweeten vocals
    • Tiny condenser with massive versatility
    • TLM technology means low noise and high clarity

    A great way to naturally sweeten vocals
    Up to 6kHz the frequency response of the TLM 102 extremely linear. But just after 6kHz, Neumann built in a slight boost to bolster the presence of the voice. This characteristic adds a quality often called “sweetness” to vocals that makes them jump out in the mix. The extra smoothness tends to enhance vocals by smoothing out a highly audible frequency range and adds some extra dimension to spoken recordings. The small stature of the TLM 102 is also a major asset in applications where maintaining a clear line of sight between the vocalist and the control room or or band is a priority.

    Tiny condenser with massive versatility
    The TLM 102 has an extremely flexible field of application and is affordable enough to find a place in professional and project studios alike, as well as in broadcast and live sound. Its largely linear frequency response extends across the audible spectrum from 20Hz to 20kHz. Since it doesn’t take up as much space as a typical large-diaphragm condenser, it is easy to position the TLM 102 in front of guitar cabinets or use it as a drum mic. And there’s no need to worry about high SPLs — the TLM 102 can easily handle up to 144dB, so loud sound sources are not off limits.

    TLM technology means low noise and high clarity
    The letters TLM stand for “transformerless microphone.” With TLM technology the usual output transformer is replaced by an electronic circuit. TLM technology ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal. The capsule’s built-in elastic suspension mechanism and pop screen in the TLM 102 also further diminish the noise of handling and use.

    Neumann TLM 102 Transformerless Cardioid Condenser Microphone Features:

    • Maximum 144dB maximum SPL
    • Cardioid pickup pattern
    • 20Hz – 20kHz frequency range
    • 132dB dynamic range
    • 50-ohm impedance
    • Weight: approximately 260g
    • Diameter: 52mm
    • Length: 116mm
    • Requires +48V phantom power

    Put a Little Powerhouse in your studio with Neumann’s compact, cardioid TLM 102!

    Tech Specs

    • Microphone Type:Condenser
    • Polar Pattern:Cardioid
    • Diaphragm Size:Large diaphragm
    • Frequency Response:20Hz-20kHz
    • Max SPL:144 dB
    • Output Impedance:50 ohms
    • Signal to Noise Ratio:82dB (A weighted)
    • Self Noise:12dB (A weighted)
    • Color:Satin Nickel
    • Connector:XLR
    • Power Source:48V phantom power
    • Dimensions:4.5″ x 2″
    • Weight:0.57 lbs.
    • Included Accessories:Stand Mount
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  • Midas MR18 Digital Mixing Console
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    Midas MR18 Digital Mixing Console

    Digital Mixing Consoles
    ₹109,999.00

    16 Midas Pro Preamps in a Rackmount Mixer

    Combining 16 award-winning Midas Pro microphone preamplifiers, four amazing DSP engines, extensive control options, and a full 18-channel audio interface, the Midas MR18 isn’t just a killer digital mixer for live sound, it’s also an amazing addition to your recording studio. It borrows heavily from the highly successful M series mixer line, including essential live sound tools such as four independent DSP effects engines, dynamics and EQ processing for each bus, and Ultranet connectivity for Behringer Powerplay P16 personal monitor system compatibility. What’s more, the MR18 features auto mixing, making it one of the most user-friendly portable mixers out there. Best of all, it fits perfectly in your 19″ equipment rack, so you can easily take all of this mixing power anywhere you go.

    Loaded with legendary Midas Pro Preamps

    Midas Pro microphone preamplifiers are praised throughout the live sound industry. Their high common-mode rejection ratio and low harmonic distortion produce transparency that’s so good, they are perfectly suited for studio recording as well as sound reinforcement. To make the most of all 16 of these stellar preamps, Midas outfitted the MR18 with 40-bit floating-point DSP architecture capable of sustaining 112dB of dynamic range. It provides the best possible accuracy for the onboard Dugan-style auto-mixing engine. This brilliant bit of processing actually manages microphone levels for you, cutting down the gain of unused preamps and balancing the levels between multiple presenters or performers. Together, these technologies practically guarantee a professional sound.

