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Showing 817–828 of 940 results

  • Shure WBH54T Headworn Microphone
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    Shure WBH54T Headworn Microphone

    Wireless Microphones
    ₹30,999.00

    Shure Quality and Durability in a Headworn Mic!

    Need a headset mic? Now you can have Shure quality sound and reliability with the Shure WBH54T headworn vocal microphone! It’s great for both lead and background vocals and connects to almost any Shure wireless transmitter.

    Shure WBH54T Headworn Mic at a Glance:

    • Full-range sound quality from electret condenser mic
    • Low-profile headband is unobtrusive, easy to wear
    • Great onstage – handles high SPLs

    Full-range sound quality from electret condenser mic
    The Shure WBH54T is a subminiature, electret condenser headworn microphone. It provides uncompromised sound quality and reliability. Despite its small size, the condenser element delivers full, clear, and natural reproduction of speech and vocals. With a frequency response of 50Hz-20kHz, the WBH54T captures vocal nuances that many other headworn mics just can’t reproduce.

    Low-profile headband is unobtrusive, easy to wear
    The WBH54T is mounted on a lightweight, low-profile wire frame headband with over-the-ear arms. You can mount the mic on either the left or right side, whichever is most comfortable. It’s fully adjustable for stability and comfort. The WBH54T is compact and unobtrusive, so whether you’re in broadcast, theater, and touring, your audience will see you, not the mic!

    Great onstage – handles high SPLs
    The Shure WBH54T will be your “go-to” mic for demanding stage uses such as singing dancers, drummers and guitar players. It’s able to handle extremely high sound pressure levels, so the loudest vocalist won’t faze it. Plus, the WBH54T’s supercardioid polar pattern rejects off-axis noise, so you’ll encounter fewer problems with bleed. The WBH54T is terminated with a Shure TA4F connector to fit Shure and many other wireless transmitter packs.

    Shure WBH54T Headworn Mic Features:

    • Subminiature electret condenser mic for vocal applications
    • Supercardioid polar pattern provides maximum gain-before-feedback and ambient rejection
    • Extended 50Hz-20kHz frequency response tailored for vocal performances
    • Able to handle extremely high sound pressure levels
    • Snap-fit foam windscreens stay in place during intensive movement
    • TA4F connector for wireless applications
    • 5-foot cable with connector

    The WBH54T will solve your onstage vocal problems!

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  • Shure DMK57-52 Drum Microphone Kit
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    Shure DMK57-52 Drum Microphone Kit

    Wired Microphones
    ₹42,999.00

    Great Drum Mics at a Great Value!

    The Shure DMK57-52 Drum Mic Kit brings Shure-quality to a package of four drum mics – complete with mounts and a carrying case. The kit, of course, includes three of Shure’s legendary SM57s – practically an industry standard mic on snare, and also an excellent choice for toms. For your kick, there’s the Beta 52A, delivering low-end punch and considerable sonic presence. Shure is known for making top-notch mics built for withstanding serious use – and that’s what you can expect with the DMK57-52. A high-quality drum mic solution at a price that won’t break the bank, you can count on the Shure DMK57-52 Drum Mic Kit.

    Shure DMK57-52 at a Glance

    • High-quality, Dependable Mics
    • Complete with Mounts and Carrying Case

    High-quality, Dependable Mics
    When you choose Shure microphones, you’re choosing some of the most reliable mics in existence – used in countless studios and venues the world over because of their sheer dependability and incredible sound. This particular collection includes threeSM57s – heralded as the “Swiss Army Knife” of modern music. The SM57 is a premium drum mic that’s ideal for snares, excellent on toms, and also just plain worth having around for its versatility on guitar/bass amps, and vocals. Then, of course, there’s the Beta 52A. Thanks to its specially tailored frequency response, you get serious “BOOM” from this mic, and its pickup pattern limits interference from other on-stage sound sources and feedback.

    Complete with Mounts and Carrying Case
    The Shure DMK-57-52 Drum Mic Kit is ready to go wherever your music takes you – there are three drum-mounting systems for the SM57s (the Beta 52A has a built-in mount), so you can easily position the mics on your drum rims, mic stands, and even cymbal stands. Plus, everything comes in a lightweight and durable carrying case that’s ready for the road.

    Shure DMK57-52 Features:

    • Three SM57s
    • One Beta 52A with built-in Drum Mount
    • Three Drum-mount Systems for SM57s
    • Lightweight, durable carrying case

    The Shure DMK57-52 delivers Shure reliability, and top-notch sound at a great value!

    Tech Specs

    • Number of Microphones:4
    • Included Models:1 x Beta 52A, 3 x SM57
    • Microphone Type:Dynamic
    • Polar Pattern:Cardioid (SM57), Supercardioid (Beta 52A)
    • Max SPL:174dB SPL (Beta 52A)
    • Manufacturer Part Number:DMK57-52
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  • Shure PGADRUMKIT6 Drum Microphone Kit
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    Shure PGADRUMKIT6 Drum Microphone Kit

    Wired Microphones
    ₹43,499.00

    A Complete Drum-miking Solution!

