Showing 757–768 of 873 results
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Allen & Heath QU32 Chrome Digital Mixing Console
₹299,999.00Add to cartQu-32:Powerhouse Digital Mixer That Fits Your Workflow
Whether you’re recording in the studio or mixing front of house, your mixer is the core of your operation. If it fights you, your work suffers. Many digital consoles are inscrutable on the surface, forcing you to descend into menu purgatory just to perform a simple function. The Allen & Heath Qu-32 Chrome Edition is designed with a clean, logical layout, so you can get to what you need, fast. The Qu-32 features audiophile sound quality, touchscreen control, 32 AnalogiQ preamps integrated with DSP, instant recall, 33 motorized faders, high-efficiency ARM core processing, studio-grade effects, an integrated multitrack USB recorder, and truckloads more, the Allen & Heath Qu-32 Chrome Edition will drastically improve both your workflow and your end product.
Qu-32 Chrome Edition adds more monitor mixes, spectrogram, and Automatic Mic Mixer
The Qu-32 Chrome Edition expands on the already impressive Qu-32 mixer, while also adding high-contrast metallic-finished controls. A spectrogram display has been added to help you find feedback and problem frequencies fast. More monitor mixes are now available. And the Qu-32 Chrome Edition’s Automatic Mic Mixer mode automatically balances up to 16 microphone inputs, perfect for conferences, panel talks, and TV shows. The Qu-32 is ideal for novices and volunteers that may not be comfortable mixing a large number of mics, and it’s also great for pros who have more important things to do than ride faders.
Intuitive — and very comfortable to work on
Having a mixer with massive processing power and sophisticated functionality is nice, but if you can’t get to the controls you need instantly, it’s all for naught. With the Qu-32 Chrome Edition, the digital console has evolved to the point where you forget that it’s digital and just get on with your session, fluidly and efficiently. Without menu diving. Allen & Heath put years of research into ergonomics and the hands-on mixing experience, resulting in digital consoles that deliver a natural, logical layout and workflow. Your most-used processing tools are presented clearly on the SuperStrip, with one function per physical control. Whether you’re a digital novice or coming from years of analog mixing, you’ll find the Qu-32 Chrome Edition intuitive — and very comfortable to work on.
Touchscreen control speeds up your workflow
The Allen & Heath Qu-32 Chrome Edition rocks a 16-million-color, 800 x 480 touchscreen with an integrated data encoder – the core of a user interface that gives you quick and easy access to all your settings. Designed for clarity, the user-friendly interface of the Qu-32 has dedicated keys and screen tabs that let you quickly get to your meter and RTA views, effects racks, channel processing, USB audio control, setup menus, scenes, and much more.
AnalogiQ preamps and 24-bit conversion for warm, musical sound
Allen & Heath fortified the Qu-32 Chrome Edition with 32 of their superb AnalogiQ total-recall preamps. Featuring phantom power, zero crossing detection, and a unique pad-less, 1dB-step gain stage, the preamps are married to the DSP for optimum transparency and gain accuracy. The analog signal is captured by high-quality, low-latency 24-bit A/D converters matched to high-grade 24-bit D/A converters. A&H has spent considerable time refining the AnalogiQ design so it gives you stellar transparency, with minimum distortion and a vanishingly low noise floor. But how do these preamps sound? Take it from us, the Qu-32 Chrome Edition is delightfully analog-sounding — warm and musical.
Total-recall moving-fader automation supercharges your mixing
We first saw moving faders on some of the high-end, large-format consoles of the late 1970s. With the advent of digital technology, flying faders later became fairly standard, albeit not on entry-level digital mixers. Fader automation is a must-have for efficient mixing, particularly when you’re dealing with multiple monitor mixes. Simply push a mix key, and the faders immediately fly to the send levels for that mix. The Qu-32 Chrome Edition sports 33 motorized ALPS faders. The 32 channel faders are arranged over two layers, giving you instant access to all your channels and masters in a compact space. There’s also a dedicated master fader on the Qu-32 that dynamically follows your mix selection. A third (custom) layer is available for the configurable user strip layout, where you can assign any combination of Inputs, FX Sends, FX Returns, and Mix masters.
Powerful functionality added in v1.9 software
The Qu series ecosystem is constantly being refined, and v1.9 of the Qu software adds even more functionality. More mic presets for Shure, Sennheiser and Audio-Technica mics are now available, making it easier than ever to dial in great sound fast with any mic in any application. You’ll find a ton of advanced iPad control options too, like the ability to patch channels between dSnake, USB, Qu Drive and ME personal monitoring systems. You can set up various User profiles with different levels of permissions, manage your Scene memory, Copy/Paste channel settings, and manage USB devices. And v1.9 adds Windows DAW control support, for all popular Windows platforms.
Allen & Heath Qu-32 Chrome Edition Digital Console Features:
- 32 AnalogiQ total-recall preamps integrated with DSP for optimum transparency and gain accuracy
- Ergonomic layout and workflow is comfortable, fluid, and intuitive
- Color touchscreen and dedicated data encoder give you quick and easy access to all settings
- Key processing tools are presented clearly on the SuperStrip, with 1 function per physical control
- 33 automated, motorized ALPS faders (32 arranged over two layers) speed up and enhance your mixing
- 4 groups give you subgrouping flexibility to LR for level masters and/or processing
- Instant recall lets you save and recall scenes (snapshots) at the press of a button
- Onboard studio-grade dynamics and FX algorithms derived A&H’s iLive pro touring series
- Built-in interface streams multitrack audio to/from your computer
- Plug-and-play with any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools
- Qu-Drive delivers 18 channels of 24-bit/48kHz recording/playback to/from your USB hard drive
- 5 dedicated cores of high efficiency ARM processing provide state-of-the-art processing
- Optional Qu-Pad app frees you to tweak monitors and PA from your iPad, onstage or around the venue
- Fully compatible with A&H’s ME Personal Mixing System
- dSNAKE port lets you connect to a remote AR2412 or AR84 Stagebox via Cat 5e digital snake
- Matrix adds 2 further stereo outputs equipped with full processing to the console’s extensive I/O
- 18-gauge, cold-rolled Zintec steel frame delivers strength, rigidity, and distinctive looks
Tech Specs
- Type:Digital
- Channels:32 Mono, 3 Stereo
- Inputs – Mic Preamps:32 x XLR
- Phantom Power:32
- Inputs – Line:32 x 1/4″
- Inputs – Other:4 x 1/4″ (2 stereo in), 1 x 1/8″ TRS (stereo in)
- Outputs – Main:2 x XLR (left, right), 2 x 1/4″ (2 track out), 2 x 1/4″ (alt out)
- Outputs – Other:4 x XLR (mono mix outs), 3 x XLR pairs (stereo mix outs), 4 x XLR pairs (stereo group outs), 2 x XLR pairs (stereo matrix outs)
- Outputs – Digital:1 x Ethernet dSnake, 1 x XLR AES, 1 x USB Type A
- Busses/Groups:16-bus
- Talkback:1 x XLR
- Data I/O:1 x Ethernet TCP/IP
- USB:1 x Type B, 1 x Type A
- Computer Connectivity:USB (32 x 30), Ethernet
- Headphones:1 x 1/4″ TRS
- Faders:32 x 100mm channels, 1 x 100mm master
- EQ Bands:Parametric EQ, 28-band graphic EQ
- Effects:Reverb, delay, chorus, phaser, flanger (4 x stereo FX returns)
- DAW Control:MIDI DAW control driver for Mac (HUI, Mackie Control)
- Height:7.32″ (desktop position)
- Depth:19.52″ (desktop position)
- Width:33.42″
- Weight:53 lbs.
- Manufacturer Part Number:AH-QU-32C
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Allen & Heath QU24 Chrome Digital Mixing Console
₹249,999.00Add to cartFast Workflow and Stellar Sound
Whether you’re recording in the studio or mixing front of house, your mixer is the core of your operation. If it fights you, your work suffers. Many digital consoles are inscrutable on the surface, forcing you to descend into menu purgatory just to perform a simple function. The Allen & Heath Qu-24 Chrome Edition is designed with a clean, logical layout, so you can get to what you need, fast. Featuring audiophile sound quality, touchscreen control, 24 AnalogiQ preamps integrated with DSP, total recall, 25 flying faders, high-efficiency ARM core processing, studio-grade effects, an integrated multitrack USB recorder, and truckloads more, the Allen & Heath Qu-24 Chrome Edition will drastically improve both your workflow and your end product.