    Flexible DSP for effects, EQ, and dynamics

    Powerful digital signal processing is one of the key components that has made the medium-format M32 one of the most popular digital mixing consoles has carried, and it’s all available to you in the ultra-compact MR18. In fact, the MR18 comes loaded with four DSP effects processors. Choose from legendary studio gear and industry-standard effects that let you enhance your audio in powerful and creative ways. This onboard DSP also extends to the stereo master bus and all six aux buses, providing them with full dynamics processing plus your choice of 6-band parametric or 31-band graphic EQs. If you’ve been running live sound for some time, then you’re probably going to need a smaller rack, because there’s no reason to haul around a ton of outboard gear when you’re mixing on a Midas MR18.

    Wi-Fi, Ethernet, and MIDI control onboard

    Rackmount digital mixers like the Midas MR18 are always a bit of a daunting concept to anyone who hasn’t used one before. Luckily, Midas has a well-established history of providing reliable wireless control over their digital mixers via a number of avenues. First up, there are free apps for iOS and Android that let you harness the full potential of your MR18 wirelessly, making it easy to control the mix from anywhere. A tri-mode Wi-Fi router built into the MR18 ensures that you’ll always have the best possible connection to your mixer. An Ethernet connection provides even more secure control via your Mac, Windows, or Linux PC with the provided control software. And if you prefer hands-on control, you can hook up any MIDI control surface via 5-pin MIDI or USB and take command of the mix with tactile faders, buttons, and knobs.

    Advanced monitor mixing and recording options

    The MR18 may be a compact mixer, but its capabilities are absolutely huge. A lot of that has to do with the bonus features Midas included in its design. First up, its Ultranet compatibility lets you connect a Behringer Powerplay P16 personal monitoring system for extensive onstage monitor control and audio distribution. This alone makes the MR18 an ideal mixer for any band who wants to be in control of their own sound. Keep an iPad onstage, and you don’t even need a sound man! Next, there’s the MR18’s full 18-channel USB 2.0 audio interface. This capability is perfect for both studio and live recording, making the MR18 a true all-purpose workhorse mixer.

    Midas MR18 Rackmount Digital Mixer Features:

    • 18-channel digital mixer with onboard DSP and wireless control
    • 16 Midas Pro microphone preamplifiers deliver transparent gain
    • 40-bit floating-point digital encoding provides 112dB of dynamic range
    • Full 18-channel audio interface for recording and playback
    • Dugan-style auto mixing flawlessly manages microphone levels
    • Onboard DSP includes 4 independent effects processors
    • Full dynamics and EQ available for stereo master and all 6 aux buses
    • Choose from 6-band parametric or 31-band graphic equalizer types
    • Ultranet accommodates Behringer Powerplay P16 personal mixer/distribution systems
    • Integrated tri-mode Wi-Fi router for secure and stable wireless connections
    • Free iOS and Android apps let you take full control of your mix
    • Free software and Ethernet connectivity offers Mac, Windows, and Linux PC control
    • Add tactile control via any MIDI/USB control surface
    • Includes rackmount ears for standard 19″ equipment racks

    Tech Specs

    • Type:Digital
    • Channels:18
    • Inputs – Mic Preamps:16 x XLR-1/4″ combo
    • Phantom Power:16 channels
    • Inputs – Line:2 x 1/4″ (mic preamps also accept line signals)
    • Outputs – Main:2 x XLR
    • Inserts:Main (left, right)
    • Aux Sends:6 aux buses
    • Busses/Groups:6 x XLR (aux out)
    • Data I/O:Ultranet port (P-16 monitor system)
    • USB:1 x Type B
    • Computer Connectivity:USB (18 x 18), Ethernet, Wi-Fi (built-in Tri-mode router)
    • MIDI I/O:In/Out
    • Headphones:1 x 1/4″
    • EQ Bands:6-band parametric EQ, 31-band graphic
    • Effects:4 x effects engines
    • Signal Processing:Dynamics
    • Software:PC, Mac, iOS, Android Apps available
    • Rackmountable:Yes
    • Height:5.5″
    • Depth:5.8″
    • Width:13.1″
    • Weight:8.5 lbs.
    Add to cart
  • Tannoy Gold 8 Powered Studio Monitors
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    Tannoy Gold 8 Powered Studio Monitors