    The Shure PGADRUMKIT6 is a drum microphone kit manufactured by Shure, a renowned audio equipment company. This kit is designed specifically for capturing drum performances in both studio and live settings. It includes a selection of microphones tailored to different drum components to ensure optimal sound reproduction.

    The PGADRUMKIT6 typically consists of the following microphones:

    1. PGA52: This is a dynamic microphone specifically designed for kick drums and low-frequency instruments. It features a tailored frequency response to capture the deep, punchy sound of the bass drum.
    2. PGA56 (x3): These dynamic microphones are intended for snare drums and toms. They provide a clear and detailed reproduction of the midrange and high-frequency components of these drums.
    3. PGA57: This dynamic microphone is a versatile choice that can be used for various applications, including capturing the sound of a snare drum, guitar amplifiers, and other instruments.
    4. PGA81 (x2): These condenser microphones are designed for capturing the overhead sound of cymbals and other high-frequency instruments. They offer a wide frequency response and high sensitivity.

    The Shure PGADRUMKIT6 typically comes with necessary accessories such as microphone clips and mounts to facilitate easy and secure attachment to drum stands. It provides a comprehensive microphone solution for drummers and engineers seeking to capture professional-quality drum recordings or reinforce live drum performances.

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  • Shure PGADRUMKIT7 Drum Microphone Kit
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    Shure PGADRUMKIT7 Drum Microphone Kit

    Wired Microphones
    ₹53,999.00

    A Complete Drum-miking Solution!

    Miking up a drum set can be a daunting task, but Shure makes it easy with the PGA Drum Kit 7. The Shure PGA52 handles the low-frequency sound of your kick drum like a champ. Tackle your toms and other high-impact sources with the Shure PGA56. The Shure PGA57 easily captures the loud, harmonically sound of your snare drum. With a pair of Shure PGA81s as overheads, you’ll create a realistic 3-dimensional sonic picture of your drum kit. Complete with mic clips and drum mounts, cables, and a carrying case, the Shure PGA Drum Kit 7 is a great set of drum mics!

    Shure PGA Drum Kit 7 at a Glance:

    • Shure PGA52 excels on kick drum and bass
    • Shure PGA56s make toms sound spectacular
    • Shure PGA57 captures guitar amps, snares, and more
    • Shure PGA81s are solid mics for countless applications

    Shure PGA52 excels on kick drum and bass

    Record kick drums and bass amps that kick like a mule with the Shure PGA52 dynamic microphone. It’s tuned for extremely solid low frequency response, and it’ll capture the power of your source with exceptional focus and accuracy. Use the handy swivel joint to find the perfect angle in relation to your sound source. The handy quick release latch makes setup and teardown a snap.

    Shure PGA56s make toms sound spectacular

    PGA56 dynamic microphones are a great way to capture drums (especially toms), and other high-impact sound sources. Recordists and drummers have long turned to Shure microphones for their durability and sound quality. When you need to mic up an acoustic drum kit, you can expect clean, consistent results from the Shure PGA56.

    Shure PGA57 captures guitar amps, snares, and more

    Capture the intensity of amplifiers, snare drums and more with the Shure PGA57 dynamic microphone. Like the legendary Shure mic it’s descended from, the PGA57 serves up consistent results with powerful, harmonically-rich sound sources like guitar amps and snare drums. The cardioid pickup pattern helps you capture more of the sound you want, and less of the sound of the room that you’re in.

    Shure PGA81s are solid mics for drum overheads

    With a pair of Shure PGA81 condenser microphones as overheads, you’ll be primed to capture the true sound of your drum kit. Recording engineers know that you need versatile solutions when you don’t have a lot of microphones in your collection, and the PGA81 promises great-sounding performance that you can count on for any session.

    Shure PGA Drum Kit 7 Features:

    • 7-piece mic package with Shure PGA52, 3 x Shure PGA56s, Shure PGA57, 2 x PGA81, 3 x clips, 3 x mounts, 7 x cables, and case
    • Shure PGA52 is ideal for kick drum, bass amps, and other bass heavy sources
    • Shure PGA56s capture toms and other drums spectacularly
    • Shure PGA57 works great for harmonically rich, high SPL sound sources
    • Shure PGA81s are solid mics for drum overheads
    • Shure A25D mic clips and AP56DM drum mounts feature break-resistant plastic construction
    • Enough XLR cables to connect the microphones
    • Case included

    Capture amazing drum sounds with the Shure PGA Drum Kit 7!

    Tech Specs

    • Number of Microphones:7
    • Included Models:1 x PGA52, 1 x PGA 57, 2 x PGA81, 3 x PGA56
    • Microphone Type:Dynamic (PGA52, PGA56, PGA57), Condenser (PGA81)
    • Polar Pattern:Cardioid
    • Max SPL:129.5dB SPL (PGA81)
    • Manufacturer Part Number:PGADRUMKIT7
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  • Neumann NDH 20 Closed-Back Studio Headphone
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    Neumann NDH 20 Closed-Back Studio Headphone

    Headphones and Earphones

    Monitoring Accuracy in the Studio, on the Road, and at Home

    Neumann’s NDH 20 closed-back studio headphones deliver excellent isolation with the linear frequency response, solid stereo imaging, and outstanding resolution you expect from a Neumann monitor. Featuring circumaural memory foam ear pads designed for superior isolation and exceptional comfort during long listening sessions, NDH 20 headphones are perfect for any critical monitoring or mixing task, even in noisy environments. Distracting resonances in the midband mar the performance of many closed-back designs, rendering them unsuitable for critical mix decisions. The NDH 20s take after Neumann’s acclaimed studio loudspeakers, delivering unerring accuracy free from mechanically induced colorations.