Chrome Edition adds more monitor mixes, spectrogram, and Automatic Mic Mixer
The Qu-24 Chrome Edition expands on the already impressive Qu-24 mixer, while also adding high-contrast metallic-finished controls. A spectrogram display has been added to help you find feedback and problem frequencies fast. More monitor mixes are now available. And the Qu-24 Chrome Edition’s Automatic Mic Mixer mode automatically balances up to 16 microphone inputs, perfect for conferences, panel talks, and TV shows. It’s ideal for novices and volunteers that may not be comfortable mixing a large number of mics, and it’s also great for pros who have more important things to do than ride faders.
Intuitive — and very comfortable to work on
Having a mixer with massive processing power and sophisticated functionality is nice, but if you can’t get to the controls you need instantly, it’s all for naught. With the Qu-24 Chrome Edition, the digital console has evolved to the point where you forget that it’s digital and just get on with your session, fluidly and efficiently. Without menu diving. Allen & Heath put years of research into ergonomics and the hands-on mixing experience, resulting in digital consoles that deliver a natural, logical layout and workflow. Your most-used processing tools are presented clearly on the SuperStrip, with one function per physical control. Whether you’re a digital novice or coming from years of analog mixing, you’ll find the Qu-24 Chrome Edition intuitive — and very comfortable to work on.
Touchscreen control speeds up your workflow
The Allen & Heath Qu-24 Chrome Edition rocks a 16-million-color, 800 x 480 touchscreen with an integrated data encoder – the core of a user interface that gives you quick and easy access to all your settings. Designed for clarity, the user-friendly interface has dedicated keys and screen tabs that let you quickly get to your meter and RTA views, effects racks, channel processing, USB audio control, setup menus, scenes, and much more.
AnalogiQ preamps and 24-bit conversion for warm, musical sound
Allen & Heath fortified the Qu-24 Chrome Edition with 24 of their superb AnalogiQ total-recall preamps. Featuring phantom power, zero crossing detection, and a unique pad-less, 1dB-step gain stage, the preamps are married to the DSP for optimum transparency and gain accuracy. The analog signal is captured by high-quality, low-latency 24-bit A/D converters matched to high-grade 24-bit D/A converters. A&H has spent considerable time refining the AnalogiQ design so it gives you stellar transparency, with minimum distortion and a vanishingly low noise floor. But how do these preamps sound? Take it from Electronic Emporium, the Qu-24 Chrome Edition is delightfully analog-sounding — warm and musical.
Total-recall moving-fader automation supercharges your mixing
We first saw moving faders on some of the high-end, large-format consoles of the late 1970s. With the advent of digital technology, flying faders later became fairly standard, albeit not on entry-level digital mixers. Fader automation is a must-have for efficient mixing, particularly when you’re dealing with multiple monitor mixes. Simply push a mix key, and the faders immediately fly to the send levels for that mix. The Qu-24 Chrome Edition sports 25 motorized ALPS faders. The 24 channel faders are arranged over two layers, giving you instant access to all your channels and masters in a compact space. There’s also a dedicated master fader that dynamically follows your mix selection. A third (custom) layer is available for the configurable user strip layout, where you can assign any combination of Inputs, FX Sends, FX Returns, and Mix masters.
Powerful functionality added in v1.9 software
The Qu series ecosystem is constantly being refined, and v1.9 of the Qu software adds even more functionality. More mic presets for Shure, Sennheiser and Audio-Technica mics are now available, making it easier than ever to dial in great sound fast with any mic in any application. You’ll find a ton of advanced iPad control options too, like the ability to patch channels between dSnake, USB, Qu Drive and ME personal monitoring systems. You can set up various User profiles with different levels of permissions, manage your Scene memory, Copy/Paste channel settings, and manage USB devices. And v1.9 adds Windows DAW control support, for all popular Windows platforms.
Allen & Heath Qu-24 Chrome Edition Digital Console Features:
- 24 AnalogiQ total-recall preamps integrated with DSP for optimum transparency and gain accuracy
- Ergonomic layout and workflow is comfortable, fluid, and intuitive
- Color touchscreen and dedicated data encoder give you quick and easy access to all settings
- Key processing tools are presented clearly on the SuperStrip, with 1 function per physical control
- 25 automated, motorized ALPS faders (24 arranged over 2 layers) speed up and enhance your mixing
- 4 groups give you subgrouping flexibility to LR for level masters and/or processing
- Total recall lets you save and recall scenes (snapshots) at the press of a button
- Onboard studio-grade dynamics and FX algorithms derived A&H’s iLive pro touring series
- Built-in interface streams multitrack audio to/from your Mac (OSX class-compliant)
- Plug-and-play with any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools
- Qu-Drive delivers 18 channels of 24-bit/48kHz recording/playback to/from your USB hard drive
- 5 dedicated cores of high efficiency ARM processing provide state-of-the-art processing
- Optional Qu-Pad app frees you to tweak monitors and PA from your iPad, onstage or around the venue
- Fully compatible with A&H’s ME Personal Mixing System
- dSNAKE port lets you connect to a remote AR2412 or AR84 Stagebox via Cat 5e digital snake
- Matrix adds 2 further stereo outputs equipped with full processing to the console’s extensive I/O
- 18-gauge, cold-rolled Zintec steel frame delivers strength, rigidity, and distinctive looks
Tech Specs
- Type:Digital
- Channels:24
- Inputs – Mic Preamps:24 x XLR
- Phantom Power:24
- Inputs – Line:24 x 1/4″
- Inputs – Other:4 x 1/4″ (2 stereo in), 1 x 1/8″ TRS (stereo in)
- Outputs – Main:2 x XLR (left, right), 2 x 1/4″ (2 track out), 2 x 1/4″ (alt out)
- Outputs – Other:4 x XLR (mono mix outs), 3 x XLR (stereo mix outs), 2 x XLR (stereo group outs), 2 x XLR (stereo matrix outs)
- Outputs – Digital:1 x Ethernet dSnake, 1 x XLR AES, 1 x USB Type A
- Busses/Groups:16-bus
- Talkback:1 x XLR
- Data I/O:USB, Ethernet TCP/IP
- USB:1 x Type B, 1 x Type A
- Computer Connectivity:USB (32 x 30), LAN port (connect iOS devices with addition of wireless router)
- Headphones:1 x 1/4″ TRS
- Faders:24 x 100mm channels, 1 x 100mm master
- EQ Bands:Parametric EQ, 28-band graphic EQ
- Effects:Reverb, delay, chorus, phaser, flanger (4 x stereo FX returns)
- DAW Control:MIDI DAW control driver for Mac (HUI, Mackie Control)
- Height:7.32″ (desktop position), 7.48″ (rackmounted)
- Depth:19.52″ (desktop position)
- Width:24.88″
- Weight:40 lbs.
- Manufacturer Part Number:AH-QU-24C
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Allen & Heath AR2412 Audiorack
₹122,999.00Add to cartRemote I/O to Go
The Allen & Heath GLD-AR2412 is the Main AudioRack for the company’s GLD digital mixing system. The GLD-AR2412 includes 24 XLR inputs and 12 XLR outputs and connects to the GLD-80 digital mixer via inexpensive and readily available Cat 5 cable running Allen & Heath’s dSNAKE protocol, allowing the GLD-AR2412 to be positioned up to 400′ from the GLD-80. dSNAKE provides control to the remote mic preamps in the GLD-AR2412; all are scene recallable. For larger configurations, a GLD-AR84 Expander AudioRack may be connected to the GLD-AR2412 to add an additional eight XLR inputs and 4 XLR outputs.
Allen & Heath GLD-AR2412 AudioRack Features at a Glance:
- This is required for full functionality of your GLD-80 digital mixer!
- May be placed onstage and run to FOH with up to 400′ of Cat 5 cable
- Provides flexibility in the configuration of your live sound system
- 24 XLR mic/line inputs (with phantom power); 12 XLR line outputs
Complete your GLD digital mixing system with the Allen & Heath GLD-AR2412!
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Allen & Heath AB168 Audiorack
₹107,999.00Add to cartQuality Sound and Convenience from Allen and Heath
The AB168 audiorack from Allen & Heath is the portable stagebox solution for your GLD and Qu systems. You’ll have plenty of ins and outs with 16 incomparable Allen & Heath preamps for your inputs, and 8 outputs you can assign as monitor sends, main outputs – anything you need. Sweetwater knows convenience is second only to sound where portable PA is concerned, and with the AB168’s dSNAKE Cat 5 connectivity, protective rubber bumpers, and carry handle, Allen & Heath has you covered!