    Studio Monitors
    ₹46,999.00

    The Tannoy Gold Legacy Continues

    Countless hit records and blockbuster film scores have been recorded and mixed on Tannoy studio monitors. Ninety years (and counting), Tannoy’s vaunted legacy lives on in the next-generation GOLD 8 Dual Concentric Studio Reference Monitor. Engineered to the highest standards and build quality to provide the most accurate, uncolored representation of your audio as possible, Tannoy GOLD nearfield reference monitors meet the demanding needs of music recording, broadcast, and post-production professionals who require absolute truth in monitoring. Whether you’re a long-time Tannoy devotee or just stepping up to the legendary Dual Concentric point-source driver, the Tannoy GOLD 8 represents a major step forward in monitoring accuracy.

    Unerring accuracy

    Over Tannoy’s 90-plus years of British audio innovation, the company’s unflinching engineering values and commitment to perfection have continued to advance the state of the art in reference monitoring. Constant refinement of their renowned Dual Concentric driver, advanced Klippel analysis, and other core technologies ensure that every new product launches another historic chapter. The GOLD 8’s drivers and amplifiers are constructed as one integrated design. The result is low listening fatigue, rock-solid imaging, and unerring accuracy you can count on, session after session, project after project.

    Precision obsession

    The highest quality studio monitors begin with the highest quality drivers — which is why Tannoy designs and manufactures their own drivers. On the subject of crossover points, Tannoy has long adhered to a strict, less-is-more philosophy, as minimizing the number of crossover points reduces potential phase anomalies and creates a more natural-sounding and accurate speaker system. Dual Concentric monitors are, by definition, two-way designs with only one crossover point. Not only is phase coherence maximized; the system operates as a single point source for pinpoint imaging and a wide, seamless sweet spot.

    Tannoy’s Iconic Dual Concentric driver

    At the core of the GOLD 8’s outstanding performance is an all-new generation of Tannoy’s proprietary Dual Concentric driver technology. With seven decades of continual refinement behind it, the Dual Concentric driver provides a near-perfect point source that preserves the tonal character and harmonic integrity of program material as no discrete-driver system can. On first listen, the benefits will be immediately manifest: flat response, controlled dispersion, and a generous sweet spot in both horizontal and vertical planes. Whether you’re mixing music, dialog, or sound effects, you can rely on the GOLD 8 to provide exemplary low-frequency extension, high output, and robust reliability.

    Point source Tulip Waveguide

    In nature, sounds emanate from a single point. By centrally locating the high-frequency driver of the Dual Concentric configuration, the GOLD 8 acoustically replicates a single-point sound source, delivering amazingly natural performance with an impressively broad imaging sweet spot. Symmetrical dispersion is enabled by the Tannoy’s innovative point-source Tulip Waveguide, which provides a spacious soundstage with remarkably accurate and focused stereo imaging.

    Optimized Class AB bi-amplification

    With decades of experience in designing professional sound systems for recording and broadcast studios and venues of all sizes,we understand that under-powering is never an option. Which is why the Tannoy 8 is bi-amplified with 300 watts of onboard Class AB power. Why Class AB? While Class A amplifiers sound sweet at low levels, they run hot and are tremendously inefficient at higher volumes. Class B amps are much more efficient, but they tend to add distortion to your signal. Class AB amplification combines the linear performance of Class A with the higher operational efficiencies of Class B, while sidestepping the deficiencies of both. It’s the best of both worlds.

    Smart, flexible connectivity

    Whatever your studio setup, the Tannoy GOLD 8 integrates seamlessly. It simultaneously accepts two audio inputs via its continuously active XLR and TRS inputs. It also lets you assign Left or Right when connected to a 3.5mm TRS plug. Dedicated input trim, bass, and treble controls let you optimize the GOLD 8 to accommodate your interface and room acoustics. The GOLD 8 is equipped with intelligent signal sensing circuitry that automatically enters a power-saving, environmentally friendly standby mode when the system is not in use.