    Designed to Neumann’s high standards

    The NDH 20s incorporate newly designed 1.5″ drivers with high-gauss neodymium magnets for high sensitivity and minimal distortion, allowing the engineer or musician to hear the pure audio signal without coloration. Neumann made sure the mechanical construction of the NDH 20 headphones meet the company’s high standards. The adjustable headband is made of flexible steel, while the earcup covers are machined from lightweight aluminum. For ease of transportation, the headphones are foldable for a snug fit in the included cloth bag. Two detachable cables (one straight, one coiled) and a 1/4″ adapter are also included.

    Audiophile sound with excellent isolation

    We find Neumann NDH 20 headphones ideal for applications that require a high degree of isolation, such as tracking and front-of-house work. They’re also an excellent choice for any critical listening application, free from the disturbances of the outside world and, vice versa, without disturbing others nearby due to leakage. Thanks to its extended 5Hz–30kHz frequency response, the NDH 20s are particularly helpful for checking the upper and lower extremes of the audio band. Unlike many other closed-back headphones, the NDH 20s are well-suited for mixing purposes too. Their unusually flat frequency response and natural stereo image allow for mixing with confidence and ensuring that your mixes will translate to all playback systems. Last but not least, the NDH 20s are also excellent headphones for audiophile entertainment.

    Neumann NDH 20 Closed-back Studio Headphones Features:

    • Linear sound balance, like Neumann’s acclaimed studio monitors
    • 1.5″ drivers with high-gauss neodymium magnets
    • Extended 5Hz–30kHz frequency response
    • Free from mechanically induced colorations
    • Excellent isolation allows working in noisy environments
    • Transparent sound with high resolution
    • Long-term comfort, easy transportation

    Tech Specs

    • Open/Closed:Closed
    • Fit Style:Circumaural (Around the Ear)
    • Driver Size:38mm
    • Frequency Response:5Hz-30kHz
    • Impedance:150 ohms
    • Noise Attenuation:34dB
    • Cable Type:Coiled, Straight
    • Cable Length:5-10′ (coiled), 10′ (straight)
    • Replaceable Cable:Yes
    • Plug Size:1/8″ plug, 1/4″ adapter
    • Features:Cloth Pouch
    • Foldable:Yes
    • Color:White Aluminum, Gray
    • Weight:2.6 lbs.
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  • Allen & Heath Avantis Digital Mixing Console
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    Allen & Heath Avantis Digital Mixing Console

    Digital Mixing Consoles

    Compact Digital Mixer with dLive Power

    The Allen & Heath Avantis Digital Mixer was built to revolutionize the way you mix live sound. Equipped with the same dLive technology as Allen & Heath’s flagship mixers, the Avantis is a 64-channel / 42 bus compact console that strikes the perfect balance between old-school analog mixing and cutting-edge digital processing. Those who love analog mixers will appreciate the 24 channel strips complete with manual faders and PAFL switches. The unit has dual 15.6″ DSP touchscreens that offer gesture control, fully-customizable routing options, and 144 fader strips (24 faders, 6 layers). Whether it’s handling a few mic connections or synchronizing gear with the word clock and connecting to a Dante network, the Avantis can handle all your live sound needs.

    Customizable layout gives you total control

    If you’re an audio engineer and want to control as much of the performance as possible, you’ll love the Avantis. Why? This compact unit gives you total control over mix bus architecture and lets you customize the layout in whatever way that makes the most sense to you. Avantis is loaded with Continuity UI that uses drag ‘n drop parameters and physical controls to create an intuitive workflow with at-a-glance navigation. As if that’s not enough control, the Avantis by Allen & Heath has 24 assignable SoftKeys and user-configurable rotary controls.

    Dual 15.6″ touchscreens turbocharge your workflow

    Allen & Health wanted to make the Avantis their most flexible compact mixer yet. To do that, they loaded the unit with Continuity UI and two 15.6″ high-definition touchscreens. These screens are ultra responsive and utilize gesture controls to pinch, swipe, and drag ‘n drop your way through the intuitive interface. You can open configurable widget areas to load up your scenes, meters, and use RackExtra FX to add effects like Reverb, Chorus and Delays. This version of Avantis comes pre-loaded with dPack, which puts additional sound-shaping at your fingertips with tools like Dynamic EQ, Multiband Compressor, Vocal Shift. With the abundance of options and user control, your workflow will look and feel exactly how you want it to.