Allen and Heath AB168 Audiorack Features:
- 16 high-quality mic preamps give you plenty of great sounding inputs
- Phantom power indicator on each channel lets you keep an eye on your input status
- 8 XLR sends give you plenty of outputs to get your sound where you need it
- dSNAKE protocol gets your audio where you need with convenient Cat 5 connectivity
- Expander port lets you expand your system or connect your ME personal mixing system
- Rubber bumpers protect from disastrous dings and drops
- Convenient carry handle makes loadins quick and easy on your back
- Rackmountable with optional kit
The AB168 gives you quality sound and convenience for your Allen and Heath sound sytems!
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Allen & Heath ZED10 Analog Mixing Console
₹23,999.00Add to cartA Compact Record-ready Mixer!
The Allen & Heath ZED-10 is the perfect center to your portable live rig – and it’s also ready to rock in the studio. First of all, the ZED-10 gives you all the connections you need to hook up a small band, a duo, or a solo performer. Thanks to the four mic/line channels (these preamps are awesome, by the way) you can connect all the mics and DI boxes you need. Plus you’ve got three dual-stereo channels available, each with a gain control and a 2-band EQ. You can send a stereo signal via USB right to your computer, or use the USB port for stereo playback. Plus, you get three send/return busses for recording, playback, and external FX. That’s a lot of power! You can’t go wrong with the Allen & Heath ZED-10!
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Midas M32 Live Digital Mixing Console
₹349,990.00Add to cartMidas M32: Groundbreaking Console for the Digital Mixing Age
If you’ve run upscale live sound anytime in the past 40 years, then you know Midas’s reputation for creating top-quality full-sized consoles. The Midas M32 digital mixing desk brings cutting-edge Midas innovation to the world of medium-format consoles. Loaded with 32 premium Midas preamps, 25 time-aligned and phase-coherent DSP mix buses, brilliant DSP processing and routing, and massive expansion options, the M32 is an ideal foundation for moderate venues and professional touring rigs. Add to that a sense of ergonomics that makes it one of the easiest digital boards to get around, and there’s no wonder the Midas M32 is one of the most popular mixers of its class we’ve ever seen.
World-class Midas preamps and processing
Live sound pros have long considered Midas preamps the gold standard in sound reinforcement. There’s a good reason international legends such as Pink Floyd, the Beach Boys, and Billy Joel were among the early adopters of Midas boards. In over 40 years, that reputation hasn’t faded. When you hear the sound of the Midas M32’s preamps at work, you’ll know any mix you create will start off with premium sound. Their high common-mode rejection ratio and low harmonic distortion produce impressive transparency. But Midas’s analog technology isn’t the only thing special about the M32’s sound. All the on-board I/O features the same Cirrus Logic converters found in many respected studio interfaces. What’s more, the DSP at the heart of this board uses a 40-bit floating-point structure for a full 112dB dynamic range.
- 32 legendary Midas preamps deliver premium sound
- Analog I/O features Cirrus Logic converters
- 40-bit floating-point DSP supports maximum dynamics
Ultramodern ergonomics by Bentley designer
Anyone who’s worked at a digital console knows that ergonomics play a major role in getting around the board efficiently and creating the best possible mix in the least possible amount of time. In an effort to strike a balance between form and function, Midas enlisted the talent of Rajesh Kutty, an industrial designer known for his outstanding work with Bentley Motors. The result is a sleek and stylish console that’s easy to get around. All the most important controls are front and center and in reach, while access to fader layers and deeper functions are accessible and effortless to use. The design philosophy even extends to the materials in the Midas M32’s structure, where a combination of aluminum, steel, and carbon fiber provide superior stability while minimizing weight.
- Ergonomics engineered by Rajesh Kutty (Bentley)
- Logical layout makes regular operation comfortable
- Material selection balances stability and weight
Midas M32 is the most intuitive digital mixer you’ll meet
Even if you’re already familiar with digital console workflow, stepping up to a new digital desk can be an intimidating experience. Live sound engineers love how easy they could transition to the Midas M32, thanks to its simple layout and workflow. There are tactile controls for every critical function, and a daylight-viewable 7″ TFT display with soft controls covers the rest. Motorized faders, LCDs, and more let you effortlessly switch modes and stay on top of every part of your mix. Ultimately, these elements add up to a digital mixer you’ll have down in no time.
- Intuitive layout and workflow minimizes the learning curve
- Tactile controls provide access to all critical functions
- Motorized faders, LCDs, and TFTs make navigation easy
Impressive routing, grouping, and I/O expansion options
Taking full advantage of the possibilities digital mixers can provide, Midas makes advanced routing and assignments on the Midas M32 a piece of cake. For instance, setting up a send mix is as easy as hitting the clearly labeled Fader Flip button, which puts your sends on the motorized faders. Likewise, you can assign channels to eight DCA groups for easy volume management and six mute groups, which make scene programming super easy. And thanks to the flexibility of the Assign section, you can set up 36 fully customizable controls on three easy-access layers, all labeled with digital scribble strips. And with AES50 networking and Ultranet onboard, you can integrate P16 personal monitors and expand your I/O to up to 96 channels.
- Sends on Faders function makes send mixing fast
- 8 DCA groups, 6 Mute, and 32 custom controls onboard
- Supports AES50 and Ultranet for I/O expansion and control
Includes 25 premium Midas Pro motorized faders
Midas went back to the drawing board to develop the best motorized faders possible. These faders feature ultra-straight, high-grade steel guide rods with smooth, polished surfaces. Although they fluidly glide between fader layers, they feel substantial, providing an ideal balance of tactile response and smooth motorized operation. With their 1-million-cycle rating (three times that of other leading manufacturers), you can bet these faders will never wear out on you.
- 25 motorized faders feel great and flow smoothly
- Built from rare, high-grade precision materials
- Robust design rated for 1 million cycles
Over 50 studio-quality virtual processors onboard
Midas developed 16 new effects processors for the M32 digital mixer, based on their True Physical Modeling technology. These provide spot-on emulations of classic audio processors like the Urei 1176, Teletronix LA-2A, and Fairchild 670 compressors, Pultec’s EQP-1a and EQ5 equalizers, and more. In all you’ve got more than 50 processors to work with, replacing racks full of expensive and sensitive outboard equipment. And with a total of eight stereo signal processing engines onboard, you can comfortably lay on the effects.
- Equipped with over 50 classic virtual processors
- True Physical Modeling delivers amazing detail
- Eliminates the need for outboard processing gear
Easily automate the most complex shows with the Midas M32
It’s easy to recall specific parameter settings or even entire console layouts with the Midas M32, thanks to the innovative Cue List feature. This lets you create up to 500 Cue entries, which you can use to instantly recall any of 100 Scenes or 100 Snippets. Scenes are complete board layouts, while Snippets are parameter “snapshots” that can be recalled without affecting the rest of the scene. Whether you need to load an entirely new board layout or just recall specific EQ settings for a specific song, the Midas M32’s Cue List makes it fast and easy.
- Save and recall settings and console entire layouts
- Create up to 500 cues in 100 Scenes or Snippets
- Step through scenes to easily manage complex shows
Bonus features for live and studio applications
While Midas clearly designed the M32 for professional sound reinforcement, it’s equally at home in full-scale recording studios. The previously mentioned mic pres, converters, motorized faders, routing, and onboard processing are all extremely useful for recording and mixing, but the Midas M32’s capabilities extend even further. For simple recording, there’s a USB slot where you can plug in a flash drive, but there’s also a 32-in/32-out USB 2.0 audio interface built in, so you can connect directly to your DAW. That makes the Midas M32 perfect for full-scale studio and recording live. If you are in the studio, then you’ll love how well the high-resolution faders work for automation via HUI or Mackie Control. Speaking of control, Wi-Fi connectivity and dedicated Midas iOS apps make everything from remote sound checks to monitor control even more convenient.
- 32-channel USB 2.0 audio interface onboard
- Supports Mackie Control and HUI protocols
- Midas iOS apps provide wireless remote control
32-channels of Live Recording and Playback
You also get 32 channels of recording and playback, with over three hours of 32-channel, 32-bit/48kHz recording on dual SD cards. Beyond that, a sample-accurate spanning feature can extend a session across both SD cards for more than 12 hours of 8-track recording. You can also record direct to your computer via USB. Capture multichannel audio, perform virtual soundchecks, add backing tracks, set and manipulate markers, and more. You also get remote operation via your computer, smart device, or control surface.