    Tannoy GOLD 8 Powered Studio Monitor Features:

    • Premium 300W bi-amped nearfield studio reference monitor for accurate, high-definition sound reproduction
    • Ultra-precise and neutral soundstage delivers non-fatiguing sound for extended listening sessions
    • Legendary Tannoy Dual Concentric driver technology for class-leading phase coherence and point-source imaging
    • Front-firing bass port design allows for near-wall placement and ensures optimal low-frequency performance
    • Next-generation 8″ Dual Concentric driver provides unrivaled articulation and outstanding dynamics
    • 1″ titanium tweeter with Tulip Waveguide produces detailed stereo image with wide sweet spot
    • Transducer-matched LF and HF Class AB bi-amplification for accurate dynamics and efficiency at any volume
    • Continually active XLR and TRS phone jack inputs let you connect 2 audio sources simultaneously
    • Dedicated input trim, bass, and treble controls let you optimize the monitor for your room acoustics
    • Selectable automatic standby mode conserves energy
    • Designed and engineered in the UK
    • 3-year factory warranty

    Tech Specs

    • Powered:Yes
    • Power Configuration:Bi-amped
    • Quantity:Single
    • LF Driver Size:8″ Woofer
    • HF Driver Size:1″ Tweeter
    • HF Driver Type:Titanium
    • Total Power:300W Class-AB
    • Frequency Response:54Hz – 20kHz (±3 dB)
    • Maximum Peak SPL:110 dB SPL @ 1m
    • Input Types:1 x XLR, 1 x 1/4″, 1 x 1/8″ (aux)
    • Output Types:1 x 1/8″ (monitor link)
    • Enclosure Type:Front Ported
    • Enclosure Material:MDF with Black Vinyl wrap
    • Height:16.8″
    • Width:10.7″
    • Depth:13.2″
    • Weight:30.8 lbs.
    • Manufacturer Part Number:000-C2C02-00010
    Add to cart
  • Midas MR12 Digital Mixing Console
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    Midas MR12 Digital Mixing Console

    Digital Mixing Consoles

    12-Input Digital Mixer for iPad/Android Tablets with 4 Midas PRO Preamps, 8 Line Inputs, Integrated Wifi Module and USB Stereo Recorder

    • iPad*/Android* tablet controlled 12-input digital mixer for studio and live application
    • 4 award-winning Midas PRO microphone preamplifiers
    • Built-In Tri-Mode Wifi router for direct operation—no need for external routers
    • Dugan*-style Auto-Mixing automatically manages microphone gain sharing
    • USB connector for uncompressed stereo WAV recording and playback
    • 4 digital signal processing effects engines
    • Rack ears and protection bumpers included for flexible rack and onstage applications
    • 6 aux buses and main LR with inserts, full dynamics processing and 6-band parametric or 31-band graphic EQ
    Detailed Product Information
  • Tannoy Gold 5 Powered Studio Monitors
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    Tannoy Gold 5 Powered Studio Monitors

    Studio Monitors
    ₹32,999.00

    The Tannoy Gold Legacy Continues

    Countless hit records and blockbuster film scores have been recorded and mixed on Tannoy studio monitors. Ninety years (and counting), Tannoy’s vaunted legacy lives on in the next-generation GOLD 5 Dual Concentric Studio Reference Monitor. Engineered to the highest standards and build quality to provide the most accurate, uncolored representation of your audio as possible, Tannoy GOLD nearfield reference monitors meet the demanding needs of music recording, broadcast, and post-production professionals who require absolute truth in monitoring. Whether you’re a long-time Tannoy devotee or just stepping up to the legendary Dual Concentric point-source driver, the Tannoy GOLD 5 represents a major step forward in monitoring accuracy.

    Unerring accuracy

    Over Tannoy’s 90-plus years of British audio innovation, the company’s unflinching engineering values and commitment to perfection have continued to advance the state of the art in reference monitoring. Constant refinement of their renowned Dual Concentric driver, advanced Klippel analysis, and other core technologies ensure that every new product launches another historic chapter. The GOLD 5’s drivers and amplifiers are constructed as one integrated design. The result is low listening fatigue, rock-solid imaging, and unerring accuracy you can count on session after session, project after project.

    Precision obsession

    The highest quality studio monitors begin with the highest quality drivers — which is why Tannoy designs and manufactures their own drivers. On the subject of crossover points, Tannoy has long adhered to a strict, less-is-more philosophy, as minimizing the number of crossover points reduces potential phase anomalies and creates a more natural-sounding and accurate speaker system. Dual Concentric monitors are, by definition, two-way designs with only one crossover point. Not only is phase coherence maximized; the system operates as a single point source for pinpoint imaging and a wide, seamless sweet spot.