    Superior expandability can handle it all

    Straight out of the box, Avantis can handle 12 XLR inputs and outputs, network I/O and SLink connections to handle 64 channels at a time with 144 fader strips. The Avantis has two I/O ports on the back that are each capable of 128×128 operation at 96kHz for cards including Dante, MADI, Waves, and gigaACE. This mixer has an SLink port that controls your I/O expanders, stage boxes, and networked equipment. The Avantis is equipped with Word Clock I/O that keeps all your digital gear perfectly synced to ensure your show runs without a hitch

    Allen & Heath Avantis Digital Mixer Features:

    • Continuity UI combines digital and analog controls for lightning-fast workflow
    • Dual 15.6″ touchscreens use intuitive gesture control to make things easy
    • Fully-assignable layout allows for at-a-glance navigation
    • 24 manual channel strips have 6 switchable banks for easy changes
    • I/O ports can handle 128×128 operation at 96kHz for Dante, MADI, Waves, and gigaACE
    • 12 locking XLR inputs with one AES digital input
    • Network I/O and SLink connections easily handle 64 channels at a time
    • 24 assignable SoftKeys let you add extra functionality
    • 12 RackExtra FX slots utilize dedicated returns
    • dPack software pre-installed for even more sound-shaping options
    • Onboard word clock functions quickly syncs with other digital gear
    • Full metal chassis resists wear and tear

     

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  • Allen & Heath GX4816 Audiorack
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    Allen & Heath GX4816 Audiorack

    Digital Mixing Consoles
    ₹499,999.00

    Impressive 48-in/16-out Expansion for your A&H Console

    Onstage or at the board, if you need more high-quality I/O for your Allen & Heath dLive or SQ mixing console, then you have to check out the GX4816. This networkable audio expander adds 48 inputs with professional-grade microphone preamps and 16 XLR line outputs to your system, all simultaneously available at 96kHz resolution. But that’s just some of what engineers appreciate about the GX4816. If you really need to flesh out your I/O, then the G4816 is the perfect place to start. It features two DX expansion ports, so you can connect up to 32 x 16 more channels of top-notch digital I/O to your Allen & Heath mixing console.

    Digital expansion made easy

    Don’t you love it when you just plug something in and it works — no mess, no hassle, just hook it up and go? That’s what the GX4816 offers you. As a part of your modular dLive or SQ mixer system, this I/O expander lets you get exactly the connections you need, all via sturdy locking EtherCon ports and standard Cat 5e cables. SQ systems can handle a pair of GX4816s, C Class dLive systems can take three, and you can connect five of them to an S Class rig. Add a DX32 or two DX168 or DX164-W expanders, and you can really rack up the channel count.

    Allen & Heath GX4816 Audio Expander Features

    • A 5U, 48-input/16-output, 96kHz digital I/O expansion for A&H dLive and SQ mixing consoles
    • Each input features a remote-controllable microphone preamp with individual phantom power LEDs
    • Two DX expansion ports let you hook up 1 DX32 or up to 2 DX168/ DX164-W expanders
    • Connect up to 2 GX4816s to an SQ system, 3 to a dLive C Class system, or 5 to a dLive S Class system
    • Plug-and-play connection via standard Cat 5e cables (EtherCon ports) with automatic IP addressing

     

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  • Allen & Heath SQ7 Digital Mixing Console
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    Allen & Heath SQ7 Digital Mixing Console

    Digital Mixing Consoles
    ₹434,999.00

    Next-generation Digital Mixing

    Based on Allen & Heath’s acclaimed XCVI 96kHz FPGA audio engine, the SQ-7 digital mixer delivers extensive live sound mixing capabilities. Even with its powerful processing, the SQ-7 delivers best-in-class audio quality with less than 0.7ms of latency. You’ll have a lot of flexibility when it comes to creating monitor mixes, with up to 12 stereo mixes (groups or auxes) in addition to the main LR out. Eight stereo FX engines provide studio-quality effects, with dedicated returns. Complete with a 32 x 32 USB audio interface, and dedicated controls for mixing convenience, the Allen & Heath SQ-7 is a smart mixing solution for live music, worship sound, and educational facilities.

    A capable mixer that’s ready to expand

    Right out of the box, the SQ-7 digital mixer offers 48 input channels. You have 33 faders for hands-on mixing, arranged in six fader layers for managing larger mixes. The SQ-7 also offers an SLink port for remote audio and expansion. And a 64-channel I/O port is ready for network audio integration.

    Manage large mixes easily with Automatic Mic Mixing

    When you’re mixing a multi-mic setup, you’ll find the SQ-7’s Automatic Mic Mixing capabilities to be a huge help. It’s also a fantastic “safety net” when relying on inexperienced volunteers to manage the sound system. With Automatic Mic Mixing, you can be sure that you’ll never experience an excessive imbalance between mic levels in large multi-mic applications.

    Built-in audio interface and comprehensive I/O

    Multitrack recording is made simple with the Allen & Heath SQ-7, with its built-in 32 x 32 USB audio interface. Engineers also appreciate the convenience of direct recording to a USB drive. A 64-channel I/O port is also present for connecting to network audio. And an SLink port allows for remote audio and I/O expansion.