Midas M32 Digital Mixing Console Features:
- World-class medium-format digital console for live sound and studio recording
- I/O includes 40 input channels with 32 transparent, low-noise Midas preamps
- Cirrus Logic converters and 40-bit floating point offer 112dB of dynamic range
- Industry-leading ergonomic design by Rajesh Kutty of Bentley Motors
- Channel controls and all major functions are always within easy reach
- Master control section features a 7″ TFT display that’s easily viewable even in daylight
- LCD and TFT displays across the board ensure that you’ll never get lost
- Outfitted with 25 premium 100mm Midas Pro motorized faders rated to 1 million cycles
- Easily assign channels to 8 DCA groups and 6 mute groups
- Assign audio across 25 independent, time-aligned, and phase-coherent mix buses
- 100 Scenes/Snippets with 500 Cues provide powerful show automation possibilities
- AES50 and Ultranet let you expand your system with up to 96 channels with P16 monitoring
- Insert over 50 signal processors and effects across 8 stereo DSP engines
- Simple USB port lets you record to a standard flash media drive
- 32-in/32-out, 48kHz USB 2.0 audio interface accommodates both studio and live recording
- Control your DAW via either Mackie Control or HUI protocols with full automation
- Optional Midas iOS apps provide Wi-Fi control via your iPhone or iPad
- A perfect digital mixing console for touring sound reinforcement applications
- Made of sturdy and lightweight carbon fiber, aluminum, and high-impact steel
- Auto-ranging universal switch-mode power supply allows you to travel freely
- 32-channel live recording and playback on dual SD/SDHC cards
- Independent operation of SD cards and USB recording/playback
Tech Specs
- Type:Digital Mixer
- Channels:40
- Inputs – Mic Preamps:32 x XLR
- Phantom Power:48V, Switchable per Input
- Inputs – Line:1 x Dual RCA Stereo (aux)
- Inputs – Other:6 x 1/4″ TRS (aux)
- Outputs – Main:16 x XLR, 2 x XLR (monitor), 2 x 1/4″ (monitor)
- Outputs – Other:6 x 1/4″ TRS (aux), 1 x Dual RCA Stereo (aux)
- Outputs – Digital:1 x XLR (AES/EBU)
- Busses/Groups:25 time-aligned/phase-coherent mix buses, 8 DCA groups
- Talkback:1 x XLR
- MIDI I/O:In/Out/USB
- Data I/O:1 x EtherCon (Ultranet), 2 x EtherCon (AES50), 1 x Ethernet
- Headphones:2 x 1/4″ TRS (stereo)
- USB:1 x Type B, 1 x Type A
- Computer Connectivity:USB, Ethernet
- Faders:16 x Input Faders, 8 x Bus Faders, 1 x Main Fader
- A/D Resolution:24-bit/48kHz
- EQ Bands:4-band EQ
- Effects:8 x Stereo FX Engines
- Signal Processing:Gate, Compressor
- Features:100-band RTA, 100 scenes, 100 Snippets, 32-bit/48kHz SD Card recording
- DAW Control:Yes
- Screen:7″ TFT Display
- Storage:2 x SD card slots
- Power Source:Standard IEC AC cable
- Height:10.1″
- Depth:24.1″
- Width:35.1″
- Weight:55 lbs.
- Manufacturer Part Number:000-C7R02-00010
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Midas DL32 Stagebox
₹179,999.00Add to cartPowerplay-ready Digital Snake with Midas Pro Preamps
The Midas DL32 stage box represents a serious upgrade of your mixing console and in-ear monitoring rig with the sound of Midas Pro preamps. This 32-in/16-out AES50-networkable device makes adding a digital snake to your rig as easy as running a single Cat 5 cable, and you can daisy chain up to two DL32s together, so you can comfortably set 64 remote-controllable Midas Pro preamps onstage with plenty of returns to spare for monitor mixing. Speaking of monitor mixing, the DL32 is Ultraconnect capable, so you can easily integrate it into your Behringer Powerplay P16 personal monitoring system.
Midas DL32 Stage Box at a Glance:- Fully loaded with world-class Midas Pro microphone preamplifiers
- Ultranet provides compatibility with Powerplay monitor systems
Fully loaded with world-class Midas PRO microphone preamplifiersFor generations of live-sound engineers and many seasoned sound reinforcement veterans, Midas preamps define the very sound of quality live sound. The Midas DL32 stage box puts 32 of these highly esteemed microphone preamplifiers in a 3U rack, so you can put them onstage, as close to the performers as possible so you can cut down on long cable runs. And thanks to its high headroom, low noise, and ADAT optical digital outputs, the DL32 also servers as an excellent studio preamp.
Ultranet provides compatibility with Powerplay monitor systemsStreamlined, affordable, and super-easy-to-use, everyone’s raving about Behringer’s Powerplay P16 personal monitoring systems. When you add a Midas DL32 stage box to your PA rig, you’re not just getting a great set of remote-controllable preamps in a digital snake that lets you ditch tons of bulky cable, you’re ready to add an advanced personal monitoring system directly inline with the rig you already have. That’s because your DL32 comes equipped with Ultranet connectivity, which provides your Powerplay P16-M monitor controllers with a digital split straight from the stage.
Midas DL32 Stage Box Features:
- Flexible professional digital stage box that works with Powerplay monitor systems and AES50-ready digital consoles
- 32 x fully programmable and remote-controllable Midas Pro mic preamps give you exceptional sound, right from the stage
- 16 x analog, servo-balanced XLR outputs let you send complete monitor mixes to the stage
- AES50 network ports provide you with ultra-low latency digital audio that’s in-ear compatible
- Up to 328′ of networking capability via a single lightweight Cat 5e cable (not included)
- Dual AES50 ports let you cascade up to 2 DL32 units together for an up to 64-in/32-out system
- Precise LED metering plus 7-segment displays let you keep a close eye on your levels
- Headphones output assignable to any of the inputs/outputs for on-stage monitoring
- Ultranet connectivity for Behringer’s Powerplay P16 personal monitoring system is perfect for in-ear applications
- Dual ADAT outputs for use in splitter mode and stand-alone digital multicore applications
- MIDI In/Out provide bidirectional communication between FOH console and on-stage MIDI devices
- Durable yet compact, all-steel 3U rack-mount chassis provides flexible mounting
Add Midas preamp quality to your rig with the DL32 stage box!
Tech Specs
- Type:Digital Stage Box
- Compatibility:AES50/Ultranet systems
- Channels:32 x 16
- Inputs – Mic Preamps:32 x XLR
- Phantom Power:Yes
- Outputs – Main:16 x XLR (line)
- Inputs – Digital:2 x EtherCon (AES50)
- Outputs – Digital:2 x EtherCon (AES50), 2 x XLR (AES/EBU), 2 x Optical Toslink (ADAT)
- Data I/O:1 x Ethernet (Ultranet monitoring)
- USB:1 x Type B
- Computer Connectivity:USB, Ethernet
- MIDI I/O:In/Out
- Rackmountable:3U
- Depth:9.5″
- Width:19″
- Weight:12.5 lbs.
- Manufacturer Part Number:000-BMD02-00010
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Midas M32R Live Digital Mixing Console
₹379,999.00Add to cartHighly Portable Recording, Playback, and Mixing
The Midas M32R LIVE digital mixing console takes the stellar sound quality and amazing processing power of the M32 and packs it into a portable, rackmountable form factor. You get 16 channel faders and one master fader, the same custom design that gives the M32 its ultra-smooth and precise feel. And with eight DCAs and six mute groups, it’s easy to manage larger shows from the compact M32R LIVE. The intuitive layout gives you instant access to your most-needed functions like channel routing, EQ, dynamics, and more. Beyond that, a pre-installed Klark Teknik DN32-LIVE expansion module gives you 32 channels of recording and playback. If you’ve had your eye on the Midas M32 but really need a more portable solution, call us about the M32R LIVE.
Midas preamps give you world-class sound
Ask any live sound engineer and they’ll tell you Midas preamps are some of the best-sounding preamps. The M32R LIVE console uses the same preamps found in their industry-standard XL4 and Heritage 3000 consoles used by top artists such as Bon Jovi, AC/DC, Metallica, Foo Fighters, Sir Paul McCartney, and countless others. The sound is rich, vibrant, and open, with ultra-low noise and exceptional common-mode rejection. They’re very resistant to overloading yet become harmonically rich when driven hard.