    Tannoy’s Iconic Dual Concentric driver

    At the core of the GOLD 5’s outstanding performance is an all-new generation of Tannoy’s proprietary Dual Concentric driver technology. With seven decades of continual refinement behind it, the Dual Concentric driver provides a near-perfect point source that preserves the tonal character and harmonic integrity of program material as no discrete-driver system can. On first listen, the benefits will be immediately manifest: flat response, controlled dispersion, and a generous sweet spot in both horizontal and vertical planes. Whether you’re mixing music, dialog, or sound effects, you can rely on the GOLD 5 to provide exemplary low-frequency extension, high output, and robust reliability.

    Point source Tulip Waveguide

    In nature, sounds emanate from a single point. By centrally locating the high-frequency driver of the Dual Concentric configuration, the GOLD 5 acoustically replicates a single-point sound source, delivering amazingly natural performance with an impressively broad imaging sweet spot. Symmetrical dispersion is enabled by the Tannoy’s innovative point-source Tulip Waveguide, which provides a spacious soundstage with remarkably accurate and focused stereo imaging.

    Optimized Class AB bi-amplification

    With decades of experience in designing professional sound systems for recording and broadcast studios and venues of all sizes, we understand that under-powering is never an option. Which is why the Tannoy 5 is bi-amplified with 200 watts of onboard Class AB power. Why Class AB? While Class A amplifiers sound sweet at low levels, they run hot and are tremendously inefficient at higher volumes. Class B amps are much more efficient, but they tend to add distortion to your signal. Class AB amplification combines the linear performance of Class A with the higher operational efficiencies of Class B, while sidestepping the deficiencies of both. It’s the best of both worlds.

    Smart, flexible connectivity

    Whatever your studio setup, the Tannoy GOLD 5 integrates seamlessly. It simultaneously accepts two audio inputs via its continuously active XLR and TRS inputs. It also lets you assign Left or Right when connected to a 3.5mm TRS plug. Dedicated input trim, bass, and treble controls let you optimize the GOLD 5 to accommodate your interface and room acoustics. The GOLD 5 is equipped with intelligent signal sensing circuitry that automatically enters a power-saving, environmentally friendly standby mode when the system is not in use.

    Tannoy GOLD 5 Powered Studio Monitor Features:

    • Premium 200W bi-amped nearfield studio reference monitor for accurate, high-definition sound reproduction
    • Ultra-precise and neutral soundstage delivers non-fatiguing sound for extended listening sessions
    • Legendary Tannoy Dual Concentric driver technology for class-leading phase coherence and point-source imaging
    • Front-firing bass port design allows for near-wall placement and ensures optimal low-frequency performance
    • Next-generation 5″ Dual Concentric driver provides unrivaled articulation and outstanding dynamics
    • .75″ titanium tweeter with Tulip Waveguide produces detailed stereo image with wide sweet spot
    • Transducer-matched LF and HF Class AB bi-amplification for accurate dynamics and efficiency at any volume
    • Continually active XLR and TRS phone jack inputs let you connect 2 audio sources simultaneously
    • Dedicated input trim, bass, and treble controls let you optimize the monitor for your room acoustics
    • Selectable automatic standby mode conserves energy
    • Designed and engineered in the UK
    • 3-year factory warranty

    Tech Specs

    • Powered:Yes
    • Power Configuration:Bi-amped
    • Quantity:Single
    • LF Driver Size:5″ Woofer
    • HF Driver Size:0.75″ Tweeter
    • HF Driver Type:Titanium
    • LF Driver Power Amp:200W
    • Total Power:200W Class AB
    • Frequency Response:70Hz – 20kHz (±3 dB)
    • Crossover Frequency:2 kHz
    • Maximum Peak SPL:107 dB SPL @ 1m
    • Input Types:1 x XLR, 1 x 1/4″, 1 x 1/8″ (aux)
    • Output Types:1 x 1/8″ (monitor link)
    • Enclosure Type:Front Ported
    • Enclosure Material:MDF with Black Vinyl wrap
    • Height:11.6″
    • Width:7.2″
    • Depth:9.9″
    • Weight:12.8 lbs.
    Add to cart
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