    Allen & Heath SQ-7 Digital Mixer Features:

    • 48-input digital mixer with 96kHz FPGA processing
    • Best-in-class audio quality, with less than 0.7ms latency
    • 33 faders for hands-on mixing, with 6 fader layers
    • Create up to 12 stereo mixes in addition to the main LR mix
    • 3 stereo matrices
    • 8 stereo FX engines with dedicated effects returns
    • 7″ capacitive touchscreen for navigation
    • SLink port for remote audio and I/O expansion
    • 64-channel I/O port for network audio
    • Built-in 32 x 32 USB audio interface for multitrack recording
    • SQ-Drive allows for direct recording to a USB drive
    • Dedicated physical controls, plus 8 assignable SoftKeys
    • Automatic Mic Mixing makes it easy to manage large multi-mic setups
    • AES digital output
    • Rack-mountable

    Tech Specs

    • Type:Digital Mixer
    • Channels:48
    • Inputs – Mic Preamps:32 x XLR (mic/line)
    • Phantom Power:32 channels, Talkback
    • Inputs – Other:2 x 1/4″ (Stereo 1), 2 x 1/4″ (Stereo 2)
    • Outputs – Main:2 x XLR, 2 x 1/4″ (A out, B out)
    • Outputs – Other:16 x XLR (stereo mixes, L/R)
    • Outputs – Digital:1 x XLR (AES)
    • Busses/Groups:36 Bus
    • Inserts:Internal Pre EQ/Compressor
    • Talkback:1 x XLR
    • MIDI I/O:USB (control)
    • Data I/O:1 x EtherCon (dSnake, DX mode, gigaACE), 1 x Ethernet RJ-45 (LAN TCP/IP)
    • Remote:1 x 1/4″ (footswitch)
    • USB:1 x Type B, 1 x Type A
    • Computer Connectivity:USB (32 x 32), Ethernet
    • I/O Expansion Slots:1 x Option card port (Dante, Waves)
    • Headphones:1 x 1/4″
    • Faders:33 x 100mm motorized
    • A/D Resolution:24-bit/96kHz
    • EQ Bands:Parametric EQ, 28-band Graphic, HPF
    • Effects:Delay, Reverb, Chorus, Flanger, Phaser (8 x RackFX engine)
    • Signal Processing:Compressor, Gate
    • DAW Control:MIDI DAW control via USB
    • Screen:7″ color touch screen
    • Storage:USB Type A (16 x 16)
    • Software:Wireless Remote Mixing app iPad/Android (network router not included)
    • Power Source:Standard IEC AC connector
    • Height:7.8″
    • Depth:20.3″
    • Width:31.7″
    • Weight:23.1 lbs.
    • Manufacturer Part Number:AH-SQ-7
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  • Allen & Heath SQ6 Digital Mixing Console
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    Allen & Heath SQ6 Digital Mixing Console

    Digital Mixing Consoles
    ₹335,999.00

    Next-generation Digital Mixing

    Based on Allen & Heath’s acclaimed XCVI 96kHz FPGA audio engine, the SQ-6 digital mixer delivers extensive live sound mixing capabilities. Even with its powerful processing, the SQ-6 delivers best-in-class audio quality with less than 0.7ms of latency. You’ll have a lot of flexibility when it comes to creating monitor mixes, with up to 12 stereo mixes (groups or auxes) in addition to the main LR out. Eight stereo FX engines provide studio-quality effects with dedicated returns. Complete with a 32 x 32 USB audio interface and dedicated controls for mixing convenience, the Allen & Heath SQ-6 is a smart mixing solution for live music, worship sound, and educational facilities.

    Capable mixer that’s ready to expand

    Right out of the box, the SQ-6 digital mixer offers 48 input channels. You have 25 faders for hands-on mixing, arranged in six fader layers for managing larger mixes. The SQ-6 also offers an SLink port for remote audio and expansion. And a 64-channel I/O port is ready for network audio integration.

    Manage large mixes easily with automatic mic mixing

    When you’re mixing a multi-mic setup, you’ll find the SQ-6’s automatic mic mixing capabilities to be a huge help. It’s also a fantastic safety net when relying on inexperienced volunteers to manage the sound system. With automatic mic mixing, you can be sure that you’ll never experience an excessive imbalance between mic levels in large multi-mic applications.

    Built-in audio interface and comprehensive I/O

    Multitrack recording is made simple with the Allen & Heath SQ-6, with its built-in 32 x 32 USB audio interface. Engineers at Sweetwater also appreciate the convenience of direct recording to a USB drive. A 64-channel I/O port is also present for connecting to network audio, and an SLink port allows for remote audio and I/O expansion.