Elegant, intuitive design inspired by Bentley
Midas worked with Bentley Motors’ industrial designer Rajesh Kutty to create an entirely new form factor for the M32 and M32R LIVE. The result is an impressive combination of style and functionality. The M32R LIVE’s layout gives you fast access to the most-used mixing controls, with intuitive paths to deeper functions and parameters. You’ll also notice that the M32R LIVE feels incredibly lightweight, considering its robust build quality. That’s due to the combination of steel, aluminum, and carbon fiber components, which create an impressively strong frame and sub-frame while minimizing weight.
Custom-designed motorized faders for consistent performance and long lifespan
Midas went back to the drawing board to develop the best-quality faders possible. These faders boast ultra-straight, high-grade steel guide rods with smooth, polished surfaces — you’ll feel the difference as soon as you get your hands on them. Best of all, these Midas Pro Faders are rated for up to 1,000,000 cycles — that’s three times the number of other leading manufacturers.
Virtual FX rack with over 50 world-class effects processors built in
Midas developed 16 new effects processors for the M32R LIVE based on their True Physical Modeling technology. Here, we appreciate the sound-shaping power these spot-on emulations of classic audio processors provide — the Urei 1176, Teletronix LA-2A, and Fairchild 670 compressors, Pultec’s EQP-1A and EQ5 equalizers, and more. In all you’ve got more than 50 processors to work with, replacing racks full of expensive and sensitive outboard equipment.
Automate complex shows easily with the Cue List
It’s easy to recall specific parameter settings or even entire console layouts with the M32R LIVE, thanks to the new Cue List feature. This lets you save 500 Cue entries, which you can use to instantly recall any of 100 Scenes or 100 Snippets. Scenes are complete board layouts, while Snippets are parameter snapshots that can be recalled without affecting the rest of the scene. Whether you need to load an entirely new board layout or just recall specific EQ settings for a specific song, the M32R LIVE’s Cue List makes it fast and easy.
32 channels of live recording and playback
The Midas M32R LIVE offers 32 channels of recording and playback, thanks to a pre-installed Klark Teknik DN32-LIVE. This expansion module gives you over three hours of 32-channel, 32-bit/48kHz recording on dual SD cards. Beyond that, a sample-accurate spanning feature can extend a session across both SD cards for more than 12 hours of 8-track recording. You can also record direct to your computer via USB. Capture multichannel audio, perform virtual soundchecks, add backing tracks, set and manipulate markers, and more. You also get remote operation via your computer, smart device, or control surface. The DN32-LIVE — you’ll wonder how you got along without it.
Midas M32R LIVE Digital Mixing Console Features:
- Rich, vibrant sound from 16 Midas preamps
- Incredibly strong yet lightweight, thanks to carbon fiber, aluminum, and steel construction
- Outstanding signal path with 48kHz digital conversion
- Impeccable sound quality throughout your signal path, with time-aligned and phase-coherent mix buses
- Best-in-class motorized faders rated at over 1 million life cycles
- 32 channels of live recording and playback via a pre-installed Klark Teknik DN32-LIVE expansion module
Tech Specs
- Type:Digital Mixer
- Channels:40
- Inputs – Mic Preamps:16 x XLR
- Phantom Power:48V, Switchable per Input
- Inputs – Line:1 x Dual RCA Stereo (aux)
- Inputs – Other:6 x 1/4″ TRS (aux)
- Outputs – Main:8 x XLR (main), 2 x 1/4″ TRS (monitor)
- Outputs – Other:6 x 1/4″ TRS (aux), 1 x Dual RCA Stereo (aux)
- Busses/Groups:25 time-aligned/phase-coherent mix buses, 8 DCA groups
- Talkback:1 x XLR
- MIDI I/O:In/Out/USB
- Data I/O:1 x EtherCon (Ultranet), 2 x EtherCon (AES50), 1 x Ethernet
- Headphones:2 x 1/4″ TRS (stereo)
- USB:1 x Type B, 1 x Type A
- Computer Connectivity:USB, Ethernet
- Faders:16 x Input Faders, 1 x Main Fader
- A/D Resolution:24-bit/48kHz
- EQ Bands:4-band EQ
- Effects:8 x Stereo FX Engines
- Signal Processing:Gate, Compressor
- Features:100-band RTA, 100 scenes, 100 Snippets, 32-bit/48kHz SD Card recording
- DAW Control:Yes
- Screen:5″ TFT Display
- Storage:2 x SD card slots
- Power Source:Standard IEC AC cable
- Height:8.2″
- Depth:24.3″
- Width:18.8″
- Weight:31.5 lbs.
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Behringer WING Digital Mixing Console
₹524,999.00Add to cartPowerful. Expandable. Built Around You.
The Behringer WING is a 48-stereo-channel digital mixer that’s both ultra-powerful and incredibly easy to use. Benefit from first-class hands-on control, thanks to 24 smooth-feeling motorized 100mm faders, a capacitive touchscreen, adjustable display wheel, and touch-sensitive rotary controls. Capture sound with the utmost in quality, courtesy of eight MIDAS Pro mic preamps, while a bevy of digital I/O options provide near-limitless connectivity. Record up to 64 channels directly to dual-SD cards, use optional expansion cards to attain Dante support, or deploy the WING’s built-in 48-in/48-out USB audio interface to record straight to your DAW. Getting around the WING is a breeze, thanks to its intuitive Sources, which put the emphasis on your source audio rather than the nuts and bolts of your mix. Complete with 16 true-stereo processors with standard and classic modeled effects, the WING is a top-shelf digital console that will elevate your live sound capabilities.
WING — made for the way you want to work
Digital mixers are insanely powerful; thus they can seem intimidating. That’s not the case with the WING. Despite its deep feature set, it’s a breeze to navigate. Its interface centers around a large capacitive touchscreen that’s augmented by touch-sensitive rotary controls. Best of all, its three fader sections and Custom Controls section can be tailored to your personal requirements. It doesn’t get much more intuitive than that! Whether you require a specific bus send fader next to the corresponding channel fader, or a meticulously configured custom channel that’s always at the ready, the WING is made for the way you want to work.
Sources make navigation simple
The WING is jam-packed with I/O — 374 inputs and outputs, to be exact. And if you include its internal signals, the WING includes 400 inputs and outputs. Faced with this much I/O, Behringer’s engineering team reimagined the flow of a traditional mixer, putting the emphasis on your source audio, using what Behringer calls — quite fittingly — Sources. In the WING, inputs are much more than historical inputs, because they contain metadata on what the Source is — tags, input icon, input color, gain, phantom power, and if the Source is mono, stereo, or mid-side. All of that information follows the Source to any channel. With one simple button, that information can be copied to the channel, and the tags, icon, color, and other metadata show up on the channel immediately. If you move a Source to another channel, the information goes with it, no need for old fashioned copying and pasting.
The implementation is carefully thought out, as well. Let’s face it, labeling and gain-staging 374 Sources can take some time. The workload can be easily split between two people as the WING is ready for dual operators. One person can be in charge of labeling the channels, including name, icon, color, tags, multiple mute groups, mono/stereo/mid-side configuration, and more. Using the 4-channel area of the WING as a separate work area, a second person can be in charge of gain-staging and determining phantom power for each source. To make things easier still, this can also be done from the WING Co-Pilot tablet app to label or set any of the parameters while patching from the stage. The beauty of this is whether you are looking at a channel, SD recorder, or any other output, you will always see and be able to refer to the Source.
Channels redefined
With so much focus on Sources, the WING has to go beyond the historical definition of what a channel is as well. With 374 Sources, a single 1-channel input seems a little underpowered. That’s why the WING has redefined what a single channel can do. Each of its 48 channels — 40 Inputs plus eight returns — can operate as mono, stereo, or mid-side. And when you assign a stereo Source to a channel, it automatically renders the channel in stereo. On top of that, each channel features an alternate (ALT) input that can be stereo as well, which makes toggling between two Sources a breeze.