    Allen & Heath SQ-6 Digital Mixer Features:

    • 48-input digital mixer with 96kHz FPGA processing
    • Best-in-class audio quality, with less than 0.7ms latency
    • 25 faders for hands-on mixing, with 6 fader layers
    • Create up to 12 stereo mixes in addition to the main LR mix
    • 3 stereo matrices
    • 8 stereo FX engines with dedicated effects returns
    • 7″ capacitive touchscreen for navigation
    • SLink port for remote audio and I/O expansion
    • 64-channel I/O port for network audio
    • Built-in 32 x 32 USB audio interface for multitrack recording
    • SQ-Drive allows for direct recording to a USB drive
    • Dedicated physical controls, plus 8 assignable softkeys
    • Automatic mic mixing makes it easy to manage large multi-mic setups
    • AES digital output
    • Rackmountable

    Tech Specs

    • Type:Digital
    • Channels:48
    • Inputs – Mic Preamps:24 x XLR
    • Phantom Power:24 channels, Talkback
    • Inputs – Line:24 x XLR (mic/line)
    • Inputs – Other:2 x 1/4″ (ST1), 2 x 1/4″ (ST2), 1 x 1/8″ (ST3)
    • Outputs – Main:2 x 1/4″ (A out, B out), 2 x XLR (L,R)
    • Outputs – Other:14 x XLR (stereo mixes, L/R)
    • Outputs – Digital:1 x XLR (AES)
    • Busses/Groups:36 bus
    • Inserts:Internal Pre EQ/Compressor
    • Talkback:1 x XLR
    • MIDI I/O:USB (control)
    • Data I/O:1 x EtherCon (dSnake, DX mode, gigaACE), 1 x Ethernet RJ-45 (LAN TCP/IP)
    • Remote:1 x 1/4″ (footswitch)
    • USB:1 x Type B, 1 x Type A
    • Computer Connectivity:USB (32 x 32), Ethernet
    • I/O Expansion Slots:1 x Option card port (Dante, Waves)
    • Headphones:1 x 1/4″
    • Faders:25 x 100mm motorized
    • A/D Resolution:24-bit/96kHz
    • EQ Bands:Parametric EQ, 28-band Graphic
    • Effects:Delay, Reverb, Chorus, Flanger, Phaser (8 x RackFX engine)
    • Signal Processing:Dynamics
    • DAW Control:MIDI DAW control via USB
    • Screen:7″ color touch screen
    • Storage:USB Type A (16 x 16)
    • Software:Wireless Remote Mixing app iPad/Android (network router not included)
    • Power Source:AC Adapter
    • Height:7.8″
    • Depth:20.3″
    • Width:25.1″
    • Weight:29.3 lbs.
    • Manufacturer Part Number:AH-SQ-6
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  • Allen & Heath SQ5 Digital Mixing Console
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    Allen & Heath SQ5 Digital Mixing Console

    Digital Mixing Consoles
    ₹264,999.00

    Next-generation Digital Mixing

    Based on Allen & Heath’s acclaimed XCVI 96kHz FPGA audio engine, the SQ-5 digital mixer delivers extensive live sound mixing capabilities. Even with its powerful processing, the SQ-5 delivers best-in-class audio quality with less than 0.7ms of latency. You’ll have a lot of flexibility when it comes to creating monitor mixes, with up to 12 stereo mixes (groups or auxes) in addition to the main LR out. Eight stereo FX engines provide studio-quality effects, with dedicated returns. Complete with a 32 x 32 USB audio interface, and dedicated controls for mixing convenience, the Allen & Heath SQ-5 is a smart mixing solution for live music, worship sound, and educational facilities.

    Capable mixer that’s ready to expand

    Right out of the box, the SQ-5 digital mixer offers 48 input channels. You have 17 faders for hands-on mixing, arranged in six fader layers for managing larger mixes. The SQ-5 also offers an SLink port for remote audio and expansion. And a 64-channel I/O port is ready for network audio integration.

    Manage large mixes easily with Automatic Mic Mixing

    When you’re mixing a multi-mic setup, you’ll find the SQ-5’s Automatic Mic Mixing capabilities to be a huge help. It’s also a fantastic “safety net” when relying on inexperienced volunteers to manage the sound system. With Automatic Mic Mixing, you can be sure that you’ll never experience an excessive imbalance between mic levels in large multi-mic applications.

    Built-in audio interface and comprehensive I/O

    Multitrack recording is made simple with the Allen & Heath SQ-5, with its built-in 32 x 32 USB audio interface. Engineers at Sweetwater also appreciate the convenience of direct recording to a USB drive. A 64-channel I/O port is also present for connecting to network audio. And an SLink port allows for remote audio and I/O expansion.

    Allen & Heath SQ-5 Digital Mixer Features:

    • 48-input digital mixer with 96kHz FPGA processing
    • Best-in-class audio quality, with less than 0.7ms latency
    • 17 faders for hands-on mixing, with 6 fader layers
    • Create up to 12 stereo mixes in addition to the main LR mix
    • 3 stereo matrices
    • 8 stereo FX engines with dedicated effects returns
    • 7″ capacitive touchscreen for navigation
    • SLink port for remote audio and I/O expansion
    • 64-channel I/O port for network audio
    • Built-in 32 x 32 USB audio interface for multitrack recording
    • SQ-Drive allows for direct recording to a USB drive
    • Dedicated physical controls, plus 8 assignable SoftKeys
    • Automatic Mic Mixing makes it easy to manage large multi-mic setups
    • AES digital output
    • Rackmountable