The WING’s ALT inputs are a life saver. For example, say you have stereo tracks playing from a computer, but you also have a redundant hardware track player that’s synced to the computer. If the computer fails, the hardware tracks can take over with either a command or automatically. On a traditional console, that would take four channels. On the WING, it’s just one. Simply route the computer’s stereo Source to a single channel. Then specify the ALT input as the hardware player stereo signal. Other applications could be a redundant vocal mic. If the battery in a wireless transmitter unexpectedly goes out, the vocalist grabs a backup a microphone, and the signal immediately switches to the second mic. Again, this uses just one channel. Virtual sound checks have never been more straightforward. Just assign your 48 USB playback tracks or 64 XLive playback tracks to ALT inputs, hit play, and everything can automatically switch and be ready to go for your virtual soundcheck.ext
Mono or stereo? It’s all the same to the WING
All of the WING’s 48 input channels and 28 bus mixes can be used for mono, stereo, or mid-side sources — no channel linking required. And, as noted above, when you assign a stereo Source to a channel it automatically renders the channel in stereo. Best of all, there’s no need to reboot the console when you apply a mode change (the live sound engineers here did back flips when they realized this). This means that you can make on-the-fly changes from mono to stereo and back again.
Innovative channel editing section for lightning-fast operation
Designed from the ground up for immediate channel status overview and flow of operation, the WING’s innovative channel editing section offers effortless operation. It’s tailor-made for multitasking, enabling you to work on the selected channel’s processing, even while the main display is being used for something else entirely. And the WING’s touch-sensitive rotary controls put the most relevant information right at your fingertips.
Benefit from first-class hands-on control
The Behringer WING supplies you with all the hands-on control you need. It all starts with 24 motorized 100mm faders. These ultra-smooth faders make this digital console an absolute joy to mix on. Its central section includes a bevy of user-assignable controls, including four touch-sensitive rotary encoders and 20 buttons with two LCD screens. Apply whatever functions you’d like to have within reach, and they’ll always be at your fingertips. Make fine adjustments of up to eight user parameters with the WING’s adjustable display wheel, or use it for DAW remote control via USB MIDI. The WING’s configuration also includes pre-defined functionality for USB and SD card recorder transport, show control, and mute groups.
Loaded with top-shelf processing
Putting a pro-quality sheen on your mixes is easy with the Behringer WING. A Standard FX rack with eight true-stereo processors supplies you with a useful array of modulation, EQ, and dynamics effects. Beyond that, you also get a second Premium FX rack with eight true-stereo processors with sought-after algorithms from TC Electronic’s M3000 multi-effects processor, as well as world-class effects from Lexicon, Quantec, and EMT. All 40 of the WING’s stereo input channels boast built-in EQ and dynamics, some of which are modeled after famous hardware from legendary manufacturers like Pultec, SSL, SPL, Neve, Focusrite, dbx, Universal Audio, Elysia, and Empirical Labs. Finally, this digital mixer’s four main, eight matrix, and 16 stereo aux buses all feature dual inserts, 8-band parametric EQs, a stereo imager, and full dynamics processing.
Packed with ample I/O and limitless expansion
The WING comes loaded with ample I/O and is highly expandable as well, granting you a tremendous level of flexibility. It all starts with 40 stereo input processing channels, as well as eight stereo aux channels. Output processing channels include 16 stereo aux buses, eight stereo matrixes, and four stereo mains. You’ll benefit from plug-and-play remote I/O connectivity for up to 144 input and output signals via three AES50 ports. The WING boasts AES/EBU stereo digital I/O, two headphone connectors, MIDI I/O, and four GPIO ports. It includes a WING-LIVE card, enabling up to 64 channels of 32-bit/48kHz audio to be captured directly to a pair of SD or SDHC cards. You can also install optional cards to attain Dante support. On top of that, the WING makes a great studio tool, thanks to its built-in 48-in/48-out USB audio interface, which includes DAW remote functionality that emulates HUI and Mackie Control.
Uncompromising design ensures top-shelf sound
When it comes to sound quality, the Behringer WING doesn’t compromise. 40-bit floating-point processing at 48kHz or 44.1kHz with 1ms round-trip latency yield the top-shelf sound you demand. Eight legendary MIDAS Pro mic preamps and eight MIDAS Pro XLR outputs ensure that you capture high-quality sound. Eight channels of line-level auxiliary I/O on balanced TRS connectors bring in signals from media players or computers with the utmost in fidelity. Need more? A built-in StageCONNECT interface adds 32 channels of low-latency I/O over a single XLR microphone cable. Using the WING’s three AES50 networks, you can connect to 144 Sources. What’s more, the AES50 networks are compatible with MIDAS M32 and Behringer X32 mixers. Simply join your current M32/X32 network, and you’re good to go. You can also add Dante for endless possibilities.
Fast, dependable automixing with Auto Pilot
When you need fast, dependable automixing, the WING’s Auto Pilot gives you exactly that, providing you with automixing with two groups of gain sharing on any 16 input channels. And we do mean fast — it automatically tracks which microphone is receiving the highest levels and instantly increases its channel gain, all while reducing the sum of gain for all other channels in the same group. And it sounds excellent — ambient noise remains low, while intelligibility and gain before feedback are increased. Auto Pilot is perfect for corporate events, panel discussions, house of worship, and broadcast applications with multiple speakers.
Behringer WING Digital Mixer Features:
- 48-stereo-channel digital mixer with 40 stereo input processing channels, as well as 8 stereo aux channels
- 28 stereo buses — 16 stereo aux buses, 8 stereo matrixes, and 4 stereo mains
- 24 smooth-feeling motorized 100mm faders in 3 separate, configurable sections
- 10.1” capacitive touchscreen, adjustable display wheel, and rotary controls provide touch-sensitive channel editing
- 8 MIDAS Pro mic preamps and MIDAS outputs ensure that you capture high-quality sound
- 3 AES50 ports provide plug-and-play remote I/O connectivity for up to 144 input and output signals
- AES50 networks are compatible with MIDAS M32 and Behringer X32 mixers
- 32-channel StageCONNECT interface for personal monitoring or analog I/O boxes
- Includes AES/EBU stereo digital I/O, 2 headphone connectors, MIDI I/O, and 4 GPIO ports
- Compatible with Behringer and MIDAS digital snakes, including the S16, S32, SD8, SD16, DL16, and DL32
- WING-LIVE card captures up to 64 channels of 32-bit/48kHz audio to a pair of SD or SDHC cards
- Optional expansion cards supply Dante support
- Built-in 48-in/48-out USB audio interface with HUI and Mackie Control DAW remote functionality
- Sources put the emphasis on your source audio rather than on your inputs and channels
- Apply names, icons, and colors to each Source for at-a-glance identification
- Each channel can be either mono, stereo, or mid-side — no channel linking required
- 16 true-stereo processors with effects from Pultec, SSL, SPL, Neve, Focusrite, dbx, Universal Audio, Elysia, and Empirical Labs
- Auto Pilot supplies fast and dependable automixing with 2 groups of gain sharing
- Dual solo/monitor buses per channel for monitoring over phones/IEM and/or floor wedges
- Support for binary and OSC communication for remote operation
- WING Co-Pilot tablet app enables you to label or set parameters while patching from the stage
Tech Specs
- Type:Digital Mixer
- Channels:48 Stereo (40 x channel, 8 x aux)
- Inputs – Mic Preamps:8 x XLR-1/4″ combo (mic/line)
- Phantom Power:Yes
- Outputs – Main:8 x XLR
- Inputs – Digital:1 x XLR (AES/EBU), 3 x EtherCON (AES50 SuperMAC), 1 x XLR (StageCONNECT)
- Outputs – Digital:1 x XLR (AES/EBU), 3 x EtherCON (AES50 SuperMAC), 1 x XLR (StageCONNECT)
- Send/Return I/O:8 x 1/4″ TRS (aux in), 8 x 1/4″ TRS (aux out)
- Busses/Groups:8 x Stereo Matrix, 4 x Stereo Mains, 16 x Aux Stereo Bus
- Inserts:Dual Inserts per Bus, FX Insert Slot
- MIDI I/O:In/Out
- Data I/O:2 x Ethernet (control/audio network)
- Headphones:2 x 1/4″
- USB:1 x Type B, 1 x Type A
- Computer Connectivity:USB 2.0, 24-bit/48kHz (48 x 48)
- Remote:1 x 1/4″ (GPIO 1-2), 1 x 1/4″ (GPIO 3-4)
- I/O Expansion Slots:1 x Expansion Port (24-bit/48kHz)
- Faders:24 x 100mm Motorized
- A/D Resolution:Up to 24-bit/192kHz
- EQ Bands:6-band Parametric EQ (channel), 8-band Parametric EQ (bus), Additional EQs and Configurations
- Effects:8 x Premium FX Stereo Processors, 8 x Standard FX Stereo Processors, 5 x Variable Plug-in Slots
- Signal Processing:Full Dynamics Processing
- DAW Control:Yes (HUI, Mackie)
- Screen:10″ Capacitive Touchscreen, Adjustable Swivel
- Storage:2 x SD Card Slot (dual 32 track max)
- Power Source:Standard IEC AC cable
- Height:7.9″
- Depth:22.6″
- Width:34.3″
- Weight:52.8 lbs
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Behringer X32 Digital Mixing Console
₹199,990.00Add to cartBehringer X32: Live Digital Mixing Has Never Been Easier
Concentrate on your music, not a confusing mixer interface. The Behringer X32 digital mixer packs everything you need to easily mix and record a live show into a compact, roadworthy chassis. With its amazing-sounding Midas-designed mic preamps, the Behringer X32 is also great for the studio. Powerful and intuitive, the Behringer X32 sports 40 processing channels and 16 mix buses, giving you the flexibility you’ve always longed for. It comes equipped for 32-channel recording, with instant compatibility with major DAWs. Its serious signal processing can be quickly configured for sessions of any size. If you’re tired of negotiating an endless sea of encoders and menus, then it’s time you tried a new approach to digital mixing: the Behringer X32.
Behringer X32’s impressive I/O can tackle shows of any size
The Behringer X32 digital mixer boasts an impressive number of inputs and outputs for its compact size. Fitted with 32 great-sounding gain-programmable mic preamps, six 1/4″ TRS aux inputs, 16 balanced XLR outs, plus balanced Control Room outputs on both XLR and 1/4″ TRS connectors, the Behringer X32 lets you do large shows without fear of running out of I/O. A single Cat 5 cable from front of house to the stage can handle up to 48 channels of audio and deliver all bus outputs, along with 16 separate monitor feeds for Behringer’s optional P16-M Personal Monitoring System.
Great-sounding Midas-designed mic preamps
For the design of Behringer X32’s gain-programmable preamps, Behringer utilized Midas and Klark Teknik’s expertise to develop studio-quality mic preamps that deliver enhanced dynamic range, superior common mode rejection, and vanishingly low harmonic distortion (THD). These preamps sound amazing!
Instant compatibility with major DAWs
The Behringer X32 digital mixer comes with the X-USB recording interface card, which lets you record your tracks straight into your DAW. This convenience means that right out of the box, you have compatibility with Pro Tools, Logic, Cubase, Studio One, DP, and nearly any other ASIO or Core Audio–compatible DAW.
Onboard FX add a professional touch to your mixes
The Behringer X32 digital mixer sports an onboard virtual FX rack that gives you eight true-stereo (16 mono) multi-effects processors, including delay, chorus, and dynamics. The Behringer X32 can also run four studio-quality stereo reverbs together with eight channels of 31-band graphic EQ, eliminating expensive outboard hardware.
Comprehensive controls for a productive workflow
With Behringer’s X32 digital mixer, you can assign signals to eight DCA (digitally controlled amplifier) groups, with simultaneous group level control via dedicated 100mm motorized faders. The X32 has a talkback section (with built-in mic) that lets you communicate with the artists. The Behringer X32’s robust scene management lets you take snapshots of mixes that you can recall later. You can even save them to a USB thumb drive for later recall or use on another X32! What’s more, there’s a dedicated custom control section with user-definable knobs and buttons, so you can create customized sets of controls, making it simple and intuitive to access frequently used functions as you work.
v3 firmware and software updates bring exciting new features
With v3, the Behringer X32 digital mixer is more powerful than ever. Auto Mix enables automatic gain sharing, providing increased gain to your main speakers, while ducking open mics. This yields a better signal-to-noise ratio without any gating artifacts. Complete X-Touch integration allows direct control of volume, pan, EQ, FX, and more over Ethernet. Set up a full crossover without using a matrix mix. Reverse polarity on your outputs for easy speaker alignment. The Behringer X32-Edit app has been completely redesigned, with a new interface, full screen capabilities, floating windows, configurable fader layers, and more.
Behringer X32 Digital Mixer Features:
- 40-input, 25-total-bus digital mixer
- 16 mix buses, main LCR, 6 matrix buses
- Gain-programmable Midas-designed mic preamps deliver enhanced dynamic range and superior common mode rejection ratio (CMRR)
- Highly configurable, with up to 40 processing channels and 25 motorized faders
- USB flash connection allowing uncompressed recordings, storing show presets, and enabling system updates
- 6 independent matrix mix buses with inserts, 6-band parametric EQ, and dynamics processing
- Powerful scene management for easy handling of complex productions
- X-USB recording interface card included
- Support for optional Behringer P16-M Personal Monitoring System
- 48-channel digital snake ready (sold separately) via AES50 ports
v3 Firmware New Features:
- Auto Mix yields automatic gain sharing and mic ducking
- X-Touch integration allows direct control of parameters over Ethernet
- Set up a full crossover without using a matrix mix
- Reverse polarity on your outputs for easy speaker alignment
- Redesigned X32-Edit app features a new interface, full screen capabilities, floating windows, configurable fader layers, and more
Tech Specs
- Type:Digital
- Channels:40
- Inputs – Mic Preamps:32 x XLR
- Phantom Power:32 x Channels
- Outputs – Main:16 x XLR, 2 x XLR (monitor), 2 x 1/4″ TRS (monitor)
- Outputs – Digital:1 x XLR (AES)
- Send/Return I/O:1 x Dual RCA Stereo (aux in), 6 x 1/4″ TRS (aux in), 1 x Dual RCA Stereo (aux out), 6 x 1/4″ TRS (aux out)
- Busses/Groups:25 total (16 x bus, main LCR, 6 x matrix)
- Inserts:Yes
- Talkback:1 x XLR
- MIDI I/O:In/Out
- Data I/O:1 x Ultranet, 2 x AES50, 1 x Ethernet
- Headphones:2 x 1/4″ TRS (stereo)
- USB:2 x Type B, 1 x Type A
- Computer Connectivity:USB
- I/O Expansion Slots:1 x slot (32-channel USB audio interface)
- Faders:25 x 100mm (motorized)
- A/D Resolution:24-bit/48kHz
- EQ Bands:4-band EQ (channel strip), 6-band EQ (mix bus)
- Effects:Yes
- Signal Processing:Gate, Compressor
- Features:1 x 4-pin (lamp)
- DAW Control:Yes
- Screen:7″ Color TFT (main), LCD with RGB Color Backlight (channel)
- Power Source:Standard IEC AC cable
- Height:7.9″
- Depth:20.8″
- Width:35.4″
- Weight:45.4 lbs.
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Adam Audio T5V Powered Studio Monitors
₹25,499.00Add to cartProfessional ADAM Monitoring for the Budget-conscious Studio
Junior partner in the T Series, ADAM Audio’s affordable line of professional 2-way active studio monitors, the T5V features a 5″ polypropylene low-frequency driver that delivers bass extension down to 45Hz, while the company’s U-ART accelerated-ribbon tweeter provides pristine highs extended up to 25kHz – quite remarkable for a monitor in this price range. The tweeter’s broad, uniform dispersion pattern is assisted by a precision waveguide modeled on the High Frequency Propagation (HPS) waveguide used in ADAM’s premium S Series studio monitors, which provides an impressively wide sweet spot that liberates you from being constrained to a rigid listening position.
The T5V’s beveled cabinet features a rear-firing bass reflex port affixed to a thick metal backplate that houses the analog input connections and DSP-controlled driver crossovers and equalization. The woofer’s 50W Class D amplifier, in combination with the 20W Class D tweeter amp, enables a pair of T5Vs to achieve a maximum SPL of 106dB at one meter. The T5V’s extended frequency response, robust dynamic range, exemplary transient response, broad sweet spot, and compact footprint make it ideally suited for use in small control rooms for music production, video post, and broadcast applications. It’s a perfect monitoring solution, considering the modest budgets that many facilities have to work with.
5″ polypropylene low-frequency driver
The drivers in ADAM Audio studio monitors benefit from years of in-house research and development and take advantage of the latest advances in technology and materials science. The woofer in the T5V is engineered to deliver optimized low-frequency reproduction with extended dynamic range and freedom from coloration. It incorporates a rigid, yet low-mass polypropylene driver cone; a highly efficient magnet assembly and precisely aligned voice coil; and an optimized driver chassis/basket design. The T5V’s 5″ woofer extends response down to 45Hz, making the speaker a suitable choice for nearfield monitoring in small control rooms, with or without a subwoofer. If more low-end extension is desirable, ADAM Audio’s Sub8 and Sub7 subwoofers pair perfectly with the T5V.