    Tech Specs

    • Type:Digital
    • Channels:48
    • Inputs – Mic Preamps:16 x XLR (mic/line)
    • Phantom Power:16 channels, Talkback
    • Inputs – Other:2 x 1/4″ (ST1), 2 x 1/4″ (ST2), 1 x 1/8″ (ST3)
    • Outputs – Main:2 x 1/4″ (A out, B out), 2 x XLR (L,R)
    • Outputs – Other:12 x XLR (stereo mixes, L/R)
    • Outputs – Digital:1 x XLR (AES)
    • Busses/Groups:36 bus
    • Inserts:Internal Pre EQ/Compressor
    • Talkback:1 x XLR
    • MIDI I/O:USB (control)
    • Data I/O:1 x EtherCon (dSnake, DX mode, gigaACE), 1 x Ethernet RJ-45 (LAN TCP/IP)
    • Remote:1 x 1/4″ (footswitch)
    • USB:1 x Type B, 1 x Type A
    • Computer Connectivity:USB (32 x 32), Ethernet
    • I/O Expansion Slots:1 x Option card port (Dante, Waves)
    • Headphones:1 x 1/4″
    • Faders:17 x 100mm motorized
    • A/D Resolution:24-bit/96kHz
    • EQ Bands:Parametric EQ, 28-band Graphic
    • Effects:Delay, Reverb, Chorus, Flanger, Phaser (8 x RackFX engine)
    • Signal Processing:Dynamics
    • DAW Control:MIDI DAW control via USB
    • Screen:7″ color touch screen
    • Storage:USB Type A (16 x 16)
    • Software:Wireless Remote Mixing app iPad/Android (network router not included)
    • Rackmountable:Yes (kit sold separately)
    • Power Source:AC Adapter
    • Height:7.8″
    • Depth:20.3″
    • Width:17.3″
    • Weight:23.1 lbs.
    • Manufacturer Part Number:AH-SQ-5
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  • Allen & Heath DX168 Audiorack
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    Allen & Heath DX168 Audiorack

    Digital Mixing Consoles
    ₹132,999.00

    Portable I/O for Your dLive or SQ System

    Need more I/O for your Allen & Heath dLive or SQ system? Grab a DX168, and you can expand your rig by 16 inputs and 8 outputs. Need more? No problem — you can connect up to six units for a total of 96 inputs and 48 outputs. Each DX168 comes loaded with 16 great-sounding mic preamps that can be placed conveniently on the stage floor. The DX168 is a breeze to set up, thanks to its Plug and Play design, and is compatible with Cat 5e cables of up to 100m. This portable DX Expander weighs a measly 10-1/2 pounds and features a carry handle for easy transport. The DX168 works with both S Class and C Class dLive, along with SQ systems.

    Offers impressive levels of expandability

    The DX168, when used in conjunction with a Surface and MixRack, combines to form a powerful and expandable system. The Surface provides you with direct hands-on control over your mix. The MixRack is the brain of the system, containing the XCVI core, and is supported by a whole host of surfaces, apps, software, TCP/IP control, and IP remotes, all of which provide different means of controlling the mixer. A 128-channel I/O port supports Dante, Waves SG, ACE, and MADI, along with full compatibility with ME personal mixing systems. Here, we’ve found these systems to be flexible enough to tackle any mixing challenge that we throw at them.

    Allen & Heath DX168 Features:

    • 16-in/8-out portable DX Expander for dLive or SQ systems
    • Connect up to 6 units for a total of 96 inputs and 48 outputs
    • Includes 16 great-sounding mic preamps
    • Plug and Play design for easy setup (no IP addressing required)
    • Compatible with Cat 5e cables of up to 100m
    • Lightweight design and integrated carry handle for easy transport
    • Durable construction with rubber bumpers for extra protection
    • Works with both S Class/C Class dLive and SQ systems
    • Redundant DX connection to dLive S Class hardware
    • Optional 19-inch rack mount kit is available (sold separately)

    Tech Specs

    • Type:DX I/O Expander
    • Compatibility:dLive S/C Class Systems, dLive SQ Series
    • Channels:16 x 8
    • Inputs – Mic Preamps:16 x XLR
    • Phantom Power:16 channels
    • Outputs – Main:8 x XLR (line outs)
    • Data I/O:2 x EtherCon (Cat5e DX ports)
    • Rackmountable:Yes (kit sold separately)
    • Power Source:Standard IEC AC cable
    • Height:7.44″
    • Depth:7.16″
    • Width:16.39″ (with handle)
    • Weight:10.1 lbs.
    • Manufacturer Part Number:AH-DX168
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  • Yamaha TF5 Digital Mixing Console
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    Yamaha TF5 Digital Mixing Console

    Digital Mixing Consoles

    Refinement, Effortless Operation, and Remarkable Sound!