The U-ART accelerated-ribbon tweeter
Instead of producing sound with a piston-like diaphragm like most loudspeakers, ADAM Audio’s U-ART accelerated-ribbon tweeter uses a pleated diaphragm that prevents distortion by moving air four times faster than the folds themselves are moving. Built to the tightest tolerances, the U-ART tweeter delivers ultra-low distortion and extends the frequency range up to 25kHz, enriching the soundfield with stunning detail and faithfully conveying every nuance of the source material so you can work over long periods without listening fatigue.
ADAM Audio: elevating the state of the art
From its 1999 launch in Berlin, ADAM Audio has built a solid reputation among the pro audio cognoscente. We know that a superior speaker system has superior components, and this is one area where the company has a distinct edge. With years of R&D behind each proprietary driver, ADAM Audio’s custom driver technology expresses itself in breakthroughs such as their X-ART (eXtended Accelerating Ribbon Technology) tweeter, which is based on a groundbreaking 1960s invention, the Heil Air Motion Transformer — and in fact, was the main impetus for the formation of ADAM Audio. The X-ART tweeter became the key to ADAM’s signature transparent, high-definition sound; and the core development of ADAM’s proprietary designs going forward.
Embracing, exploiting, and working with modern materials has allowed ADAM Audio to formulate loudspeaker components that continually elevate the state of the art in studio monitor design. Materials such as rare-earth magnets and high-strength diaphragm foils have increased reliability, enhanced performance, and made possible new driver geometry. As compared with conventional driver technology, Adam drivers deliver optimized radiation characteristics, lower distortion, and higher efficiency. Along with installations in a growing number of top studios, ADAM Audio’s monitor range has garnered rave reviews from audio experts and recording engineers worldwide. If you’re considering an upgrade to world-class monitoring, you’ll be in good company with ADAM Audio monitors.
ADAM Audio T5V Active Nearfield Studio Monitor Features:
- Vertical 2-way system with 1 x 5″ polypropylene woofer and U-ART tweeter
- U-ART accelerated-ribbon tweeter with precision HPS waveguide
- Large rear-firing bass reflex port
- Highly efficient 70W Class D bi-amplification
- Linear frequency response of 45Hz–25kHz
- Maximum peak sound pressure per pair at 1m ≥ 106dB
- Analog XLR and RCA inputs
- 2-year warranty; optional extension to 3 years with product registration
- Sold individually
Tech Specs
- Powered:Yes
- Power Configuration:Bi-amped
- LF Driver Size:5″ woofer
- LF Driver Type:Polypropylene
- HF Driver Size:1.9″ U-ART tweeter
- LF Driver Power Amp:50W
- HF Driver Power Amp:20W
- Frequency Response:45Hz-25kHz
- Crossover Frequency:3000Hz
- Maximum Peak SPL:≥106dB SPL @ 1m
- Input Types:1 x XLR, 1 x RCA
- Enclosure Type:Rear ported
- Height:11.7″
- Width:7″
- Depth:11.7″
- Weight:12.6 lbs.
- Manufacturer Part Number:T5V
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Adam Audio T7V Powered Studio Monitors
₹29,999.00Add to cartProfessional ADAM Monitoring for the Budget-conscious Studio
A member of the T Series, ADAM Audio’s affordable line of professional 2-way active studio monitors, the T7V features a 7″ polypropylene low-frequency driver that delivers bass extension down to an impressive 39Hz, while the company’s U-ART accelerated-ribbon tweeter provides pristine highs extended up to 25kHz – quite remarkable for a monitor in this price range. The tweeter’s broad, uniform dispersion pattern is assisted by a precision waveguide modeled on the High Frequency Propagation (HPS) waveguide used in ADAM’s premium S Series studio monitors, which provides an impressively wide sweet spot that liberates you from being constrained to a rigid listening position.
The T7V’s beveled cabinet features a rear-firing bass reflex port affixed to a thick metal backplate that houses the analog input connections and DSP-controlled driver crossovers and equalization. The woofer’s 50W Class D amplifier, in combination with the 20W Class D tweeter amp, enables a pair of T7Vs to achieve an impressive maximum SPL of 110dB at one meter. The T7V’s extended frequency response, robust dynamic range, exemplary transient response, broad sweet spot, and compact footprint make it ideally suited for use in small control rooms for music production, video post, and broadcast applications. It’s a perfect monitoring solution, considering the modest budgets that many facilities have to work with.
7″ polypropylene low-frequency driver
The drivers in ADAM Audio studio monitors benefit from years of in-house research and development and take advantage of the latest advances in technology and materials science. The woofer in the T7V is engineered to deliver optimized low-frequency reproduction with extended dynamic range and freedom from coloration. It incorporates a rigid, yet low-mass polypropylene driver cone; a highly efficient magnet assembly and precisely aligned voice coil; and an optimized driver chassis/basket design. The T7V’s 7″ woofer extends response down to 39Hz, making the speaker a suitable choice for nearfield monitoring in small control rooms, with or without a subwoofer. If more low-end extension is desirable, ADAM Audio’s Sub8 and Sub7 subwoofers pair perfectly with the T7V.
The U-ART accelerated-ribbon tweeter
Instead of producing sound with a piston-like diaphragm like most loudspeakers, ADAM Audio’s U-ART accelerated-ribbon tweeter uses a pleated diaphragm that prevents distortion by moving air four times faster than the folds themselves are moving. Built to the tightest tolerances, the U-ART tweeter delivers ultra-low distortion and extends the frequency range up to 25kHz, enriching the soundfield with stunning detail and faithfully conveying every nuance of the source material so you can work over long periods without listening fatigue.
ADAM Audio: elevating the state of the art
From its 1999 launch in Berlin, ADAM Audio has built a solid reputation among the pro audio cognoscente. We know that a superior speaker system has superior components, and this is one area where the company has a distinct edge. With years of R&D behind each proprietary driver, ADAM Audio’s custom driver technology expresses itself in breakthroughs such as their X-ART (eXtended Accelerating Ribbon Technology) tweeter, which is based on a groundbreaking 1960s invention, the Heil Air Motion Transformer — and in fact, was the main impetus for the formation of ADAM Audio. The X-ART tweeter became the key to ADAM’s signature transparent, high-definition sound; and the core development of ADAM’s proprietary designs going forward.
Embracing, exploiting, and working with modern materials has allowed ADAM Audio to formulate loudspeaker components that continually elevate the state of the art in studio monitor design. Materials such as rare-earth magnets and high-strength diaphragm foils have increased reliability, enhanced performance, and made possible new driver geometry. As compared with conventional driver technology, Adam drivers deliver optimized radiation characteristics, lower distortion, and higher efficiency. Along with installations in a growing number of top studios, ADAM Audio’s monitor range has garnered rave reviews from audio experts and recording engineers worldwide. If you’re considering an upgrade to world-class monitoring, you’ll be in good company with ADAM Audio monitors.
ADAM Audio T7V Active Nearfield Studio Monitor Features:
- Vertical 2-way system with 1 x 7″ polypropylene woofer and U-ART tweeter
- U-ART accelerated-ribbon tweeter with precision HPS waveguide
- Large rear-firing bass reflex port
- Highly efficient 70W Class D bi-amplification
- Linear frequency response of 39Hz–25kHz
- Maximum peak sound pressure per pair at 1m ≥ 110dB
- Analog XLR and RCA inputs
- 2-year warranty; optional extension to 3 years with product registration
- Sold individually
Tech Specs
- Powered:Yes
- Power Configuration:Bi-amped
- LF Driver Size:7″ woofer
- LF Driver Type:Polypropylene
- HF Driver Size:1.9″ U-ART tweeter
- LF Driver Power Amp:50W
- HF Driver Power Amp:20W
- Frequency Response:39Hz-25kHz
- Crossover Frequency:2600Hz
- Maximum Peak SPL:≥110dB SPL @ 1m
- Input Types:1 x XLR, 1 x RCA
- Enclosure Type:Rear ported
- Height:13.7″
- Width:8.3″
- Depth:11.5″
- Weight:15.7 lbs.
- Manufacturer Part Number:T7V