    The Yamaha TF5 32-input digital console’s fluid TouchFlow Operation will completely unleash your creativity, allowing you to respond to the music onstage with effortless speed and freedom. In other words, the TF5 ensures that nothing restricts your inspiration. Whether you’re an experienced engineer or a complete novice, the TF5’s level of refinement is nothing short of astonishing, making it remarkably easy to achieve a great mix. And after listening to the TF5’s great-sounding D-Pre mic preamps, we think you’ll agree that this comfortable, smooth-operating compact digital mixer doesn’t skimp on sound quality, either. Here, we believe that the Yamaha TF5 is a truly evolved 32-input digital console, thanks to its straightforward touchscreen design and practical presets and scenes. Check it out for yourself!

    TouchFlow Operation – smooth, natural control flowSmooth and refined, the Yamaha TF5 32-input digital console’s TouchFlow Operation provides you with straightforward control that never stands between you and your music. The user interface on the TF5’s touchscreen gives you easy, direct accessibility, with a layout that promotes natural, efficient mixing. On top of that, you get a physical Touch & Turn knob right beside the touchscreen, as well as four User Defined knobs, making extra-precise adjustments a breeze.

    1-knob compression and EQ let you dial in the ideal soundGain, compressor, and EQ setup is child’s play with the Yamaha TF5 32-input digital console. Whether you’re an experienced front of house engineer or volunteering to run sound for a worship service, the TF5’s simplified 1-knob operation lets you adjust compressor and EQ settings with confidence. With a simple twist of a knob, you can use a compressor to bring a guitar to life, add punch to bass, tighten up a snare, and make vocals ride clearly on the mix. On top of that, the TF5’s finely tuned EQ lets you achieve outstanding results with minimum effort in the shortest possible time. You also get a Vocal Mode for clear, well-defined vocals, and an Intensity mode for simplified control over EQ curves. Finally, the TF5’s GainFinder optimizes your gain setup so you can achieve Grade-A sound quality with little effort.

    Presets and scenes – shortcuts to great soundThe Yamaha TF5 is probably one of the least intimidating 32-input digital consoles in existence, thanks to its incredibly practical presets and scenes. Working with microphone manufacturers such as Audio-Technica, Sennheiser, and Shure, as well as respected engineers, Yamaha has created a range of shortcuts to great sound that are effective in all kinds of situations. If you’re a novice engineer, the TF5’s presets will allow you to get a great mix without a bunch of tweaking. On the other hand, if you’re an experienced engineer, you’ll appreciate the significant time savings provided by having useful starting points instantly available to you. On top of that, you get two banks of scene memory (for a total of 200 scenes), that let you set up and instantly recall all of your settings for nearly any scenario you can dream up. You even get some pre-programmed scenes to get you started!

    D-Pre mic preamps and onboard effects deliver phenomenal soundThe mic preamps play a significant role in defining the sound of your mix; that’s why the Yamaha TF5 32-input digital console is loaded with 32 of their acclaimed D-Pre mic pres. Utilizing a circuit based on a discrete inverted Darlington configuration, D-Pre preamps provide you with a clean, precise sound that captures every nuance and subtlety of your source. The pure sound of these pres ensures that you won’t need to spend hours EQing just to get a barely acceptable sound, like you would with low-quality mic preamps. You also get eight powerful processors, providing you with wide-ranging sonic control. In addition to the EQ and dynamics processors on each channel, you get 17 programs based on Yamaha’s world-famous SPX processors, ranging from reverb and delay, through modulation effects, to 3-band multiband compression.

    Yamaha TF5 32-input Digital Console Features:

    • TouchFlow Operation maximizes workflow efficiency
    • 1-knob compression and EQ let you dial in the ideal sound
    • GainFinder supports precision gain setup
    • Dan Dugan automatic mixing system easily optimizes microphone gain and fights feedback
    • QuickPro presets provide instant access to pro-sound setups
    • 2 scene memory banks let you set up and instantly recall your settings
    • 32 D-Pre mic preamps deliver phenomenal sound
    • Onboard effects based on SPX processor
    • TF StageMix iPad application provides wireless control
    • TF MonitorMix iOS application allows for wireless personal monitoring
    • 34 x 34 digital record/playback channels via USB 2.0 + 2 x 2 via a USB storage device
    • 1 expansion slot for NY64-D audio interface card
    • Expandable to 48 mixing channels

    Tech Specs

    • Type:Digital
    • Channels:32 – expandable to 48 mixing channels (40 mono + 2 stereo + 2 returns)
    • Inputs – Mic Preamps:32 x XLR-1/4″ combo
    • Phantom Power:32 x Channels
    • Inputs – Other:2 x Stereo (RCA), 1 x 1/4″ (Footswitch)
    • Outputs – Main:16 x XLR
    • Aux Sends:8 x mono, 6 x stereo
    • Data I/O:Ethernet (remote control of Tio1608-D for additional 16 channels)
    • USB:2 x Type A, 1 x Type B
    • Computer Connectivity:USB (34 x 34)
    • I/O Expansion Slots:NY64-D audio interface card
    • Headphones:1 x 1/4″
    • Faders:33 x 100mm Throw
    • EQ Bands:4-band
    • Effects:8 Effects + 10 GEQ
    • Rackmountable:No
    • Height:8.9″
    • Depth:23.6″
    • Width:34.1″
    • Weight:44.1 lbs.
    • Manufacturer Part Number:TF5
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